{
"data": {
"id": 119621,
"accession_number": "1940.473",
"share_license_status": "CC0",
"tombstone": "The Last Supper (pair), c. 1500. Lucantonio degli Uberti (Italian), after Perugino (Italian, c. 1450/55\u20131523). Engraving on two sheets printed from two plates. The Cleveland Museum of Art, Dudley P. Allen Fund, 1940.473",
"current_location": null,
"title": "The Last Supper (pair)",
"creation_date": "c. 1500",
"creation_date_earliest": 1490,
"creation_date_latest": 1505,
"artists_tags": [
"male"
],
"culture": [
"Italy, 16th century"
],
"technique": "engraving on two sheets printed from two plates",
"support_materials": [],
"department": "Prints",
"collection": "PR - Engraving",
"type": "Print",
"dimensions": {},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 312341,
"title": "The Silver Jubilee Exhibition",
"description": "The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).",
"opening_date": "1941-06-23T04:00:00"
},
{
"id": 708538,
"title": "Early Italian Engravings",
"description": "Early Italian Engravings. National Gallery of Art, Washington, DC (organizer) (April 17-June 19, 1949).",
"opening_date": "1949-04-17T05:00:00"
},
{
"id": 301184,
"title": "Department of Prints and Drawings Opening Exhibition",
"description": "Department of Prints and Drawings Opening Exhibition. The Cleveland Museum of Art (organizer) (March 3, 1958-October 11, 1959).",
"opening_date": "1958-03-03T05:00:00"
},
{
"id": 350269,
"title": "Prints and Drawings from the Cleveland Museum of Art Collection",
"description": "Prints and Drawings from the Cleveland Museum of Art Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 6-September 9, 1965).",
"opening_date": "1965-05-06T04:00:00"
},
{
"id": 350752,
"title": "Old Master Prints and Drawings",
"description": "Old Master Prints and Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 29, 1966-February 28, 1967).",
"opening_date": "1966-07-29T04:00:00"
},
{
"id": 309664,
"title": "Consuming Passions: The Art of Food and Drink",
"description": "Consuming Passions: The Art of Food and Drink. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 26-October 9, 1983).",
"opening_date": "1983-07-26T04:00:00"
},
{
"id": 683420,
"title": "In Vino Veritas (In Wine, Truth)",
"description": "In Vino Veritas (In Wine, Truth). The Cleveland Museum of Art, Cleveland, OH (organizer) (September 7, 2025-January 11, 2026).",
"opening_date": "2025-09-07T04:00:00"
}
],
"legacy": []
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "This print is the only known impression of the entire composition. A copy with only the right side is preserved today at the British Museum in London.",
"description": "Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper, however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper. The composition is believed to be a fairly close copy of a fresco by Perugino in the convent of San Onofrio in Florence, around 1495. The scene is set within an arched interior embellished by a frieze of eagles and by half pilasters with floral decorations and putti. Fluffy clouds are visible beyond the archways. Christ and the apostles are on a bench arranged behind the table. Judas, instead, sits on a stool in the middle of the room, looking over his shoulder towards the viewer. The engraver included two reliefs at both ends of the bench. The panel on the right shows Judas with four soldiers, while the one on the left features a knight, a squire, and a banner. On it, the letters LVC . . . TNO have been interpreted as the artist's signature.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60748958"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1940.473-the-last-supper-pair"
]
},
"citations": [
{
"citation": "Prasse, Leona. \"'The Last Supper' by Lucantonio Degli Uberti.\" The Bulletin of the Cleveland Museum of Art 30, no. 1 (January 1943): 5-6.",
"page_number": "Reproduced: p. 2; Mentioned: p. 5",
"url": "jstor.org/stable/25141034"
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 617",
"url": "https://archive.org/details/CMAHandbook1958/page/n115"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 81",
"url": "https://archive.org/details/CMAHandbook1966/page/n105"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 81",
"url": "https://archive.org/details/CMAHandbook1969/page/n105"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 93",
"url": "https://archive.org/details/CMAHandbook1978/page/n113"
},
{
"citation": "National Gallery of Art (U.S.). Leonardo\u2019s Last Supper : Precedents and Reflections. Washington, D.C.: National Gallery of Art, 1983.",
"page_number": "",
"url": ""
}
],
"url": "https://clevelandart.org/art/1940.473",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1940.473/1940.473_web.jpg",
"width": "900",
"height": "343",
"filesize": "169315",
"filename": "1940.473_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1940.473/1940.473_print.jpg",
"width": "3400",
"height": "1294",
"filesize": "2093527",
"filename": "1940.473_print.jpg"
},
"full": {
"url": "https://openaccess-cdn.clevelandart.org/1940.473/1940.473_full.tif",
"width": "15648",
"height": "5956",
"filesize": "279627840",
"filename": "1940.473_full.tif"
}
},
"alternate_images": [],
"creditline": "Dudley P. Allen Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 119621,
"creators": [
{
"id": 24087,
"description": "Lucantonio degli Uberti (Italian)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Very little is known about Lucantonio degli Uberti, an itinerant Florentine engraver, woodcutter, and printer. He was active in Florence during the last years of the fifteenth century. in 1503-1504, he worked as a painter in Verona. Between 1503 and 1526, he engraved numerous woodcut book illustrations in Venice. In these works, Lucantonio included the monogram with his initials in several different variations, such as L, LA, LAF, or LAFF, signifying \"Lucas Antonius Florentinus Fecit\". Recently, some scholars have argued that Lucantonio worked perhaps also in Milan and Esztergom in Hungary in the 1490s. Though a considerable number of woodcuts are attributed to Lucantonio, only eight engravings are accredited to him with any certainty.",
"name_in_original_language": null,
"use_in_caption": true,
"include_extent": false,
"weight": 1
},
{
"id": 8212,
"description": "Perugino (Italian, c. 1450/55\u20131523)",
"extent": null,
"qualifier": "after",
"role": "artist",
"biography": null,
"name_in_original_language": null,
"birth_year": "1450",
"death_year": "1523",
"use_in_caption": true,
"include_extent": false,
"weight": 2
}
],
"legal_status": "accessioned",
"accession_date": "1940-10-30T00:00:00",
"sortable_date": 1490,
"date_added_to_oa": null,
"date_text": "c. 1500",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "cover",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-03-27 00:10:34.343000"
}
}