id:			123670
accession number:	1944.22
share license status:	CC0
url:			https://clevelandart.org/art/1944.22
updated:		2024-03-26 01:57:58.255000

The Pieta', c. 1515–17. Marcantonio Raimondi (Italian, 1470/82–1527/34), after Raphael (Italian, 1483–1520). Engraving; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1944.22

title:				The Pieta'
title in original language:	
series:				
series in original language:	
creation date:			c. 1515–17
creation date earliest:		1515
creation date latest:		1517
current location:		
creditline:			Gift of The Print Club of Cleveland
copyright:			

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culture:	Italy, 16th century
technique:	engraving
department:	Prints
collection:	PR - Engraving
type:		Print
find spot:	
catalogue raisonne: Bartsch XIV.40.35 ; Passavant VI.14.14 ; Delaborde 108.20

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CREATORS

* Marcantonio Raimondi (Italian, 1470/82–1527/34)  - artist

* Raphael (Italian, 1483–1520)  - artist
Raffaello Sanzio (Urbino, April 6, 1483-Rome, April 6, 1520), commonly known as Raphael, was one of the most admired Italian painters and architects on the High Renaissance. He was trained in his native city Urbino, a center of art and culture during the rule of the Duke Federico da Montefeltro. Around 1495, Raphael moved to Perugia and joined the master Pietro Perugino's workshop. He later sojourned to Siena, and then resided in Florence by the autumn of 1504. There, Raphael studied the works by Renaissance masters such as Leonardo da Vinci, Michelangelo, Fra Bartolomeo, and Masaccio. Raphael is best known for his paintings of Madonnas (from 1504 through 1507), and the frescoes that Pope Julio II commissioned to him in the Vatican Palace in Rome in 1514. The same year architect Donato Bramante died, and the pope appointed Raphael chief architect. Raphael's style was based on clarity of forms and harmonious compositions; after his death, his works were highly admired by both Mannerist and Baroque artists.
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CURRENT EXHIBITIONS

	title:		Art and Humanism in the Renaissance
	opening date:   1962-01-23T05:00:00
	<i>Art and Humanism in the Renaissance</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962).

	title:		Old Master Prints and Drawings
	opening date:   1966-07-29T04:00:00
	<i>Old Master Prints and Drawings</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 29, 1966-February 28, 1967).

	title:		Eight Masters of the Print
	opening date:   1980-10-14T04:00:00
	<i>Eight Masters of the Print</i>. The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981).

	title:		Master/Apprentice: Imitation and Inspiration in the Renaissance
	opening date:   2019-10-13T04:00:00
	<i>Master/Apprentice: Imitation and Inspiration in the Renaissance</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 13, 2019-February 23, 2020).

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LEGACY EXHIBITIONS

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PROVENANCE

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RELATED WORKS

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CITATIONS

	Amodei, Tito. <em>La Passione di Gesù nell'arte Italiana</em>. Teramo: Palumbi, 2017.
	page number: 	Reproduced: p. 36-37
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1944.22/1944.22_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1944.22/1944.22_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1944.22/1944.22_full.tif