{
"data": {
"id": 123540,
"accession_number": "1944.134",
"share_license_status": "CC0",
"tombstone": "Chinese Fair, 1723\u201374. Beauvais (French), Jean Joseph Dumons (French, 1687\u20131779), after a design by Fran\u00e7ois Boucher (French, 1703\u20131770). Tapestry weave: silk and wool; overall: 308 x 293.1 cm (121 1/4 x 115 3/8 in.). The Cleveland Museum of Art, The Elisabeth Severance Prentiss Collection, 1944.134",
"current_location": null,
"title": "Chinese Fair",
"creation_date": "1723\u201374",
"creation_date_earliest": 1723,
"creation_date_latest": 1774,
"artists_tags": [
"male",
"gender unknown"
],
"culture": [
"France"
],
"technique": "tapestry weave: silk and wool",
"support_materials": [],
"department": "Textiles",
"collection": "Textiles",
"type": "Tapestry",
"measurements": "Overall: 308 x 293.1 cm (121 1/4 x 115 3/8 in.)",
"dimensions": {
"overall": {
"height": 3.08,
"height_inch": 121,
"height_inch_fraction": 0.25,
"width": 2.931,
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}
},
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"current": [
{
"id": 311952,
"title": "Art, A Means to World Understanding",
"description": "Art, A Means to World Understanding. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 16-April 10, 1949).",
"opening_date": "1949-03-16T05:00:00"
},
{
"id": 520840,
"title": "Three Centuries of Beauvais Tapestries",
"description": "Three Centuries of Beauvais Tapestries. H\u00f4tel de Beauvais, Paris, France (June 19-September 30, 1964).",
"opening_date": "1964-06-19T04:00:00"
},
{
"id": 300779,
"title": "Juxtapositions",
"description": "Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965).",
"opening_date": "1965-09-11T04:00:00"
},
{
"id": 309567,
"title": "The Porcelain Connection",
"description": "The Porcelain Connection. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 22-August 15, 1982).",
"opening_date": "1982-06-22T04:00:00"
}
],
"legacy": [
{
"description": "Loan Exhibition of Tapestries. The Cleveland Museum of Art, Cleveland, OH (October 5-December 1, 1918).",
"opening_date": "1918-10-05T00:00:00"
},
{
"description": "Trois siecles de tapisseries de Beauvais: 1664-1964. Hotel de Ville, Beauvais, France (June 19-September 30, 1964).",
"opening_date": "1964-06-19T00:00:00"
}
]
},
"provenance": [
{
"description": "Mrs. Francis F. [Elisabeth Severance Allen] Prentiss [1865\u20131944], Cleveland, OH, bequest to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "at least 1918\u20131944",
"sortorder": 2
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1944\u2013",
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}
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"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
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],
"internet_archive": [
"https://archive.org/details/clevelandart-1944.134-chinese-fair"
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},
"citations": [
{
"citation": "P.W. French & Co. Royal Beauvais Tapestry, The Chinese Fair ... Presented by Louis XV to the Emperor Kien-Lung. New York: French, n.d.",
"page_number": null,
"url": null
},
{
"citation": "Hunter, George Leland. Loan Exhibition of Tapestries: Cleveland Museum of Art, October 5th to December 1st Inclusive, 1918. [Cleveland]: [The Museum], 1918.",
"page_number": "p. 24, no. 43",
"url": null
},
{
"citation": "Hunter, George Leland. Beauvais-Boucher Tapestries. New York: 1919.",
"page_number": "Mentioned: p. 29; Reproduced: p. 244",
"url": ""
},
{
"citation": "Catalogue of the Elisabeth Severance Prentiss collection : bequest of Elisabeth Severance Prentiss, 1944. [Cleveland]: The Cleveland Museum of Art, 1944.",
"page_number": "Mentioned: p. 66; Reproduced: Plate XXIX",
"url": "https://archive.org/details/Prentiss/page/n65"
},
{
"citation": "Underhill, Gertrude. \"Tapestries.\" The Bulletin of the Cleveland Museum of Art 31, no. 6 (June 1944): 102\u2013103, and 93.",
"page_number": "Mentioned: pp. 102\u2013103; Reproduced: p. 93",
"url": "www.jstor.org/stable/25141134"
},
{
"citation": "\u201cThe Chinese Fair.\u201d Bulletin - The Minneapolis Institute of Arts. XXXV (May 1946)",
"page_number": "p. 89",
"url": ""
},
{
"citation": "Bernard-Maitre, Henri. \u201cLes Tapisseries Chinoises De Franc\u0327ois Boucher A\u0300 Pe\u0301kin.\u201d Bulletin De La Socie\u0301te\u0301 De L'histoire De L'art Franc\u0327ais / Socie\u0301te\u0301 De L'histoire De L'art Franc\u0327ais (1951) pp. 9\u201310.",
"page_number": "pp. 9\u201310",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 318",
"url": "https://archive.org/details/CMAHandbook1958/page/n62"
},
{
"citation": "Milliken, William Mathewson. The Cleveland Museum of Art Collections. [Place of publication not identified]: [publisher not identified], 1960.",
"page_number": "Mentioned: p. 114",
"url": "https://archive.org/details/Milliken/page/n243/mode/2up"
},
{
"citation": "Ho\u0302tel de Ville (Beauvais, France). Trois sie\u0300cles de tapisseries de Beauvais: exposition organise\u0301e a l'occasion du tricentenaire de la fondation de la manufacture royale de tapisseries : Ho\u0302tel de Ville, Beauvais, 19 juin-30 septembre 1964. [Beauvais]: [publisher not identified], 1964.",
"page_number": "no. 24",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 135",
"url": "https://archive.org/details/CMAHandbook1966/page/n159"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 135",
"url": "https://archive.org/details/CMAHandbook1969/page/n159"
},
{
"citation": "Jarry, Madeleine. \u201cWealth of Boucher Tapestries in American Museums.\u201d Magazine Antiques 102 (August 1972).",
"page_number": "pp. 222\u2013231",
"url": "http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=513430209&site=ehost-live"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 178",
"url": "https://archive.org/details/CMAHandbook1978/page/n198"
},
{
"citation": "Jarry, Madeleine. China und Europa: Der Einfluss Chinas auf die Angewandten Ku\u0308nste Europas. Stuttgart: Klett-Cotta, 1981.",
"page_number": "p. 28",
"url": null
},
{
"citation": "Jarry, Madeleine. \"The Wealth of Boucher Tapestries in American Museums.\" Antiques (1972).",
"page_number": "Reproduced: p. 28",
"url": ""
},
{
"citation": "Bertrand, Pascal-Franc\u0327ois. 1990. \"La seconde \"Tenture Chinoise\" tisse\u0301e a\u0300 Beauvais et Aubusson: relations entre Oudry, Boucher et Dumons\". Gazette Des Beaux-Arts / Fonde\u0301e Par Charles Blanc. 6: 173\u2013184.",
"page_number": "pp. 173\u2013184",
"url": null
},
{
"citation": "Turner, Evan H. Object Lessons: Cleveland Creates an Art Museum. Cleveland: Cleveland Museum of Art, 1991.",
"page_number": "p. 95",
"url": null
},
{
"citation": "Rado, Mei Mei. \u201cQing Imperial Encounters with European Tapestries: The \u2018Tenture Chinoise\u2019 and Beyond.\u201d In Arachn\u00e9 / Textes Rassembl\u00e9s Et \u00c9dit\u00e9s Pascal-Fran\u00e7ois Bertrand and Audrey Nassieu Maupas, editors. Rennes: Presses universitaires de Rennes, 2017.",
"page_number": "pp. 119\u2013135, footnote 83",
"url": null
}
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"creditline": "The Elisabeth Severance Prentiss Collection",
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"id": 11782,
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"role": "artist",
"biography": "French Rococo artist who epitomizes the frivolous and elegant court life of France in the mid-18th century. During his early career he was closely associated with Watteau, many of whose paintings he engraved. Boucher was a successful and incredibly prolific artistic who had a major impact on both fine and decorative art of the 18th century. He is particularly noted for having reinvented the genre of the pastoral, creating images of shepherds and shepherdesses as sentimental lovers that was taken up in a variety of medium. Boucher's sketchy manner of painting helped to promote painterliness as an end in itself. This trend dominated French painting until the emergence of Neoclassicism, when the tides of criticism turned against Boucher and his followers.",
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"updated_at": "2026-08-22 11:53:13.141000"
}
}