id: 121297
accession number: 1942.1168
share license status: Copyrighted
url: https://clevelandart.org/art/1942.1168
updated: 2024-03-26 01:57:48.427000
The Terrace, c. 1938. Paul Outerbridge (American, 1896–1958). Assembly process color print (three-color carbro process); image: 40.3 x 30.8 cm (15 7/8 x 12 1/8 in.); paper: 44.2 x 33.9 cm (17 3/8 x 13 3/8 in.); matted: 55.9 x 45.7 cm (22 x 18 in.). The Cleveland Museum of Art, Gift of Mrs. Ralph S. Allen 1942.1168
title: The Terrace
title in original language:
series:
series in original language:
creation date: c. 1938
creation date earliest: 1933
creation date latest: 1943
current location:
creditline: Gift of Mrs. Ralph S. Allen
copyright:
---
culture: America, 20th century
technique: assembly process color print (three-color carbro process)
department: Photography
collection: PH - American 1900-1950
type: Photograph
find spot:
catalogue raisonne:
---
CREATORS
* Paul Outerbridge (American, 1896–1958) - artist
Paul Outerbridge, Jr. American, 1896-1958
Paul Outerbridge, Jr., was a modernist photographer and early pioneer in color work who embarked on a successful advertising career in the 1920s. Following studies at the Art Students League in his native New York (1915-17) and service in the British Royal Flying Corps (Canada) and U.S. Army, Outerbridge enrolled in Clarence H. White's School of Photography in 1921. Influenced by the school's strong emphasis on design, he created carefully composed, often abstracted, still-life studies of everyday objects. After a year of study he began work as a commercial photographer, providing innovative images for such publications as Vogue, Vanity Fair, and Harper's Bazaar. He also continued his personal work, producing still lifes, cityscapes, and figure studies.
In 1925 Outerbridge moved to Paris, where he established himself as a freelance photographer and became acquainted with a number of artists, including Man Ray, Marcel Duchamp, and Berenice Abbott. Three years later he was in Berlin working on motion pictures and that same year also worked in London as a set advisor to film director E. A. Dupont. Returning to the United States in 1929, Outerbridge resumed his commercial work, first in New York City, then in Monsey, New York. He also experimented with color photography, perfecting the three-color carbo process technique that he used during the 1930s.
Outerbridge moved to Hollywood in 1943, but soon left to settle in Laguna Beach and open a small portrait studio. Following his marriage to fashion designer Lois Weir in 1945, Outerbridge closed his studio to focus on their joint fashion business, Lois-Paul Originals. He also traveled extensively during these years. From the mid-1950s until his death in 1958, Outerbridge contributed a column on color photography to U.S. Camera magazine. M.M.
---
measurements: Image: 40.3 x 30.8 cm (15 7/8 x 12 1/8 in.); Paper: 44.2 x 33.9 cm (17 3/8 x 13 3/8 in.); Matted: 55.9 x 45.7 cm (22 x 18 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: In pencil on recto: vertical crop mark 36.7 from top
translation:
remark:
---
CURRENT EXHIBITIONS
title: The Precisionist Aesthetic in American Art
opening date: 1989-01-24T05:00:00
The Precisionist Aesthetic in American Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 24-April 9, 1989).
title: Paul Outerbridge: Command Performance
opening date: 2009-03-31T00:00:00
Paul Outerbridge: Command Performance. J. Paul Getty Museum, Los Angeles, CA (organizer) (March 31-August 9, 2009).
---
LEGACY EXHIBITIONS
* {'description': 'Laguna Beach Museum of Art, Nov. 21 - Jan. 10, 1982: "Paul Outerbridge: A Singular Aesthetic: Photographs & Drawings, 1921-1941: A Catalogue Raisonné," catalogue no. 459, p. 174, repr. p. 174.', 'opening_date': '1982-11-21T00:00:00'}
* {'description': 'CMA, January 24 - April 9, 1989: "The Precisionist Aesthetic in American Art."', 'opening_date': '1989-01-24T00:00:00'}
* {'description': 'J. Paul Getty Museum, Los Angeles, CA (3/31/2009 - 8/9/2009): "Paul Outerbridge: Command Performance"', 'opening_date': '2009-03-31T00:00:00'}
---
PROVENANCE
---
fun fact:
digital description:
wall description:
---
RELATED WORKS
---
CITATIONS
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.265
page number: Reproduced: P. 265
url:
---
IMAGES