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"data": {
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"accession_number": "1942.826",
"share_license_status": "CC0",
"tombstone": "Altar Frontal: Scenes from the Childhood of Christ, c. 1500. France and South Netherlands, 1500s. Wool, silk, gold thread; tapestry weave; overall: 107.3 x 240 cm (42 1/4 x 94 1/2 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.826",
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"title": "Altar Frontal: Scenes from the Childhood of Christ",
"creation_date": "c. 1500",
"creation_date_earliest": 1495,
"creation_date_latest": 1505,
"artists_tags": [],
"culture": [
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],
"technique": "Wool, silk, gold thread; tapestry weave",
"support_materials": [],
"department": "Textiles",
"collection": "Textiles",
"type": "Tapestry",
"measurements": "Overall: 107.3 x 240 cm (42 1/4 x 94 1/2 in.)",
"dimensions": {
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"height": 1.073,
"height_inch": 42,
"height_inch_fraction": 0.25,
"width": 2.4,
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"title": "Exhibition of the John L. Severance Collection",
"description": "Exhibition of the John L. Severance Collection. The Cleveland Museum of Art, Cleveland, OH (November 12, 1942-March 14, 1943).",
"opening_date": "1942-11-12T04:00:00"
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"title": "Illustrating Episodes in the Life of Christ",
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"opening_date": "1948-03-12T05:00:00"
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"title": "35th Anniversary Exhibition",
"description": "35th Anniversary Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 30, 1951).",
"opening_date": "1951-06-20T04:00:00"
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"title": "When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story",
"description": "When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 1, 1981-January 17, 1982).",
"opening_date": "1981-12-01T05:00:00"
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"id": 179384,
"title": "Draped in Splendor: Renaissance Textiles and the Church",
"description": "Draped in Splendor: Renaissance Textiles and the Church. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 7, 2003-September 26, 2004).",
"opening_date": "2003-09-07T00:00:00"
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"id": 344792,
"title": "Only for Beauty? (Textile Rotation) - Gallery 115",
"description": "Only for Beauty? (Textile Rotation) - Gallery 115. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 2014-December 7, 2015).",
"opening_date": "2014-12-08T05:00:00"
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{
"id": 343659,
"title": "Art of Embroidery in Late Medieval Europe (Textile Rotation) - Gallery 115",
"description": "Art of Embroidery in Late Medieval Europe (Textile Rotation) - Gallery 115. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 19, 2020-April 11, 2021).",
"opening_date": "2020-12-19T05:00:00"
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"legacy": [
{
"description": "2000 Years of Tapestry Weaving. Wadsworth Atheneum, Hartford, CT (December 7, 1951-January 27, 1952); Baltimore Museum of Art, Baltimore, MD (February 27-March 25, 1952).",
"opening_date": "1952-02-27T00:00:00"
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"provenance": [
{
"description": "Charles T. Barney [1851\u20131907], New York, NY",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 1
},
{
"description": "John L. Severance [1863\u20131936], Cleveland, OH, bequest to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "?\u20131942",
"sortorder": 2
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{
"description": "The Cleveland Museum of Art, Cleveland, OH",
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"footnotes": null,
"date": "1942\u2013",
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"related_works": [],
"former_accession_numbers": [
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],
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"early_education_description": null,
"artlens_description": null,
"description": "Pictorial tapestries were symbols of wealth and more highly prized than paintings. Small tapestries with Christian imagery were frequently commissioned to embellish the fronts of altars. This example displays the Massacre of the Innocents, the Flight into Egypt, and Christ among the Doctors.
Tapestry weave is ideal for creating narrative scenes. The technique can be compared to painting, as each colored weft (horizontal thread) is interlaced with warps (vertical thread) where needed for the pattern. As expensive investments, tapestries have the advantage of being portable and easily stored and displayed.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q80018936"
],
"internet_archive": [
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"citations": [
{
"citation": "Catalogue of the John L. Severance Collection: Bequest of John L. Severance, 1936. [Cleveland, Ohio]: Cleveland Museum of Art, 1942.",
"page_number": "Reproduced: p. [53], Plate XXV, cat. no. 117; Mention: p. 59, cat. no. 117",
"url": "https://archive.org/details/SeveranceBequest/page/n63"
},
{
"citation": "Milliken, William M., Gertrude Underhill, and Jean Mailey. \"Department of Decorative Arts.\" The Bulletin of the Cleveland Museum of Art 29, no. 9 (November 1942): 137-151.",
"page_number": "Mentioned: p. 148-149",
"url": "https://www.jstor.org/stable/25141017"
},
{
"citation": "Wadsworth Atheneum, Adelyn Dohme Breeskin, and Charles Crehore Cunningham. 2000 Years of Tapestry Weaving: A Loan Exhibition : Wadsworth Atheneum, Hartford, Dec. 7, 1951 to Jan. 27, 1952 ; the Baltimore Museum of Art, Feb. 27, 1952 to Mar. 25, 1952. Hartford, Conn: Wardsworth Atheneum], 1951.",
"page_number": "p. 37",
"url": null
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 184",
"url": "https://archive.org/details/CMAHandbook1958/page/n44"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 72",
"url": "https://archive.org/details/CMAHandbook1966/page/n96"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 72",
"url": "https://archive.org/details/CMAHandbook1969/page/n96"
},
{
"citation": "Asselberghs, Jeen Paul. Les tapisseries flamandes aux E\u0301tats-Unis d'Ame\u0301rique. Bruxelles: Muse\u0301es royaux d'Art et d'Histoire, 1974.",
"page_number": "p. 21",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 81",
"url": "https://archive.org/details/CMAHandbook1978/page/n101"
},
{
"citation": "Weigert, Laura. Weaving Sacred Stories : French Choir Tapestries and the Performance of Clerical Identity. Ithaca: Cornell University Press, 2004.",
"page_number": "",
"url": ""
},
{
"citation": "Ensemble conventuel des Jacobins de Toulouse, Muse\u0301e des tapisseries d\u2019Aix-en-Provence, and Muse\u0301e de Normandie. Saints de Ch\u0153urs : Tapisseries Du Moyen Age et de La Renaissance. Milan: 5 continents, 2004.",
"page_number": "",
"url": ""
},
{
"citation": "Cleland, Elizabeth A. H., Lorraine Karafel, and Glasgow Museums. Tapestries from the Burrell Collection. London: Philip Wilson Publishers, an imprint of I.B. Tauris & Co Ltd, 2017.",
"page_number": "",
"url": ""
}
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