id: 120298
accession number: 1941.150
share license status: CC0
url: https://clevelandart.org/art/1941.150
updated: 2024-03-26 01:57:44.669000
After the Bath III, 1891–92. Edgar Degas (French, 1834–1917). Lithograph; image: 24.9 x 23 cm (9 13/16 x 9 1/16 in.); sheet: 37.3 x 30.9 cm (14 11/16 x 12 3/16 in.). The Cleveland Museum of Art, Twenty-fifth anniversary gift of Captain Charles G. King, III 1941.150
title: After the Bath III
title in original language:
series:
series in original language:
creation date: 1891–92
creation date earliest: 1891
creation date latest: 1892
current location:
creditline: Twenty-fifth anniversary gift of Captain Charles G. King, III
copyright:
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culture: France, 19th century
technique: lithograph
department: Prints
collection: PR - Lithograph
type: Print
find spot:
catalogue raisonne: Reed & Shapiro 65
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CREATORS
* Edgar Degas (French, 1834–1917) - artist
Son of a Parisian banker, Edgar Degas enrolled in law school in 1853 following his father's wishes. But he had already shown an interest in art and had also registered to copy at the Louvre. In 1855 he entered the École des Beaux-Arts and became a student of Louis Lamothe (1822-1869), a former pupil of Ingres (q.v.). One year later Degas made the traditional journey to Italy, remaining there for three years. He visited family members in Naples and Florence and attended life classes at the Villa Medici in Rome. A visit to Normandy in 1861 may have introduced him to the racetrack. In Paris he continued to study at the Louvre, where he met Manet (q.v.) in 1862. Apart from his continuous interest in portraiture and history painting, Degas began to pay attention to subjects of modern life. Between 1865 and 1870, he exhibited at the Salon. At the time of the Franco-Prussian War, he enlisted in the artillery, but because of his poor eyesight he served (with Manet) in the infantry. After the war he traveled first to London and, in 1872-73, visited his uncle and brothers who had a cotton business in New Orleans. Degas participated in the first impressionist exhibition of 1874. He continued to exhibit with these artists until 1886 but never completely considered himself a member of the group, preferring to call himself a realist or naturalist. While many of the impressionists painted en plein air, Degas worked with models in his studio and, later in his career, from his imagination. In addition to painting, he experimented often with monotypes, engraving, pastels, sculpture, and photography. He traveled extensively-London, Naples, Spain, Morocco, and Switzerland-but continued to draw his subject matter from modern-day Paris. Other recurring themes would be the female nude and the ballet dancer. After the impressionist exhibition of 1886, Degas no longer participated in group shows. Instead he sold his works to private dealers such as Durand-Ruel and Ambroise Vollard. In the 1890s he began his own art collection, which, besides many works on paper, included paintings by such artists as Ingres, Cézanne (q.v.), Delacroix (q.v.), Gauguin (q.v.), and van Gogh (q.v.). His own art at the time became characterized by broader strokes of paint, charcoal, and pastel and the use of more vibrant colors, partly because of problems with his vision. His failing eyesight and poor health caused him to abandon his pursuit of art during the last years of his life.
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measurements: Image: 24.9 x 23 cm (9 13/16 x 9 1/16 in.); Sheet: 37.3 x 30.9 cm (14 11/16 x 12 3/16 in.)
state of the work: I/II
edition of the work: Approximately 20 impressions of the first state
support materials:
description: beige (1) wove paper
watermarks:
inscriptions:
inscription: signed, lower right: "Degas" in pencil
translation:
remark:
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CURRENT EXHIBITIONS
title: The Silver Jubilee Exhibition
opening date: 1941-06-23T04:00:00
The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).
title: Exhibition of the Month: Ways of Drawing Nudes
opening date: 1945-01-30T04:00:00
Exhibition of the Month: Ways of Drawing Nudes. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 30-June 6, 1945).
title: Japonisme: Japanese Influence on French Art, 1854 - 1910
opening date: 1975-07-09T04:00:00
Japonisme: Japanese Influence on French Art, 1854 - 1910. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 9-August 31, 1975); Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ (October 4-November 16, 1975); Walters Art Gallery, Baltimore, MD (December 10, 1975-January 26, 1976).
title: The Impressionist Aesthetic
opening date: 1982-08-10T04:00:00
The Impressionist Aesthetic. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 10-October 31, 1982).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Catalogue of an exhibition of the art of lithography: commemorating the sesquicentennial of its invention, 1798-1948. [Cleveland]: The Cleveland Museum of Art, November 11, 1948-January 2, 1949. Published as: La Sortie du Bain.
page number: Mentioned: p. 29
url: https://archive.org/details/Lithography/page/n36
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1941.150/1941.150_web.jpg
print: https://openaccess-cdn.clevelandart.org/1941.150/1941.150_print.jpg
full: https://openaccess-cdn.clevelandart.org/1941.150/1941.150_full.tif