id: 121799
accession number: 1942.169
share license status: CC0
url: https://clevelandart.org/art/1942.169
updated: 2024-03-26 01:57:50.645000
Book of Hours (Use of Paris), c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt 1942.169
title: Book of Hours (Use of Paris)
title in original language:
series:
series in original language:
creation date: c. 1420
creation date earliest: 1415
creation date latest: 1425
current location:
creditline: Bequest of Julia Morgan Marlatt
copyright:
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culture: France, Paris
technique: ink, tempera, and gold on vellum
department: Medieval Art
collection: MED - Manuscript Illuminations
type: Bound Volume
find spot:
catalogue raisonne:
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CREATORS
* Boucicaut Master (French, Paris, active about 1410–25) - artist
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measurements: Sheet: 20.3 x 14 cm (8 x 5 1/2 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Netherlandish Book Illustrations
opening date: 1960-04-22T05:00:00
Netherlandish Book Illustrations. Allen Memorial Art Museum, Oberlin, OH (organizer) (April 22-May 15, 1960).
title: Scriptorium: The Illuminated Book in Medieval Art
opening date: 1991-11-05T05:00:00
Scriptorium: The Illuminated Book in Medieval Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5, 1991-February 2, 1992).
title: The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection
opening date: 2010-11-06T00:00:00
The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 2010-April 17, 2011).
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LEGACY EXHIBITIONS
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PROVENANCE
Estate of Julia Morgan Marlatt, Cleveland, OH, bequest to the Cleveland Museum of Art
date: -1942
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1942-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
“Gothic Art 1360-1440: Catalog.” The Cleveland Museum of Art Bulletin (Sept. 1963)
page number: p. 189 & 202
url:
Meiss, Millard. French Painting in the Time of Jean De Berry: The Late Fourteenth Century and the Patronage of the Duke. 1967.
page number:
url:
Delaisse, L.M.J. “An Exhibition of Netherlandish Book Illumination.” AllenMemorial Art Museum Bulletin XVII (Summer 1960)
page number: p. 97
url:
Fliegel, Stephen N. The Jeanne Miles Blackburn Collection of Manuscript Illuminations. Cleveland, Ohio: Cleveland Museum of Art, 1999.
page number: p. 36
url:
Olds, Clifton C., Ralph G. Williams, and William R. Levin. Images of Love and Death in Late Medieval and Renaissance Art: The University of Michigan, Museum of Art, November 21, 1975-January 4, 1976. [Ann Arbor]: University of Michigan, Museum of Art, 1976.
page number: p. 50
url:
Bibliothèque royale de Belgique, and J. van den Gheyn. Deux livres d'heures (nos. 10767 et 11051 de la Bibliothèque royale de Belgique) attribués à l'enlumineur Jacques Coene. Bruxelles: Vromant & co; [etc.], 1911.
page number:
url:
Panofsky, Erwin. Early Netherlandish Painting, Its Origins and Character. Cambridge: Harvard University Press, 1953.
page number: figs. 67, 74, 77
url:
Delaisse, L.M.J. “Une Production d’un atelier Parisien et le Caractere Composite de Certains Livres d’Herures." Scriptorium II (1948)
page number: p. 78
url:
Bartz, Gabriele. Zentrum und Peripherie: der Meister des Guise-Stundenbuchs, vel potius Meister des Stundenbuchs des Guy de Laval. Simbach am Inn: Verlagsbuchhandlung Anton Pfeiler, 2017.
page number: Mentioned: p. 58, 88 (notes 1-4); 120,179 (note 2); 181; 223, 238
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1942.169/1942.169_web.jpg
print: https://openaccess-cdn.clevelandart.org/1942.169/1942.169_print.jpg
full: https://openaccess-cdn.clevelandart.org/1942.169/1942.169_full.tif