id: 124200
accession number: 1945.2
share license status: CC0
url: https://clevelandart.org/art/1945.2
updated: 2023-08-24 11:35:23.483000
Charger Depicting the Three Graces, c. 1525. Circle of Maestro Giorgio Andreoli (Italian, 1465?–1553). Tin-glazed earthenware with gold lustre (maiolica); diameter: 44.8 cm (17 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1945.2
title: Charger Depicting the Three Graces
title in original language:
series:
series in original language:
creation date: c. 1525
creation date earliest: 1520
creation date latest: 1530
current location: 118 Italian Renaissance
creditline: Purchase from the J. H. Wade Fund
copyright:
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culture: Italy, Urbino region, Gubbio, 16th century
technique: tin-glazed earthenware with gold lustre (maiolica)
department: Decorative Art and Design
collection: Decorative Arts
type: Ceramic
find spot:
catalogue raisonne:
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CREATORS
* Maestro Giorgio Andreoli (Italian, 1465?–1553) - maker
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measurements: Diameter: 44.8 cm (17 5/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: this plate has been broken and mended; in the repair, signature and date have disappeared. According to catalogue by A. Darcel and A. Basilewsky (Collection Basilewsky, No. 420) name and date were on the plate.
translation:
remark:
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CURRENT EXHIBITIONS
title: Art and Humanism in the Renaissance
opening date: 1962-01-23T05:00:00
Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962).
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LEGACY EXHIBITIONS
* No existing exhibition history
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PROVENANCE
Alexander Basilewsky [1829-1899], Paris.
date: until c. 1884
footnotes:
citations:
State Hermitage Museum, St. Petersburg.
date:
footnotes:
citations:
(Rosenberg & Steibel, Inc., New York).
date:
footnotes:
citations:
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fun fact:
In Greek mythology, the three graces represent the daughters of Zeus who embodied charm, beauty, and creativity.
digital description:
During the Renaissance, an understanding of classical antiquity was perceived to be a sign of social, intellectual, and economic distinction. Scenes from Greco-Roman mythology were prominently featured on maiolica, covering the surface in a style called istoriato (decorated with stories). This depiction of the three graces was likely based on an engraving by the Renaissance printmaker, Marcantonio Raimondi.
wall description:
In Greek mythology, the three graces represent the daughters of Zeus who embodied charm, beauty, and creativity.
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RELATED WORKS
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CITATIONS
Milliken, William M. “Majolica Plate by Maestro Giorgio.” The Bulletin of the Cleveland Museum of Art 32, no. 3 (March 1945): 23–25.
page number: Mentioned: p 24
url: www.jstor.org/stable/25141185
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
page number: Mentioned and Reproduced: cat. no. 221
url: https://archive.org/details/CMAHandbook1958/page/n49
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 90
url: https://archive.org/details/CMAHandbook1966/page/n114
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 90
url: https://archive.org/details/CMAHandbook1969/page/n114
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 105
url: https://archive.org/details/CMAHandbook1978/page/n125
Busti, Giulio, and Franco Cocchi. La ceramica umbra al tempo di Perugino. Milan: Silvana Editoriale Spa, 2004.
page number: Mentioned & reproduced: p. 57, cat. no. 9
url: http://library.clevelandart.org/opac/?func=find-b&find_code=OCL&submit=Search&request=54956804
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1945.2/1945.2_web.jpg
print: https://openaccess-cdn.clevelandart.org/1945.2/1945.2_print.jpg
full: https://openaccess-cdn.clevelandart.org/1945.2/1945.2_full.tif