id: 121188 accession number: 1942.1065 share license status: CC0 url: https://clevelandart.org/art/1942.1065 updated: 2024-03-26 01:57:47.959000 Romaine Lacaux, 1864. Pierre-Auguste Renoir (French, 1841–1919). Oil on fabric; framed: 106.7 x 89.2 x 8.9 cm (42 x 35 1/8 x 3 1/2 in.); unframed: 81.3 x 65 cm (32 x 25 9/16 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1942.1065 title: Romaine Lacaux title in original language: series: series in original language: creation date: 1864 creation date earliest: 1864 creation date latest: 1864 current location: 222 Impressionism & Post-Impressionism creditline: Gift of the Hanna Fund copyright: --- culture: France, 19th century technique: oil on fabric department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Pierre-Auguste Renoir (French, 1841–1919) - artist Renoir's parents, a tailor and a dressmaker, moved their family to Paris in 1844. At age thirteen Renoir apprenticed with the porcelain decorators Levy Frères & Cie. He earned money by painting fans, blinds, and murals for cafés. In 1860 he registered to copy Old Master paintings in the Louvre and, the following year, entered the studio of Charles Gleyre (1806-1874), where he met Frédéric Bazille (1841-1870), Monet (q.v.), and Sisley (q.v.). In 1862 he was also accepted at the École des Beaux-Arts. With his friends from Gleyre's studio, he began working en plein air and, during a visit to the forest of Fontainebleau, was introduced to Diaz de la Peña (q.v.). After a failed attempt in 1863, Renoir's first painting was accepted at the Salon of 1864, the same year he painted Cleveland's portrait of Romaine Lacaux. More typical of this early period, however, is the painting Diana the Huntress (1867, National Gallery of Art, Washington, D.C.), which reveals Courbet's (q.v.) influence. Around 1867 Renoir shared a studio with Bazille and Monet, the latter becoming an important influence on his art. Renoir and Monet's comparable impressionist style during this period is evident in two paintings each made at La grenouillère (all four titled La grenouillère, 1869: Nationalmuseum, Stockholm, and Pushkin Museum, Moscow [Renoir]; National Gallery, London, and Metropolitan Museum of Art, New York [Monet]),1 a bathing establishment on the Seine. After Renoir's military service during the Franco-Prussian War (1870-71), Monet introduced him to the dealer Durand-Ruel, who began purchasing his works. Renoir's submissions to the Salon were regularly refused, which encouraged him to participate in the first impressionist exhibition in 1874 and the 1875 auction at Hôtel Drouot, where his works were ridiculed by the critics. At the third impressionist exhibition in 1877, he showed Ball at the Moulin de la Galette (1876, Musée d'Orsay, Paris), in which he addressed a subject of modern life, one of his most characteristic impressionist paintings on a grand scale, with a rich pattern of light and shadow. In 1878 he returned to the Salon and became quite successful, establishing his reputation as a portraitist (1878, Mme Charpentier and her Children, Metropolitan Museum of Art, New York). He continued to use this official venue for the next several years, declining to exhibit with the impressionists. This decision was partly generated by the fact that his newfound clientele would be more appreciative of his participating in the Salon. He was supported by his patrons, particularly the Charpentiers, owners of a publishing house, whose journal La vie moderne furthered Renoir's reputation. After a trip to North Africa and Italy in 1881, he joined Cézanne at L'Estaque. Throughout the 1880s and 1890s Renoir traveled extensively through Brittany, Normandy, Provence, and Spain. In the mid-1880s he began to experiment with more linear contours, the application of thinner paint layers, and smoother brush strokes. This so-called Ingresque period, which had a very mixed reception, lasted for about six years. He then reflected upon the achievements of the Old Masters and favored a more fluid style, after which he returned to using broader brush strokes and more vibrant colors. In 1886 he was given a one-man show by Durand-Ruel. By 1900 Renoir was an established artist: he became Chevalier of the Legion of Honor in 1900 and four years later was honored at the Salon d'Automne with a gallery devoted to his works. Beginning in 1912 he suffered from rheumatism and began using a wheelchair, yet he continued to work until the end of his life. He now often stayed in southern France, where he owned property in Cagnes-sur-Mer. Renoir regularly exhibited his works at the Durand-Ruel and Bernheim-Jeune galleries in Paris, as well as elsewhere in Europe and in the United States. --- measurements: Framed: 106.7 x 89.2 x 8.9 cm (42 x 35 1/8 x 3 1/2 in.); Unframed: 81.3 x 65 cm (32 x 25 9/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed center right: a. renoir / 1864 translation: remark: --- CURRENT EXHIBITIONS title: 19th and 20th Century French Art and Leonard C. Hanna, Jr. Loans opening date: 1943-06-22T04:00:00 19th and 20th Century French Art and Leonard C. Hanna, Jr. Loans. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 22-September 1, 1943). title: Twenty-one Masterpieces by Seven Great Masters opening date: 1948-11-15T05:00:00 Twenty-one Masterpieces by Seven Great Masters. Paul Rosenberg & Co. (organizer) (November 15-December 1, 1948). title: A Loan Exhibition of Renoir for the Benefit of the New York Infirmary opening date: 1950-03-22T05:00:00 A Loan Exhibition of Renoir for the Benefit of the New York Infirmary. Wildenstein & Co. (organizer) (March 22-April 29, 1950). title: 35th Anniversary Exhibition opening date: 1951-06-20T04:00:00 35th Anniversary Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 30, 1951). title: In Memoriam: Leonard C. Hanna, Jr. opening date: 1958-03-04T05:00:00 In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). title: Youthful Works by Great Artists opening date: 1963-03-10T05:00:00 Youthful Works by Great Artists. Allen Memorial Art Museum, Oberlin, OH (organizer) (March 10-30, 1963). title: Style, Truth and the Portrait opening date: 1963-10-01T04:00:00 Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963). title: Renoir opening date: 1973-02-03T05:00:00 Renoir. The Art Institute of Chicago, Chicago, IL (organizer) (February 3-April 1, 1973). title: L'Art en France Sours Le Second Empire (Art in France Under the Second Empire) opening date: 1978-10-01T04:00:00 L'Art en France Sours Le Second Empire (Art in France Under the Second Empire). Philadelphia Museum of Art, Philadelphia, PA (organizer) (October 1-November 26, 1978); The Detroit Institute of Arts, Detroit, MI (January 28-March 18, 1979); Galeries Nationales du Grand Palais, 75008 Paris, France (May 11-August 13, 1979). title: Renoir opening date: 1985-01-30T05:00:00 Renoir. Hayward Gallery, London, United Kingdom of Great Britain and Northern Ireland (January 30-April 21, 1985); Galeries Nationales du Grand Palais, 75008 Paris, France (May 14-September 2, 1985); Museum of Fine Arts, Boston, Boston, MA (October 9, 1985-January 5, 1986). title: Object Lessons: Cleveland Creates an Art Museum opening date: 1991-06-07T04:00:00 Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991). title: Les Origines de l'Impressionnisme opening date: 1994-04-19T04:00:00 Les Origines de l'Impressionnisme. Galeries Nationales du Grand Palais, 75008 Paris, France (April 19-August 8, 1994); The Metropolitan Museum of Art, New York, NY (September 19, 1994-January 8, 1995). title: Renoir's Portraits: Impressions of an Age opening date: 1997-06-27T00:00:00 Renoir's Portraits: Impressions of an Age. National Gallery of Canada (organizer) (June 27-September 14, 1997); The Art Institute of Chicago (October 17, 1997-January 4, 1998); Kimbell Art Museum (February 8-April 26, 1998). title: Faces of Impressionism: Portraits from American Collections opening date: 1999-10-10T00:00:00 Faces of Impressionism: Portraits from American Collections. The Baltimore Museum of Art (organizer) (October 10, 1999-January 30, 2000); Museum of Fine Arts, Houston (March 25-May 7, 2000); The Cleveland Museum of Art, Cleveland, OH (May 28-July 30, 2000). title: Manet/Velázquez: The French Taste for Spanish Painting opening date: 2003-02-25T00:00:00 Manet/Velázquez: The French Taste for Spanish Painting. The Metropolitan Museum of Art, New York, NY (organizer) (February 25-June 29, 2003). title: Masterworks from The Phillips Collection opening date: 2005-02-20T00:00:00 Masterworks from The Phillips Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 20-May 29, 2005). title: Renoir's Women opening date: 2005-09-23T00:00:00 Renoir's Women. Columbus Museum of Art, Columbus, OH (organizer) (September 23, 2005-January 15, 2006). title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art opening date: 2006-05-27T00:00:00 Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Beijing World Art Museum, China (May 26-August 27, 2006); Mori Art Center (September 16-November 26, 2006); Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009). --- LEGACY EXHIBITIONS * {'description': 'Exposition de la jeunesse vue par les maîtres français et étrangers du XVIe au XIXe siècle. Paris, Hôtel Jean Charpentier, Paris, France (1928.', 'opening_date': '1928-01-01T00:00:00'} * {'description': 'French Art 1200-1900. London, Royal Academy of Arts, London, United Kingdom (1932).', 'opening_date': '1932-01-01T00:00:00'} * {'description': "Exposition Renoir 1841-1919. Paris, Musée de L'Orangerie, Paris, France (1933).", 'opening_date': '1933-01-01T00:00:00'} * {'description': 'Centennial Loan Exhibition 1841-1941: Renoir. Duveen Galleries, New York, NY (1941).', 'opening_date': '1941-01-01T00:00:00'} --- PROVENANCE Lacaux family, Paris, France date: footnotes: citations: Edmond Decap, Paris, France, by descent to Mme. Maruice Barret-Decap date: footnotes: citations: Mme. Maurice Barret-Decap, Paris, France date: -1929 footnotes: citations: (Drouot, Paris, France, December 12, 1929, lot 12, Barret-Decap Sale, sold to Roger Berheim) date: 1929-1941 footnotes: citations: (Roger Bernheim, Paris, France, sold to Jacques Seligmann & Co.,) date: by 1941 footnotes: citations: (Jacques Seligmann & Co., New York, NY, December 2, 1941, sold to the Cleveland Museum of Art) date: 1941-1942 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1942- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Revue de l'Art Ancien et Moderne 751 (September/October 1928): cover. page number: Reproduced: cover url: Hotel Drouot. "Auction. December 12, 1929." ARTnews 28, no. 7 (16 November, 1929): 11. page number: Reproduced: p. 11 url: Hotel Drouot. "Auction. December 12, 1929." ARTnews 28, no. 8 (23 November, 1929): 11. page number: Reproduced: p. 11 url: Imbourg, Pierre. "The B . . . D . . .Collection." Formes; An International Art Review 1 (December 1929): 20-21. page number: Mentioned: p. 20-21; reproduced: opp. p. 18 url: Royal Academy of Arts (Great Britain). Commemorative Catalogue of the Exhibition of French Art, 1200-1900. London, UK: Oxford University Press, H. Milford, 1933. page number: Reproduced: p. 109, no.479 url: "Noel 1933." L'Illustration: Journal Universel (1933): 49. page number: Reproduced: p.49 url: Barnes, Albert C., and Violette De Mazia. The Art of Renoir. New York, NY: Minton, Balch & Co, 1935. page number: Reproduced: p. 255 url: Florisoone, Michel, Frederic Lees, and André Gloeckner. Renoir. New York, NY: French and European Publications, Inc, 1938. page number: Reproduced: p. 26 url: Wilenski, R. H. Modern French Painters. New York, NY: Reynal & Hitchcock, 1940. page number: Reproduced: p. 339 url: Frankfurter, Alfred M. "Celebrating Renoir's Centenary: A Bright Galaxy." ARTnews 40 (15-30 November 1941): 16-21. page number: Mentioned and reproduced: p. 16-21. url: Francis, Henry S. "Melle Romaine Lacaux by Renoir." The Bulletin of the Cleveland Museum of Art XXX, no. 6 (June, 1943): 92-98. page number: Reproduced: p. 86 url: Richardson, E. P. "Mlle. Romaine Lacaux by Renoir." The Art Quarterly 6, no. 2 (Spring 1943): 150, 156. page number: Mentioned: p. 156; reproduced: p. 150 url: Davidson, Alfred. "Cleveland Buys Goya and Renoir Portraits." Art Digest 17, no. 17 (1 June 1943): 7. page number: Mentioned and reproduced: p. 7 url: "Renoir and Goya Meet in Cleveland." ARTnews 42, no. 8 (June/July 1943): 35. page number: Mentioned and reproduced: p.35 url: ARTnews 42, no. 17 (15-31 January 1944): cover. page number: Reproduced: cover url: Paintings in the Cleveland Museum of Art. [Cleveland]: The Cleveland Museum of Art, 1945. page number: Reproduced: p. 36 url: https://archive.org/details/CMAPaintings1945/page/n44 Vaudoyer, Jean-Louis. Les impressionnistes de Manet à Cézanne. Paris, FR: Nouvelles éditions françaises, 1948. page number: Reproduced: p. 50 url: Zahar, Marcel. Renoir. New York, NY: Authentic Publications, 1948. page number: Figs. 1, 3 url: ARTnews Annual 1948. New York, N.Y.: Newsweek, Inc, 1948. page number: Reproduced: p. 75 url: Paul Rosenberg & Co. Loan Exhibition of 21 Masterpieces by 7 Great Masters ... for the Benefit of the Public Education Association, November 15th to December 18th, 1948. New York, N.Y.: P. Rosenberg & Co, 1948. page number: Mentioned and Reproduced: cat. no. 4 url: Pictures on Exhibit 11, no. 3 (December 1948): cover. page number: Reproduced: cover url: Catalogue de reproductions en couleurs de la peinture de 1860 à ... = Catalogue of colour reproductions of painting from 1860 to ... = Catálogo de reproducciones en color de la pintura de 1860 a. Paris, FR: Unesco, 1949. page number: Reproduced: p. 297 url: ARTnews Annual 1948-1949. New York, N.Y.: Newsweek, Inc, 1949. page number: Reproduced: p. 188 url: Pach, Walter. Pierre Auguste Renoir. New York, NY: H.N. Abrams, 1950. page number: Reproduced: p. 32-33 url: Venturi, Lionello. Impressionists and Symbolists: Manet, Degas, Monet, Pissarro, Sisley, Renoir, Cezanne, Seurat, Gauguin, Van Gogh, Toulouse-Lautrec. New York, NY: Scribner, 1950. page number: Reproduced: p. 93, fig. 92 url: Wildenstein and Company (New York, N.Y.), and Daniel Wildenstein. A Loan Exhibition of Renoir for the Benefit of the New York Infirmary, March 23-April 29, 1950 at Wildenstein. 1950. page number: Mentioned: cat. no. 1, Reproduced: frontispiece url: Towndrow, Kenneth Romney. “French Painters.” Apollo: The International Magazine for Collectors 55 (February 1952): 43–48. page number: Reproduced: p. 45 url: The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 501 url: https://archive.org/details/CMAHandbook1958/page/n92 Cleveland Museum of Art. In Memoriam: Leonard C. Hanna, Jr. Cleveland: The Cleveland Museum of Art, 1958. page number: Mentioned and reproduced: no. 72 url: Encyclopedia of World Art. New York: McGraw-Hill, 1959. page number: Mentioned: vol. 12, p. 162 url: Seligman, Germain. Merchants of Art: 1880-1960; Eighty Years of Professional Collecting. New York, NY: Appleton-Century-Crofts, 1962. page number: Reproduced: pl. 93 url: Rostrup, Haavard. "Studier I Fransk Portraetmaleri: Renoir og Bonnard." Meddelelser fra Ny Carlsberg Glyptotek 20 (1963): 1-24. page number: Mentioned: p. 8; reproduced: p. 3 url: Saisselin, Rémy G. Style, Truth, and the Portrait. [Cleveland]: Cleveland Museum of Art, 1963. page number: Reproduced: cat. no. 88. url: Stechow, Wolfgang. "A Symposium Honoring Professor Wolfgang Stechow : Youthful Works by Great Artists." Bulletin / Allen Memorial Art Museum / Allen Memorial Art Museum20.1963, 77-220 : Ill. ; 8 (1963). page number: Mentioned and Reproduced: cat. no. 24 url: Henning, Edward B. "From Turner to Guston." Apollo: A Journal of the Arts 78 (December 1963): 184-488. page number: Reproduced: p. 484 url: Lambourne, Nigel. Renoir: Paintings, Drawings, Lithographs, and Etchings. London, UK: Folio Society, 1965. page number: Reproduced: pl. 2 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 173 url: https://archive.org/details/CMAHandbook1966/page/n197 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 173 url: https://archive.org/details/CMAHandbook1969/page/n197 Cabanne, Pierre. Renoir. [Paris]: Réalités-Hachette, 1970. page number: Mentioned and reproduced: p. 46-47 url: Daulte, François. Auguste Renoir: catalogue raisonné de l'œuvre peint. Lausanne: Durand-Ruel, 1971. page number: Reproduced: p. 33, vol. 1 no. 12 url: Fezzi, Elda. L'opera completa di Renoir nel periodo impressionista, 1869-1883. Milano: Rizzoli, 1972. page number: Reproduced: p. 89, fig. 7 url: Daulte, François. Auguste Renoir. Milano, IT: Fratelli Fabbri Editori, 1972. page number: Reproduced: p. 74, fig. 1864 url: Champa, Kermit Swiler. Studies in Early Impressionism. New Haven, CT: Yale University Press, 1973. page number: Reproduced: p. 49, pl. 16, mentioned: p. 34-38 url: Renoir, Auguste, and John Maxon. Paintings by Renoir. [Chicago]: Art Institute of Chicago, 1973. page number: url: Kuroe, Mitsuhiko. Renoir. Tokyo, Japan: Shincho-sha, 1974. page number: Reproduced: no. 1 url: Wheldon, Keith, and Auguste Renoir. Renoir and His Art. London, UK: Hamlyn, 1975. page number: Reproduced: p. 12, pl. 4 url: Pach, Walter. Auguste Renoir: Leben und Werk. Köln, Germany: Verlag M. DuMont Schauberg, 1976. page number: Reproduced: p. 61, pl. 1 url: De Mazia, Violette. "E Pluribus Unum--Cont'd: Part IV." Journal of the Art Department 8, no. 2 (Autumn 1977): 3-42. page number: Mentioned: p. 5; reproduced: pl.4 url: Callen, Anthea. Renoir. London, UK: Oresko Books,1978. page number: Reproduced: p. 7, fig. 1 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 215 url: https://archive.org/details/CMAHandbook1978/page/n235 Moulin, Jean-Marie. "The Art of the Second Empire." The Magazine Antiques 114, no. 4 (October 1978): 776-783. page number: Reproduced: p. 777 url: Galeries nationales du Grand Palais (France), Philadelphia Museum of Art, Detroit Institute of Arts, and Réunion des musées nationaux (France). L'Art en France sous le Second Empire: [exposition], Grand Palais, 11 mai-13 août 1979. Paris: La Réunion, 1979. page number: Mentioned: cat. no. VI, Reproduced: p. 348-9 url: Harris, Nathaniel. A Treasury of Impressionism. London, UK: Optimum, 1979. page number: url: Renoir: Hayward Gallery, London, UK, January 30 - April 21, 1985, Galeries nationales du Grand Palais, Paris, FR, May 14 - September 2, 1985, Museum of Fine Arts, Boston, MA. October 9 -January 5, 1986. Paris, FR: Réunion des musées nationaux, 1985. page number: Referenced: cat. no. 1, p. 182, Reproduced: p. 37, 182 url: Renoir, Auguste. Renoir: Hayward Gallery, London, 30 January-21 April 1985, Galeries Nationales Du Grand Palais, Paris, 14 May-2 September 1985, Museum of Fine Arts, Boston, 9 October 1985-5 January 1986. [London]: Arts Council of Great Britain, 1985. page number: Mentioned and Reproduced: cat. no. 1, 37,182 url: Tinterow, Gary, and Henri Loyrette. Origins of Impressionism. 1994. page number: Reproduced: p. 254-255 url: Drucker, Michel. Renoir. Paris, FR: P. Tisné, 1944. page number: Reproduced: p. 25, pl. 2 url: Renoir's Portraits: Impressions of an Age (Exhibition), Auguste Renoir, Colin B. Bailey, John Bruce Collins, Linda Nochlin, and Anne Distel. Renoir's Portraits: Impressions of an Age. New Haven: Yale University Press, 1997. page number: Mentioned and Reproduced: cat. no. 3, p. 21-23, 94-96, 268 url: Johnston, Sona. Faces of Impressionism: Portraits from American Collections. New York, NY : Rizzoli, 1999. page number: Reproduced: p. 145, cat. no. 53 url: Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974. page number: Mentioned and reproduced: P. 526-529, Vol. II, no. 184 url: Joannides, Paul. Renoir: sa vie, son oeuvre. Courbevoie, FR: Soline, 2000. page number: Reproduced: p. 19 url: Sekai bijutsukan no tabi. Tōkyō, Japan: Shōgakukan, 2002. page number: Reproduced: p. 310 url: Tinterow, Gary, Geneviève Lacambre, and Deborah L. Roldán. Manet/Velázquez: The French Taste for Spanish Painting. New York, NY: Metropolitan Museum of Art, 2003. page number: Reproduced: p. 516, fig. 1.64, p. 64 url: Pach, Walter, and Auguste Renoir. Pierre Auguste Renoir. New York, NY: Harry N. Abrams, Publishers, 2003. page number: Reproduced: p. 48-49 url: Fahy, Everett, Elizabeth E. Barker, and Jayne Wrightsman. The Wrightsman pictures. New York, NY: Metropolitan Museum of Art, 2005. page number: Reproduced: p. 181 url: Dumas, Ann, and John Bruce Collins. Renoir's Women. London, UK: Merrell, 2005. page number: Reproduced: p. 41, fig. 26 url: Burgess, Margaret B., "Side by Side", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 45 no. 05, May/June 2005 page number: Mentioned & reproduced: p. 9 url: https://archive.org/details/CMAMM2005-05/page/8 Kagawa, Kyōko. Runowāru. Tōkyō, Japan: Shōgakukan, 2006. page number: Reproduced: p. 74 url: Dauberville, Guy-Patrice, Michel Dauberville, and Camille Frémontier-Murphy. Renoir: catalogue raisonné des tableaux, pastels, dessins et aquarelles. Paris, FR: Éditions Bernheim-Jeune, 2007. page number: Reproduced: p. 485, fig. 489 url: "Off the Walls." Fine Art Connoisseur 5, no. 5 (September/October 2008):67-71. page number: Mentioned and reproduced: p. 71 url: Thomas, Greg M. Impressionist Children: Childhood, Family, and Modern Identity in French Art. New Haven, CT: Yale University Press, 2010. page number: Reproduced: p. 9, fig. 10 url: Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. page number: Mentioned and reproduced: P. 289 url: "Auf der Such nach dem Museumparkplatz." Weltkunst. 154 (march 2019): 68 page number: Reproduced: p. 68 url: Arendsee, M., and M. Steinman-Arendsee. "Take the CAN disability aesthetics tour, at the Cleveland Museum of art." CAN Journal (Winter 2019/20): 76-87. page number: Reproduced: p. 82 url: Robinson, William H. “Portrait of Renoir.” Cleveland Art: Cleveland Museum of Art Members Magazine 61, no. 4 (Fall 2021): 28. page number: Reproduced and Mentioned: P. 28 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1942.1065/1942.1065_web.jpg print: https://openaccess-cdn.clevelandart.org/1942.1065/1942.1065_print.jpg full: https://openaccess-cdn.clevelandart.org/1942.1065/1942.1065_full.tif