id: 122158 accession number: 1942.48 share license status: CC0 url: https://clevelandart.org/art/1942.48 updated: 2023-08-26 11:09:33.749000 Portrait of a Woman, c. 1540. Corneille de Lyon (Netherlandish, 1500–10–1574). Oil on wood; framed: 39 x 26 x 5 cm (15 3/8 x 10 1/4 x 1 15/16 in.); unframed: 16.5 x 14.8 cm (6 1/2 x 5 13/16 in.). The Cleveland Museum of Art, Gift of Grace Rainey Rogers in memory of her father, William J. Rainey 1942.48 title: Portrait of a Woman title in original language: series: series in original language: creation date: c. 1540 creation date earliest: 1540 creation date latest: 1540 current location: 114 Late Northern Renaissance creditline: Gift of Grace Rainey Rogers in memory of her father, William J. Rainey copyright: --- culture: Netherlandish, active France, 16th century technique: oil on wood department: European Painting and Sculpture collection: P - French & Austria 16th C. and earlier type: Painting find spot: catalogue raisonne: --- CREATORS * Corneille de Lyon (Netherlandish, 1500–10–1574) - artist --- measurements: Framed: 39 x 26 x 5 cm (15 3/8 x 10 1/4 x 1 15/16 in.); Unframed: 16.5 x 14.8 cm (6 1/2 x 5 13/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: 35th Anniversary Exhibition opening date: 1951-06-20T04:00:00 35th Anniversary Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 30, 1951). --- LEGACY EXHIBITIONS --- PROVENANCE Lancaster, Lisbon. date: footnotes: citations: Grace Rainey Rogers, by gift to the Cleveland Museum of Art, 1942. date: footnotes: citations: --- fun fact: digital description: Corneille de Lyon worked both for the French court and wealthy merchants. His distinctive northern style stood in contrast to the taste for Italian Renaissance painting and connected closely to portrait miniatures and manuscript painting. Recent conservation treatment has restored the smooth, enamel-like background and the meticulous rendering of detail. wall description: Corneille de Lyon worked both for the French court and wealthy merchants. His distinctive northern style stood in contrast to the taste for Italian Renaissance painting (seen in the nearby portrait) and connected closely to portrait miniatures and manuscript painting. Recent conservation treatment has restored the smooth, enamel-like background and the meticulous rendering of detail. --- RELATED WORKS --- CITATIONS The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 409 url: https://archive.org/details/CMAHandbook1958/page/n75 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 102 url: https://archive.org/details/CMAHandbook1966/page/n126 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 102 url: https://archive.org/details/CMAHandbook1969/page/n126 The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982. page number: Reproduced: p. 62; Mentioned: p. 63 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1942.48/1942.48_web.jpg print: https://openaccess-cdn.clevelandart.org/1942.48/1942.48_print.jpg full: https://openaccess-cdn.clevelandart.org/1942.48/1942.48_full.tif