id: 123608 accession number: 1944.184 share license status: CC0 url: https://clevelandart.org/art/1944.184 updated: 2023-05-17 11:14:47.067000 Pair of Vases, 1736–95. China, Jiangxi province, Jingdezhen, Qing dynasty (1644-1911), Qianlong mark and period (1736-1795). Porcelain with famille rose overglaze enamel decoration; overall: 51.4 cm (20 1/4 in.). The Cleveland Museum of Art, Elisabeth Severance Prentiss Collection 1944.184 title: Pair of Vases title in original language: 粉彩桃紋瓷瓶 series: series in original language: creation date: 1736–95 creation date earliest: 1736 creation date latest: 1795 current location: 238 Chinese Ceramics creditline: Elisabeth Severance Prentiss Collection copyright: --- culture: China, Jiangxi province, Jingdezhen, Qing dynasty (1644-1911), Qianlong mark and period (1736-1795) technique: porcelain with famille rose overglaze enamel decoration department: Chinese Art collection: China - Qing Dynasty type: Ceramic find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 51.4 cm (20 1/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Chinese Textiles and Ceramics opening date: 1975-01-13T05:00:00 Chinese Textiles and Ceramics. Cleveland Public Library, Cleveland, OH (organizer) (January 13-May 9, 1975). title: The Porcelain Connection opening date: 1982-06-22T04:00:00 The Porcelain Connection. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 22-August 15, 1982). --- LEGACY EXHIBITIONS * Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). (1944.184.2 only) --- PROVENANCE Mrs. Francis F. [Elisabeth Severance Allen] Prentiss [1865–1944], Cleveland, OH, bequest to the Cleveland Museum of Art date: ?–1944 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1944– footnotes: citations: --- fun fact: digital description: wall description: This spectacular vase, one of a pair in the collection, depicts flowering and fruiting peach trees to convey an auspicious message of affluence and long life. Developments in enamel technology led to new possibilities in polychrome decoration of Qing imperial porcelains. Pinks appeared, lending their name to the new palette of overglaze colors (famille rose), and the addition of opaque white allowed painters to vary the value of pigments, enhancing the painterly quality of porcelain decoration. --- RELATED WORKS --- CITATIONS Catalogue of the Elisabeth Severance Prentiss collection : bequest of Elisabeth Severance Prentiss, 1944. [Cleveland]: The Cleveland Museum of Art, 1944. page number: Mentioned: cat. no. 93, 94, p. 83; Reproduced: Plate XXXVIII url: https://archive.org/details/Prentiss/page/n85 Hollis, Howard. “Chinese and Korean Ceramics: Japanese Lacquer.” The Bulletin of the Cleveland Museum of Art 31, no. 6 (June 1944): 103–106. page number: url: https://www.jstor.org/stable/25141135 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1944.184/1944.184_web.jpg print: https://openaccess-cdn.clevelandart.org/1944.184/1944.184_print.jpg full: https://openaccess-cdn.clevelandart.org/1944.184/1944.184_full.tif