{
    "data": {
        "id": 123365,
        "accession_number": "1943.60",
        "share_license_status": "Copyrighted",
        "tombstone": "Gray and Gold, 1942. John Rogers Cox (American, 1915\u20131990). Oil on canvas; framed: 116 x 152 x 12.5 cm (45 11/16 x 59 13/16 x 4 15/16 in.); unframed: 91.5 x 151.8 cm (36 x 59 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1943.60",
        "current_location": "226B American Modern",
        "title": "Gray and Gold",
        "creation_date": "1942",
        "creation_date_earliest": 1942,
        "creation_date_latest": 1942,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "America"
        ],
        "technique": "oil on canvas",
        "support_materials": [],
        "department": "American Painting and Sculpture",
        "collection": "American - Painting",
        "type": "Painting",
        "measurements": "Framed: 116 x 152 x 12.5 cm (45 11/16 x 59 13/16 x 4 15/16 in.); Unframed: 91.5 x 151.8 cm (36 x 59 3/4 in.)",
        "dimensions": {
            "framed": {
                "height": 1.16,
                "height_inch": 45,
                "height_inch_fraction": 0.6875,
                "width": 1.52,
                "width_inch": 59,
                "width_inch_fraction": 0.8125,
                "depth": 0.125,
                "depth_inch": 4,
                "depth_inch_fraction": 0.9375
            },
            "unframed": {
                "height": 0.915,
                "height_inch": 36,
                "height_inch_fraction": 0.0,
                "width": 1.518,
                "width_inch": 59,
                "width_inch_fraction": 0.75
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "signed lower right:  John Rogers Cox 1942",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 318288,
                    "title": "Artists for Victory",
                    "description": "<i>Artists for Victory</i>. The Metropolitan Museum of Art, New York, NY (organizer) (co-organizer) (January 1-February 22, 1943).",
                    "opening_date": "1943-01-01T04:00:00"
                },
                {
                    "id": 318291,
                    "title": "54th Annual Exhibition of American Paintings and Sculpture",
                    "description": "<i>54th Annual Exhibition of American Paintings and Sculpture</i>. The Art Institute of Chicago (organizer) (October 28-December 12, 1943).",
                    "opening_date": "1943-10-28T04:00:00"
                },
                {
                    "id": 318296,
                    "title": "Painting in the United States, 1944",
                    "description": "<i>Painting in the United States, 1944</i>. Carnegie Museum of Art, Pittsburgh, PA (organizer) (co-organizer) (September 5-December 10, 1944).",
                    "opening_date": "1944-09-05T04:00:00"
                },
                {
                    "id": 318697,
                    "title": "Contemporary American Painting",
                    "description": "<i>Contemporary American Painting</i>. Rhode Island School of Design (organizer) (February 6-28, 1946).",
                    "opening_date": "1946-02-06T05:00:00"
                },
                {
                    "id": 318703,
                    "title": "Museum's Choice",
                    "description": "<i>Museum's Choice</i>. Addison Gallery of American Art, Andover, MA (organizer) (March 8-April 30, 1946).",
                    "opening_date": "1946-03-08T05:00:00"
                },
                {
                    "id": 318494,
                    "title": "The 50 Most Popular Paintings in the History of American Art",
                    "description": "<i>The 50 Most Popular Paintings in the History of American Art</i>. The Dallas Museum of Art (organizer) (October 9-November 7, 1948).",
                    "opening_date": "1948-10-09T05:00:00"
                },
                {
                    "id": 318497,
                    "title": "Life in America",
                    "description": "<i>Life in America</i>. Denver Art Museum, Denver, CO (organizer) (co-organizer) (March 4-April 30, 1951).",
                    "opening_date": "1951-03-04T05:00:00"
                },
                {
                    "id": 318500,
                    "title": "Centennial Exhibition",
                    "description": "<i>Centennial Exhibition</i>. Joslyn Art Museum, Omaha, NE (organizer) (co-organizer) (May 11-July 4, 1954).",
                    "opening_date": "1954-05-11T04:00:00"
                },
                {
                    "id": 318505,
                    "title": "Illusion and Reality",
                    "description": "<i>Illusion and Reality</i>. Santa Barbara Museum of Art, Santa Barbara, CA (organizer) (co-organizer) (June 15-July 22, 1956); Pasadena Museum of California Art (August 5-September 9, 1956); Museum of Fine Arts, Houston, Houston, TX (October 5-31, 1956); The Dallas Museum of Art, Dallas, TX (October 31-November 30, 1956).",
                    "opening_date": "1956-08-05T04:00:00"
                },
                {
                    "id": 318547,
                    "title": "20th Anniversary Special Exhibition: 60 Terre Haute Artists",
                    "description": "<i>20th Anniversary Special Exhibition: 60 Terre Haute Artists</i>. Sheldon Swope Art Museum Inc., Terra Haute, IN (organizer) (November 4-December 2, 1962).",
                    "opening_date": "1962-11-04T05:00:00"
                },
                {
                    "id": 318691,
                    "title": "An Unfulfilled Dream: The Neglected Generation of American Scene Painters: 1930-1948",
                    "description": "<i>An Unfulfilled Dream: The Neglected Generation of American Scene Painters: 1930-1948</i>. Wichita Art Museum, Wichita, KS (organizer) (May 2-June 14, 1981).",
                    "opening_date": "1981-05-02T04:00:00"
                },
                {
                    "id": 318694,
                    "title": "A Retrospective Exhibition of the Art of John Rogers Cox",
                    "description": "<i>A Retrospective Exhibition of the Art of John Rogers Cox</i>. Sheldon Swope Art Museum Inc., Terra Haute, IN (organizer) (May 14-June 13, 1982).",
                    "opening_date": "1982-05-14T04:00:00"
                },
                {
                    "id": 221943,
                    "title": "Illusions of Eden: Visions of the American Heartland",
                    "description": "<i>Illusions of Eden: Visions of the American Heartland</i>. Columbus Museum of Art, Columbus, OH (organizer) (February 18-April 30, 2000).",
                    "opening_date": "2000-02-18T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Toronto, Art Gallery of Toronto (February 1945).",
                    "opening_date": "1945-02-01T00:00:00"
                },
                {
                    "description": "Terre Haute, Indiana, Sheldon Swope Art Gallery (May 1945).",
                    "opening_date": "1945-05-01T00:00:00"
                },
                {
                    "description": "Columbus, OH, Columbus Museum of Art, Illusions of Eden: Visions of the American Heartland (18 February - 30 April 2000) cat. ill. cover, pp. 94, 186, p. 271 ; traveled to Vienna, Austria, Museum of Modern Art/Ludwig Foundation Vienna (1 June - 15 August 2000); traveled to Budapest, Hungary, Ludwig Museum/Museum of Contemporary Art (25 September - 26 November 2000); did not travel to Madison, Wisconsin, Madison Art Center (24 February - 13 May 2001); did not travel to Sioux Falls, South Dakota, Washington Pavilion of Arts &amp; Science (June - August 2001).",
                    "opening_date": "2000-02-18T00:00:00"
                },
                {
                    "description": "The Cleveland Museum of Art (03/01/2006 - 06/01/2006); \"American Icons: American Masterworks from the 1930s\"",
                    "opening_date": "2006-03-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "[Artists for Victory, Inc., New York, NY], by 1942",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Purchased with income from the Mr. and Mrs. William H. Marlatt Fund, from Artists for Victory, Inc. The Artists for Victory exhibition, held at the Metropolitan Museum of Art in New York, was also mounted at the Cleveland Museum of Art, in 1943.</div>"
                ],
                "date": "",
                "sortorder": 1
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH, purchased in 1943",
                "citations": [],
                "footnotes": [],
                "date": "1943-",
                "sortorder": 2
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "A framed reproduction of this painting is displayed on the living room walls of a farmhouse in the sci-fi film <em>Looper</em>, starring Bruce Willis.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Cox painted <em>Gray and Gold</em> shortly after the United States joined the Second World War, and its image of amber waves of grain threatened by ominous storm clouds likely has symbolic overtones. The painting's foreground features an intersection of two dirt lanes, as well as a telephone pole emblazoned with political campaign posters. The artist seems to imply that American democracy is at a crossroads during this time of combat against the spread of fascism in Europe and Asia. Interestingly the work was inspired by the landscape around Cox's hometown of Terre Haute, Indiana, a location nicknamed \"The Crossroads of America\" due to the junction of major north-south and east-west national highways within its city limits. The museum purchased this painting out of a traveling exhibition entitled \"Artists for Victory,\" which consisted of works by artists who wanted to assist in the war effort. The exhibition opened at the Metropolitan Museum of Art in New York on the first anniversary of the bombing at Pearl Harbor.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60514906"
            ],
            "internet_archive": []
        },
        "citations": [
            {
                "citation": "<em>Artists for Victory: An Exhibition of Contemporary American Art, Paintings, Sculpture, Prints</em>. 2 vols. New York: Metropolitan Museum of Art, 1942.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "\"Victory Show Sales,\" <em>Art Digest </em>17 (April 1, 1943)",
                "page_number": "Mentioned p. 15",
                "url": ""
            },
            {
                "citation": "Korkow, Cory. \u201cFour Curators, Four Favorites.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>62, no. 2 (2022): 29.",
                "page_number": "Reproduced and Mentioned: P. 29.",
                "url": ""
            },
            {
                "citation": "Waker, Andrew, ed., <em>Joe Jones : Radical Painter of the American Scene, </em>exh. cat., Saint Louis Art Museum, 2010.",
                "page_number": "Mentioned p, 76; reproduced p. 75.",
                "url": ""
            },
            {
                "citation": "Metropolitan Museum of Art.<em> Artists for Victory: An Exhibition of Contemporary American Art, A Picture Book of the Prize Winners. </em>New York, 1942.",
                "page_number": "Reproduced: fig. 15",
                "url": null
            },
            {
                "citation": "Jewell, Edward Alden. \"Artists For Victory: Metropolitan Opens Tomorrow the Huge Contemporary American Survey.\" <em>The New York Times, </em>December 6, 1942.",
                "page_number": "Reproduced",
                "url": null
            },
            {
                "citation": "\"Artists for Victory Score Victory in Metropolitan Exhibition,\" <em>Art Digest </em>17 no. 6 (December, 15 1942).",
                "page_number": "Mentioned: p. 6; Reproduced: p. 8",
                "url": null
            },
            {
                "citation": "\"The Artists for Victory Exhibition: The Paintings,\" <em>Art News</em> 41 (January 1, 1943).",
                "page_number": "Mentioned: p. 8-9; Reproduced: p. 9",
                "url": null
            },
            {
                "citation": "<em>Art News </em>41 (January 15, 1943).",
                "page_number": "Reproduced: p. 17",
                "url": null
            },
            {
                "citation": "\"Cleveland Museum of Art Presents Paintings Selected from National Exhibition,\" <em>Cleveland Plain Dealer, </em>March 21, 1943.",
                "page_number": "Reproduced",
                "url": null
            },
            {
                "citation": "\"Victory Show Sales.\" <em>Art Digest</em> 17 (April 1, 1943).",
                "page_number": "Mentioned: p.15",
                "url": ""
            },
            {
                "citation": "Holme, Bryan. \"New York Commentary.\"<em> London Studio</em> (July 1943).",
                "page_number": "Reproduced: p. 28",
                "url": null
            },
            {
                "citation": "West Virginia Pulp and Paper Company, <em>Westvaco Inspirations for Printers 1942-1943</em> (1943).",
                "page_number": "Mentioned: p. 143; Reproduced: cover",
                "url": null
            },
            {
                "citation": "Cravens, Dargan &amp; Company Insurance Managers, Houston, Texas, Review 25 no. 5 (April 1944).",
                "page_number": "Reproduced: cover",
                "url": null
            },
            {
                "citation": "\"State Artist's Work Displayed.\" <em>The Indianapolis Times, </em>October 18, 1944.",
                "page_number": "Reproduced",
                "url": null
            },
            {
                "citation": "\"Grey and Gold by John Rogers Cox Voted Popular Prize,\" <em>The Carnegie Magazine</em> (December 1944).",
                "page_number": "Mentioned: p. 195-7; Reproduced: p. 195",
                "url": null
            },
            {
                "citation": "\"Hoosier's Painting Carnegie Favorite.\" <em>Indianapolis Star, </em>December 5, 1944.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "\"Cox, Soldier-Artist, Wins Carnegie 'Popular'.\" <em>Art Digest </em>19 (December 15, 1944).",
                "page_number": "Mentioned: p. 9; Reproduced: p. 9",
                "url": null
            },
            {
                "citation": "<em>Time Magazine</em> (December 18, 1944).",
                "page_number": "Mentioned: p. 50",
                "url": null
            },
            {
                "citation": "<em>The Bulletin of the Cleveland Museum of Art</em> 32, no. 7(September 1945).",
                "page_number": "Mentioned: p. 138; Reproduced: p. 134",
                "url": null
            },
            {
                "citation": "Burchfield, Louise. \"Two American Paintings.\" <em>The Bulletin of the Cleveland Museum of Art </em>32, no. 7 (September 1945): 137-139.",
                "page_number": "Reproduced: p. 134; Mentioned: p. 138",
                "url": "https://www.jstor.org/stable/25141226"
            },
            {
                "citation": "Milliken, William M. \"Place of the Museum of Art in the Life of a City.\" <em>The Clevlander</em> (August 1946).",
                "page_number": "Reproduced: p. 6",
                "url": null
            },
            {
                "citation": "\"The Popular Prize.\"<em> The Carnegie Magazine</em> 20 (December 1946).",
                "page_number": "Mentioned: p. 172-3",
                "url": null
            },
            {
                "citation": "\"Cox Popular Choice of Carnegie Visitors.\" <em>Art Digest</em> 21 (December 15, 1946).",
                "page_number": "Mentioned: p. 9",
                "url": null
            },
            {
                "citation": "Dallas Museum of Fine Arts, State Fair of Texas,<em> Famous American Paintings </em>(1948).",
                "page_number": "Reproduced",
                "url": null
            },
            {
                "citation": "<em>Catalogue de Reproductions en Couleurs de la Peinture de 1860 a 1949.</em> Paris: Unesco, 1949.",
                "page_number": "Mentioned: p. 62-3; Reproduced: p. 63",
                "url": null
            },
            {
                "citation": "<em>New York Times Book Review, </em>October 16, 1955.",
                "page_number": "Reproduced",
                "url": null
            },
            {
                "citation": "\"Anniversary Year Exhibit to Open Sunday at Swope Gallery Preview.\" <em>The Terre Haute Sta</em>r, November 2, 1962.",
                "page_number": "Reproduced",
                "url": null
            },
            {
                "citation": "Wahl, Charles William, M.D., \"Psychodynamics of Sexual Humor: Sex and the Salesman.\" <em>Medical Aspects of Human Sexuality</em> (August 1978).",
                "page_number": "Reproduced: p. 26-7, cover",
                "url": null
            },
            {
                "citation": "Szymanski, Ronald, ed. <em>America in Literature: The Midwest. </em>New York: Charles Scribner's Sons, 1979.",
                "page_number": "Reproduced: cover",
                "url": null
            },
            {
                "citation": "Sheldon Swope Art Gallery. \"The Sheldon Swope Art Gallery Newsletter.\" (May-July 1982).",
                "page_number": "Reproduced: fig. 2",
                "url": null
            },
            {
                "citation": "Kinsman, Robert D. \"Art from Swope: Painting looks at forces of nature.\" <em>The Tribune-Star</em>- Terre Haute, May 16, 1982.",
                "page_number": "Mentioned: p. 12; Reproduced",
                "url": null
            },
            {
                "citation": "Hubbard, Guy. \"Teaching Art with Art: Turbulent Skyscapes.\" <em>Arts &amp; Activities</em> 103, no. 3 (April 1988).",
                "page_number": "Mentioned: p. 26-7",
                "url": null
            },
            {
                "citation": "\"A final tribute.\" <em>Tribune-Star, Terre Haute, </em>February 4, 1990.",
                "page_number": "Reproduced",
                "url": null
            },
            {
                "citation": "Chong, Alan. <em>European and American Painting in the Cleveland Museum of Art: A Summary Catalogue. </em>Cleveland Museum of Art: Cleveland, 1993.",
                "page_number": "Reproduced: p. 46",
                "url": null
            },
            {
                "citation": "Chaon, Dan. <em> Fitting Ends and Other Stories by Dan Chaon.</em> Evanston: Northwestern University Press,1995.",
                "page_number": "Reproduced: cover",
                "url": null
            },
            {
                "citation": "Pai\u0308ni, Dominique, and Guy Cogeval. <em>Hitchcock and Art: Fatal Coincidences</em>. Montreal: The Montreal Museum of Fine Arts, 2000.",
                "page_number": "Mentioned: p. 341",
                "url": null
            },
            {
                "citation": "Stearns, Robert. ed. <em>Illusions of Eden. Visions of the American Heartland. </em>Minneapolis: Arts Midwest, 2000.",
                "page_number": "Mentioned: p. 271; Reproduced: p. 94",
                "url": null
            },
            {
                "citation": "Maciejunes, Nannette V. \"Visions of the American Heartland.\" <em>American Art Review </em>12, no. 2 (March-April 2000).",
                "page_number": "Mentioned: p. 114",
                "url": null
            },
            {
                "citation": "\"Vienna and Budapest: Illusions of Eden.\" <em>The Burlington Magazine </em>(November 2000).",
                "page_number": "Mentioned: p. 719",
                "url": null
            },
            {
                "citation": "<em>Academic Medicine: Journal of the Association of American Medical Colleges.</em> (August, 2001).",
                "page_number": "Reproduced: p. 761; cover",
                "url": null
            },
            {
                "citation": "Dijkstra, Bram. <em>American Expressionism: Art and Social Change 1920-1950. </em>New York: Harry N. Abrams, 2003.",
                "page_number": "Mentioned: p. 188, 196",
                "url": null
            },
            {
                "citation": "Norman, Bud. <em>The Things That Are Caesar\u2019s: A Comic Tale of Politics, Religion, and Other Impolite Topics. </em>Wichita: Affiliated Writers of America, 2003.",
                "page_number": "Reproduced: back cover",
                "url": null
            },
            {
                "citation": "Martha Parrish &amp; James Reinish, Inc., <em>19th and 20th Century European and American Art </em>(gallery catalogue) (February, 2005).",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Chandler, Neal, ed. \"Silver Apples of the Moon: Art and Poetry.\" Cleveland: Cleveland State Poetry Center in association with Shaker Heights Public Library, 2006.",
                "page_number": "Reproduced: p. 53",
                "url": null
            },
            {
                "citation": "Adams, Henry. <em>What's American about American Art? A Gallery Tour in the Cleveland Museum of Art.</em> Cleveland: Cleveland Museum of Art, 2008.",
                "page_number": "Mentioned: p. 141",
                "url": null
            },
            {
                "citation": "Walker, Andrew, ed. <em>Joe Jones: Radical Painter of the American Scene. </em>Exh. cat. St. Louis: St. Louis Art Museum, 2010.",
                "page_number": "Mentioned: p. 76; Reproduced: p. 75",
                "url": null
            },
            {
                "citation": "Perry, Dee. \"Personal Favorite.\" <em>Cleveland Art </em>50 (March/April 2010).",
                "page_number": "Mentioned: p. 10",
                "url": null
            },
            {
                "citation": "\"Toward the Vision: The Cleveland Museum of Art.\" Museum publication booklet. 2012.",
                "page_number": "Reproduced: cover",
                "url": null
            },
            {
                "citation": "Kash, Steve. \"Life As an Artist.\" <em>Tribune-Star</em>- Terre Haute, October 7, 2012.",
                "page_number": "Mentioned: p. D4",
                "url": null
            },
            {
                "citation": "Cole, Mark. \"American Art of the 1930s to 1950s.\" <em>Cleveland Art</em> 54 (January/February 2014).",
                "page_number": "Mentioned: p. 21",
                "url": null
            },
            {
                "citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.",
                "page_number": "Mentioned and reproduced: P. 59",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art. <em>Museum Masters: 2016-17 Companion Guide.</em> [Cleveland, Ohio]: Cleveland Museum of Art, 2016.",
                "page_number": "Mentioned and reproduced: P. 23",
                "url": ""
            },
            {
                "citation": "Daiss, Susan Dodge-Peters. \"Art at the Bedside: Reflections on Use of Visual Imagery in Hospital Chaplaincy.\" <em>Journal of Pastoral Care &amp; Counseling</em> 70, no. 1 (March 2016).",
                "page_number": "Reproduced: p.77",
                "url": null
            },
            {
                "citation": "Eldredge, Charles C. W<em>e Gather Together: American Artists and the Harvest</em>. Oakland, California: University of California Press, 2021.",
                "page_number": "Mentioned and reproduced: P. 89, fig. 44",
                "url": ""
            },
            {
                "citation": "Arizpe S., Lourdes, and Je\u0301ro\u0302me Duval-Hamel. Spicil\u00e8ge beaux-arts de l'art faber: quand les beaux-arts et les mondes \u00e9conomiques se rencontrent. <br>Arles : Actes Sud, 2023.",
                "page_number": "Mentioned: p. 60; Reproduced: p. 60, ill. 4, p. 91",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1943.60",
        "images": {},
        "alternate_images": [],
        "creditline": "Mr. and Mrs. William H. Marlatt Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": "Hammond Hemmelgarn Family Gallery",
        "athena_id": 123365,
        "creators": [
            {
                "id": 3077,
                "description": "John Rogers Cox (American, 1915\u20131990)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1915",
                "death_year": "1990",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1943-02-03T00:00:00",
        "sortable_date": 1942,
        "date_added_to_oa": null,
        "date_text": "1942",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": true,
        "updated_at": "2026-06-18 11:45:47.347000"
    }
}