id: 121910
accession number: 1942.215.5
share license status: CC0
url: https://clevelandart.org/art/1942.215.5
updated: 2025-12-21 05:52:56.177000
Ink Stick from an Imperially Commissioned Set of Ink Stick with Images and Poems of Famous West Lake Sites, 1780–94. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Molded ink in blue; overall: 7.8 x 3.9 cm (3 1/16 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Henry W. Kent, 1942.215.5
title: Ink Stick from an Imperially Commissioned Set of Ink Stick with Images and Poems of Famous West Lake Sites
title in original language:
series:
series in original language:
creation date: 1780–94
creation date earliest: 1780
creation date latest: 1794
current location:
creditline: Gift of Henry W. Kent
copyright:
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culture: China, Qing dynasty (1644–1911), Qianlong reign (1736–95)
technique: Molded ink in blue
department: Chinese Art
collection: China - Qing Dynasty
type: Miscellaneous
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 7.8 x 3.9 cm (3 1/16 x 1 9/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: 乾隆年製
translation:
remark:
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CURRENT EXHIBITIONS
title: History of The Chinese Book
opening date: 1967-04-01T05:00:00
History of The Chinese Book. The Ohio State University, Columbus, OH (organizer) (April 1-May 15, 1967).
title: Power and Possession: Chinese Calligraphy and Inscribed Objects – Chinese Gallery Rotation 240a, 241c
opening date: 2018-08-13T04:00:00
Power and Possession: Chinese Calligraphy and Inscribed Objects – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 13, 2018-February 3, 2019).
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LEGACY EXHIBITIONS
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PROVENANCE
Henry W. Kent [1866–1948], Cleveland, OH, given to the Cleveland Museum of Art
date: ?–1942
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1942–
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
The poems on the ink sticks are published in Yuzhi shiji 御製詩集 [Collection of imperial poetry], vol. 4, juan 71, 6b–8b; and Qinding nanzun shengdian 欽定南巡盛典 [Grand ritual of the southern tour], juan 17, 17b–28b.
page number:
url:
Wang Chi-chien. "Notes on Chinese Ink." Metropolitan Museum Studies, Vol. 3, No. 1 (Dec. 1930), pp. 114–133.
page number: Reproduced: p. 127, fig. 14
url: https://www.jstor.org/stable/1522772
Hollis, Howard. "A Gift of Chinese Inks." The Bulletin of the Cleveland Museum of Art Vol. 33, No. 1 (Jan., 1946), pp. 3–5, 11.
page number: Mentioned: pp. 3–5, 11
url: https://www.jstor.org/stable/25141247
von Spee, Clarissa. “The Power of Writing: A new display in the Chinese galleries focuses on inscriptions.” Cleveland Art: Cleveland Museum of Art Members Magazine 58, no. 5 (September/October 2018): 12–13.
page number: Reproduced and Mentioned: p. 13
url: https://archive.org/details/CMAMM2018-05/page/n5/mode/2up
Griswold, William, Xiaofei Tian, Richard Von Glahn, Feng Zhao, S. J. Vainker, Masaaki Itakura, Jiang Wu, et al. China’s Southern Paradise: Treasures from the Lower Yangzi Delta. Edited by Clarissa von Spee. Cleveland, OH: The Cleveland Museum of Art, 2023.
page number: Mentioned and Reproduced: pp. 374–375, no. 206
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1942.215.5/1942.215.5_web.jpg
print: https://openaccess-cdn.clevelandart.org/1942.215.5/1942.215.5_print.jpg
full: https://openaccess-cdn.clevelandart.org/1942.215.5/1942.215.5_full.tif