id: 122158
accession number: 1942.48
share license status: CC0
url: https://clevelandart.org/art/1942.48
updated: 2023-08-26 11:09:33.749000
Portrait of a Woman, c. 1540. Corneille de Lyon (Netherlandish, 1500–10–1574). Oil on wood; framed: 39 x 26 x 5 cm (15 3/8 x 10 1/4 x 1 15/16 in.); unframed: 16.5 x 14.8 cm (6 1/2 x 5 13/16 in.). The Cleveland Museum of Art, Gift of Grace Rainey Rogers in memory of her father, William J. Rainey 1942.48
title: Portrait of a Woman
title in original language:
series:
series in original language:
creation date: c. 1540
creation date earliest: 1540
creation date latest: 1540
current location: 114 Late Northern Renaissance
creditline: Gift of Grace Rainey Rogers in memory of her father, William J. Rainey
copyright:
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culture: Netherlandish, active France, 16th century
technique: oil on wood
department: European Painting and Sculpture
collection: P - French & Austria 16th C. and earlier
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Corneille de Lyon (Netherlandish, 1500–10–1574) - artist
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measurements: Framed: 39 x 26 x 5 cm (15 3/8 x 10 1/4 x 1 15/16 in.); Unframed: 16.5 x 14.8 cm (6 1/2 x 5 13/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: 35th Anniversary Exhibition
opening date: 1951-06-20T04:00:00
35th Anniversary Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 30, 1951).
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LEGACY EXHIBITIONS
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PROVENANCE
Lancaster, Lisbon.
date:
footnotes:
citations:
Grace Rainey Rogers, by gift to the Cleveland Museum of Art, 1942.
date:
footnotes:
citations:
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fun fact:
digital description:
Corneille de Lyon worked both for the French court and wealthy merchants. His distinctive northern style stood in contrast to the taste for Italian Renaissance painting and connected closely to portrait miniatures and manuscript painting. Recent conservation treatment has restored the smooth, enamel-like background and the meticulous rendering of detail.
wall description:
Corneille de Lyon worked both for the French court and wealthy merchants. His distinctive northern style stood in contrast to the taste for Italian Renaissance painting (seen in the nearby portrait) and connected closely to portrait miniatures and manuscript painting. Recent conservation treatment has restored the smooth, enamel-like background and the meticulous rendering of detail.
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RELATED WORKS
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CITATIONS
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
page number: Mentioned and Reproduced: cat. no. 409
url: https://archive.org/details/CMAHandbook1958/page/n75
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 102
url: https://archive.org/details/CMAHandbook1966/page/n126
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 102
url: https://archive.org/details/CMAHandbook1969/page/n126
The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.
page number: Reproduced: p. 62; Mentioned: p. 63
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1942.48/1942.48_web.jpg
print: https://openaccess-cdn.clevelandart.org/1942.48/1942.48_print.jpg
full: https://openaccess-cdn.clevelandart.org/1942.48/1942.48_full.tif