id: 119456 accession number: 1940.340.2 share license status: CC0 url: https://clevelandart.org/art/1940.340.2 updated: 2019-11-18 10:01:24.965000 The Kiss of Judas, 1522-1526. Everhard Rensig (German), or Gerhard Remisch (German). Pot-metal and white glass, silver stain and sanguine; overall: 73.7 x 71.8 cm (29 x 28 1/4 in.). The Cleveland Museum of Art, Gift of S. Livingstone Mather, Constance Mather Bishop, Philip R. Mather, Katherine Hoyt Cross, and Katherine Mather McLean in accordance with the wishes of Samuel Mather 1940.340.2 title: The Kiss of Judas title in original language: series: series in original language: creation date: 1522-1526 creation date earliest: 1522 creation date latest: 1526 current location: 111 German and Austrian Gothic creditline: Gift of S. Livingstone Mather, Constance Mather Bishop, Philip R. Mather, Katherine Hoyt Cross, and Katherine Mather McLean in accordance with the wishes of Samuel Mather copyright: --- culture: Germany, Cologne, 16th century technique: pot-metal and white glass, silver stain and sanguine department: Medieval Art collection: MED - Renaissance type: Glass find spot: catalogue raisonne: --- CREATORS * Everhard Rensig (German) - artist * Gerhard Remisch (German) - artist --- measurements: Overall: 73.7 x 71.8 cm (29 x 28 1/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Splendour and Glory of the Middle Ages: Cologne's Masterpieces from the World's Great Collections opening date: 2011-11-04T00:00:00 Splendour and Glory of the Middle Ages: Cologne's Masterpieces from the World's Great Collections. Museum Schnütgen, Cologne, Germany (November 4, 2011-February 26, 2012). --- LEGACY EXHIBITIONS * Museum Schnutgen, Cologne (11/4/2011 - 2/26/2012): "Splendour and Glory of the Middle Ages: Cologne's Masterpieces from the World's Great Collections", fig. 164, p. 401-402. --- PROVENANCE Samuel Mather, Cleveland, Ohio. date: footnotes: citations: --- fun fact: digital description: wall description: These two stained glass panels originally belonged to an extensive program of Old and New Testament subjects that originally decorated the cloister of the Cistercian Abbey of Mariawald, near Cologne. The original placement of glass at Mariawald involved windows composed of two openings. Each comprised three large glass panels plus a smaller tracery panel. Two scenes in each window represented Old Testament subjects (below) and the New Testament (above). Above the biblical narrative panels were smaller messenger panels depicting images of prophets with scrolls. At the base of each window were donor and patron saint panels. In this way, the Old Testament was shown to prefigure the events of the New. These two panels depicting scenes of Christ’s Passion were originally located in the north corner of the east cloister gallery with the Kiss of Judas on the left, and Christ in Gethsemane on the right. Mariawald was founded in 1480 and closed in 1802 when the stained glass windows were removed. Recent scholarship has attributed the glass to the Rhenish glass painters Everhard Rensig or Gerhard Remisch. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1940.340.2/1940.340.2_web.jpg print: https://openaccess-cdn.clevelandart.org/1940.340.2/1940.340.2_print.jpg full: https://openaccess-cdn.clevelandart.org/1940.340.2/1940.340.2_full.tif