{
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"tombstone": "The Story of Nushirwan and his Minister, \"The Third Discourse on Diverse Events and Disorder in Life\" from a Khamsa (Quintet) of Nizami (1141\u20131209) (verso), 1555\u201365. Iran, Qazvin, Safavid period (1501-1722). Ink and gold on paper; sheet: 32.7 x 21.8 cm (12 7/8 x 8 9/16 in.); text area: 20.3 x 12.7 cm (8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1944.487.b",
"current_location": null,
"title": "The Story of Nushirwan and his Minister, \"The Third Discourse on Diverse Events and Disorder in Life\" from a Khamsa (Quintet) of Nizami (1141\u20131209) (verso)",
"creation_date": "1555\u201365",
"creation_date_earliest": 1550,
"creation_date_latest": 1570,
"artists_tags": [],
"culture": [
"Iran, Qazvin, Safavid period (1501-1722)"
],
"technique": "ink and gold on paper",
"support_materials": [],
"department": "Islamic Art",
"collection": "Islamic Art",
"type": "Manuscript",
"measurements": "Sheet: 32.7 x 21.8 cm (12 7/8 x 8 9/16 in.); Text area: 20.3 x 12.7 cm (8 x 5 in.)",
"dimensions": {
"sheet": {
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},
"state_of_the_work": null,
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"inscriptions": [
{
"inscription": "script: Nasta'liq",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 517994,
"title": "The Classical Style in Islamic Painting",
"description": "The Classical Style in Islamic Painting. The Morgan Library & Museum, New York, NY (organizer) (November 1, 1968-January 4, 1969).",
"opening_date": "1968-11-01T05:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "(H. Kevorkian [1872\u20131962], New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?-1944",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1944-",
"sortorder": 2
}
],
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"related_works": [],
"former_accession_numbers": [],
"did_you_know": "King Nushirwan is on a white horse, while his minister Buzurjmihr is riding a mule.",
"early_education_description": null,
"artlens_description": null,
"description": "This scene is from the Makhzan al-Ashrar, the first of the Quintet. Although more historically oriented than the following poems, it served more as a vehicle for moralizing tales than for historical events. In this scene Nushirwan asks the sage Buzurgmihr to explain what the owls perched on a ruined building are saying. He explains that one owl is offering the other as many ruined cities as he likes in exchange for his daughter's hand. He thus reproves Nushirwan for his love of conquest and war and the consequent destruction of many cities.",
"external_resources": {
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],
"internet_archive": [
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},
"citations": [
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned: cat. no. 725",
"url": "https://archive.org/details/CMAHandbook1958/page/n132"
}
],
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"date_created": "2010-09-29T13:40:13",
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"creditline": "Purchase from the J. H. Wade Fund",
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"accession_date": "1944-12-15T00:00:00",
"sortable_date": 1550,
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"date_text": "1555\u201365",
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"cover_accession_number": "1944.487",
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"impression": null,
"alternate_titles": [
"The Story of Nushirwan and his Minister. \"The Third Discourse on Diverse Events and Disorder in Life.\": Illustration from a Manuscript of the Khamsa (Quintet) by Nizami,"
],
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"updated_at": "2026-05-29 06:23:17.659000"
}
}