id: 118982
accession number: 1940.1173
share license status: CC0
url: https://clevelandart.org/art/1940.1173
updated: 2019-11-18 10:00:32.797000
Gothic Church among Oaks, 1810. Karl Friedrich Schinkel (German, 1781-1841). Lithograph with tint stone; sheet: 47.8 x 34.1 cm (18 13/16 x 13 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection 1940.1173
title: Gothic Church among Oaks
title in original language:
series:
series in original language:
creation date: 1810
creation date earliest: 1810
creation date latest: 1810
current location:
creditline: Mr. and Mrs. Lewis B. Williams Collection
copyright:
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culture: Germany, 19th century
technique: lithograph with tint stone
department: Prints
collection: PR - Lithograph
type: Print
find spot:
catalogue raisonne: Winkler 763.8
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CREATORS
* Karl Friedrich Schinkel (German, 1781-1841) - artist
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measurements: Sheet: 47.8 x 34.1 cm (18 13/16 x 13 7/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Eastward from the Rhine: Romanticism to Abstraction, 1800-1925
opening date: 1984-06-12T04:00:00
Eastward from the Rhine: Romanticism to Abstraction, 1800-1925. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 12-September 9, 1984).
title: Nature Sublime: Landscapes from the 19th Century
opening date: 2004-08-15T00:00:00
Nature Sublime: Landscapes from the 19th Century. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 15-November 14, 2004).
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LEGACY EXHIBITIONS
* Cleveland, Ohio: The Cleveland Museum of Art; 8/15/04-11/14/04. "Nature Sublime: Landscapes from the 19th Century". No exhibition catalogue.
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PROVENANCE
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fun fact:
digital description:
wall description:
Schinkel was the principle German architect of the first half of the 19th century. Responsible for almost
every public building in Berlin, his Neoclassical buildings for the city, based on the rational order and
classic proportions of antiquity, came to define the power and stability of the Prussian capital. Schinkel
also had a career as a painter and printmaker in which he developed his ideas of architectural splendor in landscapes that juxtaposed nature with buildings. The theme of the visionary Gothic cathedral pervades his work. Gothic Church among Oaks combines the principal Romantic tenants of Christianity, nature, patriotism, and medievalism into one image. Here, as in Quaglio’s Outer Staircase of a Gothic Ruin (elsewhere in this gallery), a small child is contrasted with the enormity of the oak and the Gothic ruin. The continuity of life in the midst of death is signified by the sunflower among gravestones.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1940.1173/1940.1173_web.jpg
print: https://openaccess-cdn.clevelandart.org/1940.1173/1940.1173_print.jpg
full: https://openaccess-cdn.clevelandart.org/1940.1173/1940.1173_full.tif