id: 124200 accession number: 1945.2 share license status: CC0 url: https://clevelandart.org/art/1945.2 updated: 2023-08-24 11:35:23.483000 Charger Depicting the Three Graces, c. 1525. Circle of Maestro Giorgio Andreoli (Italian, 1465?–1553). Tin-glazed earthenware with gold lustre (maiolica); diameter: 44.8 cm (17 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1945.2 title: Charger Depicting the Three Graces title in original language: series: series in original language: creation date: c. 1525 creation date earliest: 1520 creation date latest: 1530 current location: 118 Italian Renaissance creditline: Purchase from the J. H. Wade Fund copyright: --- culture: Italy, Urbino region, Gubbio, 16th century technique: tin-glazed earthenware with gold lustre (maiolica) department: Decorative Art and Design collection: Decorative Arts type: Ceramic find spot: catalogue raisonne: --- CREATORS * Maestro Giorgio Andreoli (Italian, 1465?–1553) - maker --- measurements: Diameter: 44.8 cm (17 5/8 in.) state of the work: edition of the work: support materials: inscriptions: inscription: this plate has been broken and mended; in the repair, signature and date have disappeared. According to catalogue by A. Darcel and A. Basilewsky (Collection Basilewsky, No. 420) name and date were on the plate. translation: remark: --- CURRENT EXHIBITIONS title: Art and Humanism in the Renaissance opening date: 1962-01-23T05:00:00 Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). --- LEGACY EXHIBITIONS * No existing exhibition history --- PROVENANCE Alexander Basilewsky [1829-1899], Paris. date: until c. 1884 footnotes: citations: State Hermitage Museum, St. Petersburg. date: footnotes: citations: (Rosenberg & Steibel, Inc., New York). date: footnotes: citations: --- fun fact: In Greek mythology, the three graces represent the daughters of Zeus who embodied charm, beauty, and creativity. digital description: During the Renaissance, an understanding of classical antiquity was perceived to be a sign of social, intellectual, and economic distinction. Scenes from Greco-Roman mythology were prominently featured on maiolica, covering the surface in a style called istoriato (decorated with stories). This depiction of the three graces was likely based on an engraving by the Renaissance printmaker, Marcantonio Raimondi. wall description: In Greek mythology, the three graces represent the daughters of Zeus who embodied charm, beauty, and creativity. --- RELATED WORKS --- CITATIONS Milliken, William M. “Majolica Plate by Maestro Giorgio.” The Bulletin of the Cleveland Museum of Art 32, no. 3 (March 1945): 23–25. page number: Mentioned: p 24 url: www.jstor.org/stable/25141185 The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 221 url: https://archive.org/details/CMAHandbook1958/page/n49 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 90 url: https://archive.org/details/CMAHandbook1966/page/n114 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 90 url: https://archive.org/details/CMAHandbook1969/page/n114 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 105 url: https://archive.org/details/CMAHandbook1978/page/n125 Busti, Giulio, and Franco Cocchi. La ceramica umbra al tempo di Perugino. Milan: Silvana Editoriale Spa, 2004. page number: Mentioned & reproduced: p. 57, cat. no. 9 url: http://library.clevelandart.org/opac/?func=find-b&find_code=OCL&submit=Search&request=54956804 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1945.2/1945.2_web.jpg print: https://openaccess-cdn.clevelandart.org/1945.2/1945.2_print.jpg full: https://openaccess-cdn.clevelandart.org/1945.2/1945.2_full.tif