id: 123168
accession number: 1943.392
share license status: CC0
url: https://clevelandart.org/art/1943.392
updated: 2024-03-26 01:57:56.071000
The Call, 1902. Paul Gauguin (French, 1848–1903). Oil on fabric; framed: 160.5 x 119 x 9.5 cm (63 3/16 x 46 7/8 x 3 3/4 in.); unframed: 131.3 x 89.5 cm (51 11/16 x 35 1/4 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1943.392
title: The Call
title in original language:
series:
series in original language:
creation date: 1902
creation date earliest: 1902
creation date latest: 1902
current location: 222 Impressionism & Post-Impressionism
creditline: Gift of the Hanna Fund
copyright:
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culture: France, late 19th-early 20th Century
technique: oil on fabric
department: Modern European Painting and Sculpture
collection: Mod Euro - Painting 1800-1960
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Paul Gauguin (French, 1848–1903) - artist
Gauguin spent the first seven years of his life with his mother and great uncle in Peru. In 1855 his mother took him back to France where he attended boarding school. He joined the merchant marine when he was seventeen and began traveling around South America. When Gauguin's mother died in 1868, Gustave Arosa, an art collector and photographer, became his legal guardian. Arosa's collection included works by Corot (q.v.), Courbet (q.v.), Delacroix (q.v.), and the Barbizon painters, and it was he who would encourage Gauguin to start painting. In 1872 Arosa found a job for Gauguin at a brokerage firm, giving him financial security. The following year he married a Danish woman, Mette Gad. Gauguin had already started painting and sculpting in his spare time and first exhibited at the Salon in 1876 with a landscape.1 He was asked by Pissarro (q.v.) and Degas (q.v.) to participate in the fourth impressionist exhibition in 1879, where from then on he would exhibit regularly. Durand-Ruel began purchasing his paintings, and in turn Gauguin started to collect the works of his colleagues, such as Manet (q.v.) and Renoir (q.v.) and, in particular, Cézanne (q.v.) and Pissarro. He went to Pontoise in 1882, where he painted with Cézanne and Pissarro, who along with Degas continued to influence him at this period. In 1883 Gauguin decided to become a full-time artist. In 1884 he moved with his wife and children to Rouen and then to Copenhagen, but he failed to earn a comfortable living. He returned to Paris in 1886 and met ceramicist Ernest Chaplet (1835-1909), who introduced him to his métier. Gauguin distanced himself from impressionism and in 1888 worked in Pont-Aven with Émile Bernard (1868-1941), who had been experimenting with creating compositions using flat areas of color and dark outlines (cloissonism). Gauguin also studied Japanese prints and Indonesian art. The impact of these influences is evident in Gauguin's Vision after the Sermon: Jacob Wrestling with the Angel (1888, National Gallery of Scotland, Edinburgh), so far removed from his earlier impressionist style. Succumbing to van Gogh's (q.v.) many requests, Gauguin agreed to travel to Arles and paint with the artist; their characters, however, proved incompatible. Theo van Gogh, who worked for Boussod Valadon & Cie, would in the meantime sell Gauguin's work. For the next two years, Gauguin traveled often around Brittany. In search of a more pure and unspoiled culture, he auctioned off his paintings in 1891 in order to finance a journey to Tahiti. Upon his arrival, he was disappointed to find many expatriates and developed areas, yet he was still able to capture in his works an uncultivated spirit. He not only made paintings but also created bold woodcuts and sculptures and was an avid writer. Gauguin returned to France in 1893, where he was given a solo exhibition by Durand-Ruel that was not particularly successful. He decided to leave Europe again in 1895, moving to Tahiti and later to Hivaoa, a more remote island in the Marquesas. Because he abandoned naturalistic colors and used formal distortions in order to achieve expressive compositions, Gauguin's work became an inspiration for many subsequent artists. 1. Possibly Wildenstein 1964, no. 12.
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measurements: Framed: 160.5 x 119 x 9.5 cm (63 3/16 x 46 7/8 x 3 3/4 in.); Unframed: 131.3 x 89.5 cm (51 11/16 x 35 1/4 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Signed lower right: P. Gauguin / 1902
translation:
remark:
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CURRENT EXHIBITIONS
title: A Loan Exhibition of Paul Gauguin for the Benefit of the New York Infirmary
opening date: 1946-04-03T05:00:00
A Loan Exhibition of Paul Gauguin for the Benefit of the New York Infirmary. Wildenstein & Co. (organizer) (April 3-27, 1946).
title: The Variety of Artistic Production
opening date: 1950-01-12T05:00:00
The Variety of Artistic Production. Akron Art Museum (January 12-February 26, 1950).
title: Gauguin in Tahiti
opening date: 1950-04-01T05:00:00
Gauguin in Tahiti. Minneapolis Institute of Art, Minneapolis, MN (organizer) (April 1-May 14, 1950).
title: Masterpieces From Museums and Private Collections
opening date: 1951-11-07T05:00:00
Masterpieces From Museums and Private Collections. Wildenstein & Co. (organizer) (November 7-December 15, 1951).
title: Paul Gauguin, His Place in the Meeting of East and West
opening date: 1954-03-27T05:00:00
Paul Gauguin, His Place in the Meeting of East and West. Museum of Fine Arts, Houston (March 27-April 25, 1954).
title: An Exhibition of Paintings, Engravings and Sculpture by Gauguin
opening date: 1955-09-29T04:00:00
An Exhibition of Paintings, Engravings and Sculpture by Gauguin. Gallery of the Royal Scottish Academy, Edinburgh (August 21-September 18, 1955); Tate Britain, London (September 29-October 26, 1955).
title: The Turn of the Century-Exhibition of Masterpieces
opening date: 1956-10-01T04:00:00
The Turn of the Century-Exhibition of Masterpieces. Denver Art Museum, Denver, CO (organizer) (October 1-November 18, 1956).
title: In Memoriam: Leonard C. Hanna, Jr.
opening date: 1958-03-04T05:00:00
In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958).
title: Gauguin: Paintings, Drawings, Prints, Sculpture
opening date: 1959-02-12T05:00:00
Gauguin: Paintings, Drawings, Prints, Sculpture. The Art Institute of Chicago, Chicago, IL (organizer) (February 12-March 29, 1959); The Metropolitan Museum of Art, New York, NY (April 22-May 30, 1959).
title: Creativity in Art and Science, 1860-1960
opening date: 1987-09-16T04:00:00
Creativity in Art and Science, 1860-1960. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 16-November 8, 1987).
title: Object Lessons: Cleveland Creates an Art Museum
opening date: 1991-06-07T04:00:00
Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991).
title: Paul Gauguin: Paris, 1889
opening date: 2009-10-04T00:00:00
Paul Gauguin: Paris, 1889. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 4, 2009-January 18, 2010).
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LEGACY EXHIBITIONS
* {'description': 'Exposition Paul Gauguin. Galerie Ambroise Vollard, Paris, France (1903).', 'opening_date': '1903-01-01T00:00:00'}
* {'description': 'Manet and the Post-Impressionists. Grafton Galleries, London, United Kingdom (1910-1911).', 'opening_date': '1910-01-01T00:00:00'}
* {'description': 'Städtische Ausstellungshalle am Aachener Tor. Internationale Kunstausstellung des Sonderbundes westdeutscher Kunstfreunde und Künstler. Cologne, Germany (1912).', 'opening_date': '1912-01-01T00:00:00'}
* {'description': 'Exhibition of Modern French Paintings. Detroit Institute of Arts, Detroit, MI (1931).', 'opening_date': '1931-01-01T00:00:00'}
* {'description': 'Five Centuries of European Painting. Los Angeles Museum, Los Angeles, CA (1933).', 'opening_date': '1933-01-01T00:00:00'}
* {'description': 'An Exhibition of Literature and Poetry in Painting since 1850. Wadsworth Atheneum, Hartford, CT (1933).', 'opening_date': '1933-01-01T00:00:00'}
* {'description': 'A Century of Progress Exhibition of Paintings and Sculpture. Art Institute of Chicago, Chicago, IL (1934).', 'opening_date': '1934-01-01T00:00:00'}
* {'description': 'Paul Gauguin 1848-1903. Wildenstein & Co, New York, NY: 1936; Fogg Art Museum, Cambridge, MA: 1936. Baltimore Museum of Art, Baltimore, MD (1936).', 'opening_date': '1936-01-01T00:00:00'}
* {'description': 'Masters of French 19th Century Painting. New Burlington Galleries, London. United Kingdom (1936).', 'opening_date': '1936-01-01T00:00:00'}
* {'description': 'The Great Tradition of French Painting. Wildenstein & Co, New York, NY (1939).', 'opening_date': '1939-01-01T00:00:00'}
---
PROVENANCE
Ambroise Vollard [1866-1939], Paris, France
date:
footnotes:
citations:
Baron Wolf Kohner [1866-1937], Budapest, Hungary
date: by 1912-1933
footnotes:
citations:
(Wildenstein & Co., New York, NY, November 9, 1943, sold to the Cleveland Museum of Art)
date: by 1933-1943
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1943-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Haberfeld, Hugo. "Die französischen Bilder der Sammlung Kohner." Der Cicerone 3 (1911): 579-589.
page number: Reproduced: p. 587, abb. 8; mentioned: p. 589
url:
Petrovics, Elek. "Báró Kohner Adolf Gyüjtémenye." Magyar Müvészet (Hungarian Art) 6 (1929): 300-322.
page number: Reproduced: p. 319; mentioned: p. 321
url:
"List of Paintings." Art Digest 8 (June 1, 1934): 12-24.
page number: Mentioned: p. 17
url:
Gauguin, Paul. translated by Van Wyck Brooks. Paul Gauguin's Intimate Journals. New York: Crown Publishers, 1936.
page number: Reproduced: p.51
url:
Frankfurter, Alfred M. “Gauguin: Fifty Paintings in a First American One Man Loan Exhibition.” ARTnews 34 (March 21, 1936): 5–6.
page number: Reproduced: p. 6
url:
Apollo: A Journal of the Arts 24 (July to December 1936): 278.
page number: Reproduced: p. 278
url:
Rewald, John, and André Gloeckner. Gauguin. New York, NY: French and European Publications, 1938.
page number: Reproduced: p. 134
url:
Gaunt, William. “Paul Gauguin.” London Studio 16 (November 1938): 232–38.
page number: Reproduced: p. 232
url:
Malingue, Maurice. Gauguin. Monaco: Les Documents d'Art, 1943.
page number: Reproduced: pl. xii
url:
Francis, Henry S. "L'Appel by Paul Gauguin." The Bulletin of the Cleveland Museum of Art, no. XXXI, no. 31 (January, 1944): 3-5.
page number: Reproduced: cover, mentioned: p. 3-5
url:
“Gauguin’s L’Appel Given to Cleveland.” Art Digest 18 (January 15, 1944): 8.
page number: Reproduced: p. 8
url:
"Gauguin l'Appel." ARTnews 42, no. 17 (15-31 January, 1944): 15.
page number: Reproduced: p. 15
url:
“Year in Art: A Review of 1944 Including Art News’ Selection of the Ten Outstanding One Man Shows.” ARTnews 43 (January 1, 1945): 26–27.
page number: Reproduced: p. 26
url:
Paintings in the Cleveland Museum of Art. [Cleveland]: The Cleveland Museum of Art, 1945.
page number: Reproduced: p. [4]
url: https://archive.org/details/CMAPaintings1945/page/n12
“L’appel.” American Artist 9 (December 1945): 23.
page number: Reproduced: p. 23
url:
Kunstverein für die Rheinlande und Westfalen. Französische Impressionisten und ihre Zeitgenossen in Farbdrucken; eine Auswahl von siebzig Gemälden mit neun Biographien und vierundzwanzig Abbildungen. Baden-Baden, Germany: W. Klein, 1946.
page number: Reproduced: p. 58
url:
Wildenstein and Company (New York, N.Y.), Vladimir Visson, and Raymond Cogniat. A Loan Exhibition of Paul Gauguin, For the Benefit of the New York Infirmary. April 3-May 4, 1946 at Wildenstein. 1946.
page number: Mentioned and Reproduced: cat. no. 39
url:
Cogniat, Raymond. Gauguin. Paris, FR: P. Tisne, 1947.
page number: Reproduced: pl. 116
url:
Unesco. Catalogue de reproductions en couleurs de la peinture de 1860 à ... = Catalogue of colour reproductions of painting from 1860 to ... = Catálogo de reproducciones en color de la pintura de 1860 a. Paris, FR: Unesco, 1949
page number: Reproduced: p. 113
url:
Elgar, Frank. Gauguin. Paris, FR: F. Hazan, 1949.
page number: Reproduced: pl. 22
url:
Sutton, Denys. "Paul Gauguin 1848-1903." Maandblad voor Beeldende Kunsten 25 (1949): 106-110.
page number: Mentioned and reproduced: p. 110
url:
Venturi, Lionello. Impressionists and Symbolists: Manet, Degas, Monet, Pissarro, Sisley, Renoir, Cezanne, Seurat, Gauguin, Van Gogh, Toulouse-Lautrec. New York, NY: Scribner, 1950.
page number: Reproduced: p. 173, fig. 177
url:
Dovski, Lee van. Paul Gauguin, oder, Die Flucht vor der Zivilisation. Olten: Delphi, 1950.
page number: Mentioned: p. 355,no. 396
url:
Davis, Richard S. "Gauguin Landscape Purchased from Eliel Memorial Fund." Minneapolis Institute of Arts Bulletin 39, no. 13 (April 1, 1950): 62-67.
page number: Reproduced: p. 67
url:
"Gauguin in Tahiti" Bulletin of the Minneapolis Institute of Arts 39 (1 April 1950): 66-67
page number:
url:
Bazin, Germain, and Marc Logé. History of Painting. New York, NY: Hyperion Press, 1951.
page number: Reproduced: p. 86, vol. 2
url:
Dorival, Bernard. "Sources of the Art of Gauguin from Java, Egypt and Ancient Greece." Burlington Magazine 93 (1951): 118-123.
page number: Reproduced: fig. 25; mentioned: fig. 25
url:
Robb, David M. The Harper History of Painting: The Occidental Tradition. New York: Harper, 1951.
page number: Mentioned: p. 789-790, 794, 806-807; reproduced: p. 788
url:
Wildenstein and Company (New York, N.Y.). Masterpieces from Museums and Private Collections: Wildenstein Jubilee Loan Exhibition, 1901-1951 ... November 8 - December 15, 1951 ... New York. [New York]: Wildenstein, 1951.
page number: Mentioned and Reproduced: cat. no. 52
url:
“L’appel.” Journal of Aesthetics & Art Criticism 12 (December 1953): 144.
page number: Reproduced: p. 144
url:
Dorra, Henri. “Gauguin and His Century; a Houston Museum Show Reveals How East Meets West in Gauguin’s Style.” Art Digest 28 (March 15, 1954): 12–13.
page number: Reproduced: p. 13
url:
Gauguin, Paul. Paul Gauguin: His Place in the Meeting of East and West : Museum of Fine Arts of Houston, March 27-April 25, 1954. Houston [Tex.]: Museum of Fine Arts of Houston, 1954.
page number: Mentioned and Reproduced: cat. no. 33
url:
Gauguin, Paul. An Exhibition of Paintings, Engravings & Sculpture [by] Gauguin. Edinburgh: Royal Scottish Academy, 1955.
page number: Mentioned cat. no. 63, p. 35, Reproduced: frontispiece
url:
Gauguin, Paul, Sigurd Willoch, and Kunstnervorbundet (Norway). Paul Gauguin : 11. November-1. December 1955. Oslo: Kunstnerforbundet, 1955.
page number: Mentioned: cat. no. 35, Reproduced: opp. title page
url:
Tralbaut, M. E. "De Gauguin-tentoonstelling te Londen." Museumjournaal 1, no. 5/6 (December 1955): 93-97.
page number: Reproduced: p. 104
url:
Sutton, Denys. "Notes on Paul Gauguin Apropos a Recent Exhibition." Burlington Magazine 98 (March 1956): 84-92.
page number: Mentioned: p. 91
url:
Goldwater, Robert. Paul Gauguin. New York, NY: H.N. Abrams, 1957.
page number: Reproduced: p. 156-157
url:
Rewald, John. Gauguin Drawings. New York, NY: T. Yoseloff, 1958.
page number: Mentioned: p. 111-115
url:
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
page number: Mentioned and Reproduced: cat. no. 511
url: https://archive.org/details/CMAHandbook1958/page/n94
Cleveland Museum of Art. In Memoriam: Leonard C. Hanna, Jr. Cleveland: The Cleveland Museum of Art, 1958.
page number: Reproduced: no. 51
url:
Milliken, William Mathewson. The Cleveland Museum of Art. New York: H.N. Abrams, 1958.
page number: Reproduced: p. 56
url:
Frankfurter, Alfred. "Cleveland: Model Museum for a Modern Cosmopolis." ARTnews 57, no. 1 (March 1958): 24-37.
page number: Reproduced: p. 36, fig. 27
url:
Gauguin, Paul, and Theodore Rousseau. Gauguin--Paintings, Drawings, Prints, Sculpture: [Exhibition], the Art Institute of Chicago, [Feb. 12-Mar. 29, 1959], the Metropolitan Museum of Art, [Apr. 23-May 31, 1959]. Chicago: Art Institute of Chicago, 1959.
page number: Mentioned and Reproduced: cat. no. 68, p. 21-22
url:
"Gauguin at the Metropolitan." Pictures on Exhibit 22, no. 8 (May 1959): 4-5.
page number: Reproduced: p. 5
url:
Henning, Edward. "From Turner to Guston." Apollo: A Journal of the Arts 68, no. 22 (December 1963): 481-488.
page number: Reproduced: p. 485; mentioned: p. 487
url:
Wildenstein, Georges. Gauguin. Paris, FR: Les Beaux-Arts, Éditions d'Études et de Documents, 1964.
page number: Reproduced: no. 612
url:
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page number: Reproduced: p. 181
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Cachin, Françoise. Gauguin. Paris, FR: Librairie générale français], 1968.
page number: Reproduced: p. 313-315
url:
Krause, Joseph H. The Nature of Art. Englewood Cliffs, NJ.: Prentice-Hall, 1969.
page number: Reproduced: pl. 32
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. ,
page number: Reproduced: p. 181
url: https://archive.org/details/CMAHandbook1969/page/n205
Cleveland Museum of Art. Art of the Twentieth Century in the Cleveland Museum of Art. Cleveland, OH: Dept. of Art History & Education, CMA, 1969.
page number: Mentioned: p. 1
url: https://archive.org/details/20thCenturyArtCMA/page/n1
Munro, Thomas. Form and Style in the Arts: An Introduction to Aesthetic Morphology. Cleveland, OH: Press of Case Western Reserve University, 1970.
page number: Reproduced: pl. VII
url:
Pickvance, Ronald . The Drawings of Gauguin. Feltham, UK: Hamlyn, 1970.
page number: Reproduced: p. 106
url:
Awazu, Norio. Gōgyan Gauguin. Tokyo: Shūeisha, 1971.
page number: Reproduced: pl. 64
url:
Mandel, Gabriele. L'opera completa di Gauguin. Milano, IT: Rizzoli, 1972.
page number: Reproduced: no. 440
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Bowness, Alan. Modern European Art. [New York]: Harcourt, Brace, Jovanovich, 1972.
page number: Reproduced: p. 62, fig. 57
url:
Wadley, Nicholas. Gauguin: 116 Reproductions. Oxford, UK: Phaidon, 1978.
page number: Reproduced: pl. 94
url:
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page number: Reproduced: p. 223
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Henning, Edward B. The Spirit of Surrealism. Cleveland: The Cleveland Museum of Art, 1979.
page number: Mentioned: p. 46-47, 185; Reproduced: p. 46, fig. 5; colorplate I
url:
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page number: Reproduced: p. 90, no. 594
url:
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page number: Pl. 69
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Yasunori, Tanʼo. Gōgan. Tōkyō, Japan: Kōdansha, 1980.
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url:
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page number: Reproduced: p. 124-125
url:
Vance, Mary Lynn Zink. Gauguin's Polynesian Pantheon As a Visual Language. Thesis Ph.D. University of California, Santa Barbara 1983.
page number: Mentioned: p. 171, 189
url:
Henning, Edward B. “Looking at Art: The Woman in the Waves.” ARTnews 83 (March 1984): 104–6.
page number: Mentioned and reproduced: p. 104-106
url:
Le Pichon, Yann. Sur les traces de Gauguin. Paris, FR: R. Laffont, 1986.
page number: Reproduced: p. 6
url:
Motoe, Kunio. Gōgyan. Tōkyō: Shūeisha, 1986.
page number: Reproduced: pl. 59
url:
Abe, Nobuo, and Kimio Nakayama. Gōgyan: rakuen no maboroshi. Tokyo, Japan: Sankei Shinbun Shashin Nyūsu Sentā, 1987.
page number: Reproduced: p. 37
url:
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page number: Reproduced: p. 64, pl. 10
url:
Hoog, Michel. Paul Gauguin, Life and Work. New York, NY: Rizzoli, 1987.
page number: Reproduced: pl. 204; mentioned: p. 269, 281
url:
Le Pichon, Yann. Gauguin: Life, Art, Inspiration. New York, NY: H.N. Abrams, 1987.
page number: Reproduced: p. 6
url:
Prather, Marla and Charles F. Stuckey. Gauguin: A Retrospective. New York, NY: H.L. Levin Associates, 1987.
page number: Reproduced: p. 346
url:
Henning, Edward B. Creativity in Art and Science, 1860-1960. [Cleveland, Ohio]: Published by the Cleveland Museum of Art in cooperation with Indiana University Press, 1987.
page number: Mentioned and Reproduced: p. 109
url:
Brettell, Richard R. The Art of Paul Gauguin. Washington, DC: National Gallery of Art, 1988.
page number: Reproduced: p. 494, Mentioned: p. 492-494
url:
Cachin, Françoise. Gauguin. Paris, FR: Flammarion, 1988.
page number: Reproduced: p. 274
url:
Cachin, Françoise. Gauguin "ce malgré moi de sauvage". Paris, FR: Gallimard, 1989.
page number: Reproduced: p. 124
url:
Cahn, Isabelle. Gauguin. Milano, IT: Giorgio Mondadori, 1990.
page number: Reproduced: pl. 68
url:
Motoe, Kunio. Gōgyan = Paul Gauguin. Tōkyō: Asahi Shinbunsha, 1990.
page number: Reproduced: pl. 66
url:
Schneeberger, Pierre-Francis. Gauguin, Tahiti. Paris, FR: Bibliothèque des Arts, 1991.
page number: Reproduced: p. 74-75
url:
Turner, Evan H. Object Lessons: Cleveland Creates an Art Museum. Cleveland: Cleveland Museum of Art, 1991.
page number: Mentioned: p. 85, 113; Reproduced: p. 113
url:
Kimura, Shigenobu, Shūji Takashina, Kōichi Kabayama, Yasuto Ōta, and Yasunori Tanʼo. Seikimatsu no yume = The dream of fin de siècle. Tōkyō, Japan: Kōdansha, 1992.
page number: Reproduced: p. 23
url:
Thomson, Belinda. Gauguin by Himself. Boston, MA: Little, Brown, 1993.
page number: Reproduced: pl. 220
url:
Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993.
page number: Reproduced: p. 82
url:
Maillol, Aristide, Ursel Berger, and Jörg Zutter. Aristide Maillol. Paris, FR: Flammarion, 1996.
page number: Reproduced: p. 26
url:
Pelfrey, Robert H. Art and Mass Media. Dubuque, Iowa: Kendall/Hunt, 1996.
page number: Reproduced: fig. 7, p. 26; Mentioned: p, 188
url:
Eisenman, Stephen. Gauguin's Skirt. New York, NY: Thames and Hudson, 1997.
page number: Reproduced: p. 101, Mentioned: p. 100
url:
d' Argencourt, Louise and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1999.
page number: Mentioned and Reproduced: vol. 1, p. 282-286, no. 102
url:
May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland, OH: Cleveland Museum of Art, 2001.
page number: Reproduced: p. p. 53, Mentioned: p. 52-53, Listed: p.118
url:
Natter, Tobias G. Die Galerie Miethke: eine Kunsthandlung im Zentrum der Moderne. Wien, Austria: Jüdisches Museum der Stadt Wien, 2003.
page number: Reproduced: p. 172
url:
Rebeyrotte, Jean-François. Rebeyrotte. Paul Gauguin. Paris: Somogy Editions d'Art, 2003.
page number: Mentioned and reproduced: p. 48-49
url:
Cahn, Isabelle, and Bernadette Caille. Gauguin - Tahiti- l'Atelier des Tropiques: [3 octobre 2003-19 janvier 2004, Galeries Nationales du Grand P alais, Paris]. Paris: Réunion des Musées Nationaux, 2004.
page number: Reproduced: p. 257, fig. 4
url:
Robinson, William, "World Tour Comes to Cleveland", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 47 no. 08, October 2007
page number: Mentioned & reproduced: p. 4
url: https://archive.org/details/CMAMM2007-08/page/2/
Eisenman, Stephen, and Guillermina Rosenkrantz. Paul Gauguin. Barcelona, Spain: Estudi Poligrafa, 2010.
page number: Reproduced: p. 87
url:
Walther, Ingo F. Paul Gauguin, 1848-1903 : the primitive sophisticate. Taschen America Llc, 2013.
page number: Reproduced: p. 84-85
url:
Figura, Starr, Elizabeth C. Childs, Hal Foster, and Erika Mosier. Gauguin: Metamorphoses. The Museum of Modern Art, NY: 2014.
page number: Reproduced: p. 219, fig. 184
url:
Molnos, Péter. Aranykorok romjain: tanulmányok a modern magyar festészet és műgyűjtés történetéből a Kieselbach Galéria alapításának huszadik évfordulóján. Budapest: Kieselbach, 2015.
page number: Reproduced: p. 98
url:
Brettell, Richard R. On Modern Beauty: Three Paintings by Manet, Gauguin, and Cezanne. Los Angeles: The J. Paul Getty Museum, 2019.
page number: Reproduced: P. 45, no. 30
url:
Paul Gauguin: Teuraheimata a Potoru, a Rediscovery. New York: Jill Newhouse Gallery; [Akron, Ohio]: Thomas French Fine Art, 2019.
page number: Mentioned: P. 7
url:
---
IMAGES
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print: https://openaccess-cdn.clevelandart.org/1943.392/1943.392_print.jpg
full: https://openaccess-cdn.clevelandart.org/1943.392/1943.392_full.tif