id: 123989 accession number: 1944.487 share license status: CC0 url: https://clevelandart.org/art/1944.487 updated: 2023-03-25 11:14:24.659000 Nushirwan Listens to the Owls (recto); the Story of Nushirwan and his Minister, "The Third Discourse on Diverse Events and Disorder in Life" (verso) from a Khamsa (Quintet) of Nizami (1141-1209), 1555–65. Iran, Qazvin, Safavid period (1501-1722). Opaque watercolor, ink, and gold on paper; sheet: 32.7 x 21.8 cm (12 7/8 x 8 9/16 in.); image: 20.3 x 12.7 cm (8 x 5 in.); text area: 20.3 x 12.7 cm (8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1944.487 title: Nushirwan Listens to the Owls (recto); the Story of Nushirwan and his Minister, "The Third Discourse on Diverse Events and Disorder in Life" (verso) from a Khamsa (Quintet) of Nizami (1141-1209) title in original language: series: series in original language: creation date: 1555–65 creation date earliest: 1550 creation date latest: 1570 current location: creditline: Purchase from the J. H. Wade Fund copyright: --- culture: Iran, Qazvin, Safavid period (1501-1722) technique: opaque watercolor, ink, and gold on paper department: Islamic Art collection: Islamic Art type: Manuscript find spot: catalogue raisonne: --- CREATORS --- measurements: Sheet: 32.7 x 21.8 cm (12 7/8 x 8 9/16 in.); Image: 20.3 x 12.7 cm (8 x 5 in.); Text area: 20.3 x 12.7 cm (8 x 5 in.) state of the work: edition of the work: support materials: inscriptions: inscription: script: Nasta'liq translation: remark: --- CURRENT EXHIBITIONS title: Islamic Art opening date: 1944-11-03T04:00:00 Islamic Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 3, 1944-February 2, 1945). title: For Modern America from the Ancient Near East opening date: 1948-02-24T05:00:00 For Modern America from the Ancient Near East. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-March 21, 1948). title: Miniature Painting of India: A Comparison of Styles opening date: 1958-09-02T04:00:00 Miniature Painting of India: A Comparison of Styles. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 2-November 8, 1958). title: Muslim Miniature Paintings opening date: 1962-09-01T04:00:00 Muslim Miniature Paintings. Fondazione Giorgio Cini, Venice, Italy, Venezia, Italy (organizer) (September 1-October 31, 1962); The Asia Society Museum, New York, NY (December 4, 1962-February 3, 1963). title: The Classical Style in Islamic Painting opening date: 1968-11-01T05:00:00 The Classical Style in Islamic Painting. The Morgan Library & Museum, New York, NY (organizer) (November 1, 1968-January 4, 1969). title: Arts of Iran (Islamic art rotation) opening date: 2019-04-16T04:00:00 Arts of Iran (Islamic art rotation). The Cleveland Museum of Art (organizer) (April 16-October 6, 2019). --- LEGACY EXHIBITIONS * Muslim Miniature Paintings from American Collections. Fondazione Giorgio Cini, Venice, Italy; Asia House, New York, NY (September 1962-February 1963). * The classical style in Islamic painting: the early school of Herat and its impact on Islamic painting of the later 15th, the 16th and 17th centuries: some examples in American collections. Pierpont Morgan Library, New York, NY (November 6, 1968-January 4, 1969). --- PROVENANCE (H. Kevorkian [1872–1962], New York, NY, sold to the Cleveland Museum of Art) date: ?-1944 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1944- footnotes: citations: --- fun fact: digital description: wall description: This scene is from the Makhzan al-Ashrar, the first of the Quintet. Although more historically oriented than the following poems, it served more as a vehicle for moralizing tales than for historical events. In this scene Nushirwan asks the sage Buzurgmihr to explain what the owls perched on a ruined building are saying. He explains that one owl is offering the other as many ruined cities as he likes in exchange for his daughter's hand. He thus reproves Nushirwan for his love of conquest and war and the consequent destruction of many cities. --- RELATED WORKS --- CITATIONS The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 725 url: https://archive.org/details/CMAHandbook1958/page/n132 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 223 url: https://archive.org/details/CMAHandbook1966/page/n247 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 223 url: https://archive.org/details/CMAHandbook1969/page/n247 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 280 url: https://archive.org/details/CMAHandbook1978/page/n300 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1944.487/1944.487_web.jpg print: https://openaccess-cdn.clevelandart.org/1944.487/1944.487_print.jpg full: https://openaccess-cdn.clevelandart.org/1944.487/1944.487_full.tif