id:			122255
accession number:	1942.564
share license status:	CC0
url:			https://clevelandart.org/art/1942.564
updated:		2025-09-13 18:33:08.377000

Saint Margaret, c. 1520–1530. Antonello Gaggini (Italian, 1478–1536). Marble; overall: 139.7 x 54.6 x 18.2 cm (55 x 21 1/2 x 7 3/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.564

title:				Saint Margaret
title in original language:	
series:				
series in original language:	
creation date:			c. 1520–1530
creation date earliest:		1520
creation date latest:		1530
current location:		
creditline:			Purchase from the J. H. Wade Fund
copyright:			

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culture:	Italy, Sicily, Palermo, 16th century
technique:	marble
department:	European Painting and Sculpture
collection:	Sculpture
type:		Sculpture
find spot:	
catalogue raisonne: 

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CREATORS

* Antonello Gaggini (Italian, 1478–1536)  - artist

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measurements: Overall: 139.7 x 54.6 x 18.2 cm (55 x 21 1/2 x 7 3/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Classic to Baroque: A Style Change in the Arts
	opening date:   1949-09-30T04:00:00
	<i>Classic to Baroque: A Style Change in the Arts</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30-November 13, 1949).

	title:		Object in Focus: Saint Margaret
	opening date:   1998-02-10T00:00:00
	<i>Object in Focus: Saint Margaret</i>. The Cleveland Museum of Art (organizer) (February 10-March 16, 1998).

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LEGACY EXHIBITIONS

* {'description': 'Cleveland, Ohio:  The Cleveland Museum of Art; February 10 - March 16, 1998.  "Object in Focus:  Saint Margaret."', 'opening_date': '1998-02-10T00:00:00'}

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PROVENANCE

	Adolph Loewi (Los Angeles, California), sold to the Cleveland Museum of Art, 1942.
	date: 
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:

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RELATED WORKS

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CITATIONS

	Milliken, William. "'St. Margaret' by Antonello Gagini." <em>The Bulletin of the Cleveland Museum of Art </em>30, no. 1 (January 1943): 3-5.
	page number: 	Reproduced: front cover; Mentioned: p. 3
	url:		https://www.jstor.org/stable/25141033

	The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.
	page number: 	Mentioned and Reproduced: cat. no. 206
	url:		https://archive.org/details/CMAHandbook1958/page/n47

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.
	page number: 	Reproduced: p. 95
	url:		https://archive.org/details/CMAHandbook1966/page/n119

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.
	page number: 	Reproduced: p. 95
	url:		https://archive.org/details/CMAHandbook1969/page/n119

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.
	page number: 	Reproduced: p. 110
	url:		https://archive.org/details/CMAHandbook1978/page/n130

	Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 38 no. 02, February
	page number: 	Mentioned & reproduced: p. 2
	url:		https://archive.org/details/CMAMM1998-02/page/n1

	Nova, Alessandro and Vitale Zanchettin. <em>Michelangelo: Arte, Materia, Lavoro.</em> Venezia: Marsilio, 2019.
	page number: 	Reproduced; p. 27, fig. 8
	url:		

	Campbell, Stephen J. The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto's Italy. Chicago ; London : The University of Chicago Press, 2019, 87-88.
	page number: 	Mentioned and reproduced: pp. 87-88, fig. 3.28
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1942.564/1942.564_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1942.564/1942.564_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1942.564/1942.564_full.tif