id: 124245
accession number: 1945.24
share license status: Copyrighted
url: https://clevelandart.org/art/1945.24
updated: 2024-04-23 11:00:37.037000
La Vie, 1903. Pablo Picasso (Spanish, 1881–1973). Oil on canvas; framed: 239 x 170 x 10 cm (94 1/8 x 66 15/16 x 3 15/16 in.); unframed: 196.5 x 129.2 cm (77 3/8 x 50 7/8 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1945.24 © Estate of Pablo Picasso / Artists Rights Society (ARS), New York
title: La Vie
title in original language:
series:
series in original language:
creation date: 1903
creation date earliest: 1903
creation date latest: 1903
current location: 223 20th Century Avant-Garde
creditline: Gift of the Hanna Fund
copyright: © Estate of Pablo Picasso / Artists Rights Society (ARS), New York
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culture: Spain, 20th century
technique: oil on canvas
department: Modern European Painting and Sculpture
collection: Mod Euro - Painting 1800-1960
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Pablo Picasso (Spanish, 1881–1973) - artist
Pablo Ruiz Picasso (1881-1973), the most prolific and influential artist of the 20th century, shifted the emphasis of art from its traditional concern with beauty toward radical innovation. The son of an art teacher, Picasso demonstrated remarkable talents as a child and entered the royal art academy in Madrid at age sixteen. Less than a year later, he abandoned his studies and soon joined several avant-garde artist and anarchist groups in Barcelona and Paris. After passing through a succession of stylistic periods, most notably the Blue (1901-1904) and Rose (1904-1906) Periods, he collaborated with Georges Braque (1882-1963) in 1908 to invent Cubism, a revolutionary method of restructuring pictorial space. Picasso remained active until his death in 1973. Although his art still appears radical, many of his works are over one hundred years old. Cubism, perhaps the most important development in 20th-century art, was invented around 1908 by Pablo Picasso (1881-1973) and Georges Braque (1882-1963). The most revolutionary aspect of the style was not its obvious emphasis on geometric form; rather, it was the introduction of a radically new approach to configuring pictorial space. Since the Renaissance, artists had used various methods to create the illusion of distant space receding behind the canvas surface. The Cubists rejected that idea and collapsed space by compressing foreground, middle ground, and background into a continuous web of overlapping, intersecting planes. During the 1910s, other painters and sculptors embraced or adapted Cubism to their own ends. This revolutionary approach inspired a host of related movements and continues to influence the visual language of artists, architects, and designers throughout the world.
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measurements: Framed: 239 x 170 x 10 cm (94 1/8 x 66 15/16 x 3 15/16 in.); Unframed: 196.5 x 129.2 cm (77 3/8 x 50 7/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Signed upper left: "Picasso"
translation:
remark:
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CURRENT EXHIBITIONS
title: In Memoriam: Leonard C. Hanna, Jr.
opening date: 1958-03-04T05:00:00
In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958).
title: Picasso
opening date: 1960-07-05T04:00:00
Picasso. Tate Britain, London (July 5-September 18, 1960).
title: Picasso and the Theatre
opening date: 1965-06-22T04:00:00
Picasso and the Theatre. Musée des Augustins, Toulouse, France (organizer) (June 22-September 15, 1965).
title: Hommage a Pablo Picasso, Peintures
opening date: 1966-11-20T05:00:00
Hommage a Pablo Picasso, Peintures. Galeries Nationales du Grand Palais, 75008 Paris, France (November 20, 1966-February 12, 1967).
title: Pablo Picasso: A Retrospective
opening date: 1980-05-22T04:00:00
Pablo Picasso: A Retrospective. The Museum of Modern Art, New York, NY (organizer) (May 22-September 16, 1980).
title: Pablo Picasso
opening date: 1983-04-02T05:00:00
Pablo Picasso. The National Museum of Modern Art, Tokyo, Tokyo, Japan (organizer) (co-organizer) (April 2-May 29, 1983); Kyoto Municipal Museum of Art, Kyoto, Japan (co-organizer) (June 10-July 24, 1983).
title: Pablo Picasso: Fruhwerk und Blaue Periode (Pablo Picasso: Early Work and the Blue Period)
opening date: 1984-12-06T05:00:00
Pablo Picasso: Fruhwerk und Blaue Periode (Pablo Picasso: Early Work and the Blue Period). Kunstmuseum Bern, Bern, Switzerland (organizer) (December 6, 1984-February 17, 1985).
title: Picasso: The Early Years, 1892-1906
opening date: 1997-03-30T00:00:00
Picasso: The Early Years, 1892-1906. National Gallery of Art (organizer) (March 30-July 27, 1997); Museum of Fine Arts, Boston (September 10, 1997-January 4, 1998).
title: Picasso: The Artist's Studio
opening date: 2001-06-07T00:00:00
Picasso: The Artist's Studio. Wadsworth Atheneum Museum of Art, Hartford, CT (organizer) (June 7-September 23, 2001); The Cleveland Museum of Art, Cleveland, OH (October 28, 2001-January 6, 2002).
title: CMA Highlights
opening date: 2005-06-21T00:00:00
CMA Highlights. The Cleveland Museum of Art (organizer) (June 21-September 11, 2005).
title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art
opening date: 2006-05-27T00:00:00
Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009).
title: Picasso: Tradición y Vanguardia
opening date: 2006-06-05T00:00:00
Picasso: Tradición y Vanguardia. Museo Nacional del Prado, Madrid, Spain (organizer) (June 5-September 17, 2006).
title: Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (1868-1939)
opening date: 2006-10-15T00:00:00
Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (1868-1939). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 15, 2006-January 7, 2007); The Metropolitan Museum of Art, New York, NY (co-organizer) (March 4-June 3, 2007).
title: Picasso and the Mysteries of Life: La Vie
opening date: 2012-12-12T05:00:00
Picasso and the Mysteries of Life: La Vie. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2012-April 21, 2013); Museu Picasso, Barcelona, Spain (October 10, 2013-January 19, 2014).
title: Lend-Back: Painting the Modern Garden
opening date: 2015-09-11T00:00:00
Lend-Back: Painting the Modern Garden. Wadsworth Atheneum Museum of Art, Hartford, CT (organizer) (September 11-December 7, 2015).
title: Picasso: Blue and Rose
opening date: 2018-09-18T04:00:00
Picasso: Blue and Rose. Musée d'Orsay, Paris, France (organizer) (September 18, 2018-January 6, 2019); Fondation Beyeler, CH-4125 Riehen/Basel, Switzerland (February 3-June 16, 2019).
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LEGACY EXHIBITIONS
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PROVENANCE
Sebastià Junyent [1865-1908], Barcelona, Spain (acquired from Picasso along with The Old Jews in 1904 for 500 pesetas)
date: 1904
footnotes:
citations:
(Ambroise Vollard, Paris, France)
date:
footnotes:
citations:
(Justin K. Thannhauser [1892-1976], Munich/Berlin/Lucerne, acquired by 1926)
date: 1926
footnotes:
citations:
(Reid & Lefevre, London, United Kingdom, by 1931, shared with Thannhauser)
date: 1931
footnotes:
citations:
(Etienne Bignou, Paris,France, by 1932, shared with Thannhauser and Reid & Lefevre)
date: 1932
footnotes:
citations:
Rhode Island School of Design, Providence, RI, 1937
date: 1937
footnotes:
citations:
(Theodore Schempp [1904-1988], New York, NY,1944)
date: 1944
footnotes:
citations:
(Jacques Seligmann and Company, New York, NY,1944)
date: 1944-1945
footnotes:
citations:
(Jacques Seligmann and Company, New York, NY, 1945 sold to the Cleveland Museum of Art)
date: 1945
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1945-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Schürer, Oskar. "Picassos Klassizismus," in Die Kunst für Alle, 27 (Munich, April 1926).
page number: Reproduced: p. 204.
url:
The Arts, 9. no. 2 (New York, February 1927.
page number: Reproduced frontispiece, p. 60 in bound edition.
url:
Erste Sonderausstellung in Berlin. Berlin: Galerien Thannhauser, 1927.
page number: Reproduced: p. 117.
url:
Zervos, Christian. "Picasso: Oeuvres inédites anciennes." Cahiers d'art, 3 (1928).
page number: Reproduced: p. 109.
url:
Exposition Picasso. Paris: Galerie Georges Petit, 1932.
page number: Reproduced: no. 17.
url:
Daly, D. "La Vie by Picasso." Bulletin of the Rhode Island School of Design, 26 (January 1938).
page number: Reproduced: p. 3.
url:
Barr, Alfred H., Jr., Picasso: Forty Years of His Art. New York: Museum of Modern Art, 1939.
page number: Reproduced: cat. no. 19.
url:
Paintings in the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 1945.
page number: Reproduced: p. [6]
url: https://archive.org/details/CMAPaintings1945/page/n14
Barr, Alfred H., Jr., Picasso: Fifty Years of His Art. New York: Museum of Modern Art, 1946.
page number:
url:
Picasso "L'atelier:" Paintings of 1956. Lucerne: Galerie Rosengart, 1957.
page number: Reproduced: p. 91, no. 25
url:
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland: Cleveland Museum of Art, 1958.
page number: Mentioned and reproduced: cat. no. 521
url: https://archive.org/details/CMAHandbook1958/page/n96
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland: Cleveland Museum of Art, 1966.
page number: Reproduced: p. 196
url: https://archive.org/details/CMAHandbook1966/page/n220
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland: Cleveland Museum of Art, 1969.
page number: Reproduced: p. 195
url: https://archive.org/details/CMAHandbook1969/page/n219
Penrose, Roland, John Golding, and Daniel Henry Kahnweiler. Picasso, 1881-1973. London: Elek, 1973.
page number:
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland: Cleveland Museum of Art, 1978.
page number: Reproduced: p. 241
url: https://archive.org/details/CMAHandbook1978/page/n261
Kitaj, R. B., and Timothy Hyman. "A Return to London." Kitaj Paintings, Drawings, Pastels. John Ashebury, Joe Shannon, Jane Livingston, 41. New York, NY: Thames and Hudson, 1983.
page number: Mentioned: p. 41
url:
Robinson, William H. "Puvis De Chavannes's Summer and the Symbolist Avant-Garde." The Bulletin of the Cleveland Museum of Art 78, no. 1 (1991): 2-27.
page number: Mentioned: p. 16
url: https://www.jstor.org/stable/25161310
Boggs, Jean Sutherland, Brigitte Léal, and Marie-Laure Bernadac. Picasso and Things: The Still Lifes of Picasso. Cleveland: Cleveland Museum of Art, 1992.
page number: Reproduced: P. 344
url:
Daix, Pierre. Picasso: Life and Art. New York: Icon Editions, 1993.
page number:
url:
Daix, Pierre. Dictionnaire Picasso. Paris: R. Laffont, 1995.
page number: Reproduced: p. 628-629, pl. 1
url:
Asahi Shinbunsha. Pikaso: 20-seiki no kyoshōo. Tokyo: Asahi Shinbunsha, 1995.
page number: Reproduced: fig. 8
url:
Chipp, Herschel, Alan Wofsy, and Fernand Mourlot. Picasso's paintings, watercolors, drawings and sculpture: a comprehensive illustrated catalogue, 1885-1973. San Francisco: Alan Wofsy Fine Arts, 1995.
page number: Reproduced: p. 24, fig. 1903-071
url:
McCully, Marilyn and Natasha Staller. Picasso: the Early Years, 1892-1906. Washington, DC: National Gallery of Art, 1997.
page number: Reproduced: p. 6, 190
url:
Fukaya, Katsunori. Pikaso ten: kaikan 10-shūnen kinen (Pablo Picasso: 10th anniversary). Japan: Chūnichi Shinbunsha, 1998.
page number: Reproduced: p. 19, no. 11
url:
Spieler, Reinhard and Hans Belting. Max Beckmann: Bildwelt und Weltbild in den Triptychen. Cologne: DuMont, 1998.
page number: Reproduced: p. 93, no. 15
url:
Arnason, H. Harvard and Marla Prather. History of Modern Art: Painting, Sculpture, Architecture, Photography. New York, NY: Harry N. Abrams, 1998.
page number: Reproduced: p. 165, pl. 87
url:
Warncke, Carsten-Peter, Ingo F. Walther, and Michael Hulse. Pablo Picasso: 1881-1973. Cologne: Taschen, 1998.
page number: Reproduced: p. 39
url:
Kosinski, Dorothy M. The Artist and the Camera: Degas to Picasso. Dallas: Dallas Museum of Art, 1999.
page number: Reproduced: p. 300, fig. 146
url:
Richardson, John, and Marilyn McCully. A Life of Picasso. New York: Random House, 1991.
page number: I:269-279.
url:
Hunter, Sam, John M. Jacobus, and Daniel Wheeler. Modern Art: Painting, Sculpture, Architecture. New York, NY: Harry N. Abrams, 2000
page number: Reproduced: p. 134, no. 222
url:
Picasso: Museo Nacional de Colombia: mayo 13-agosto 11, Bogotá, 2000. Bogotá, Colombia: Museo Nacional de Colombia, 2000.
page number: Reproduced: p. 139
url:
Léal, Brigitte, Christine Piot, and Marie-Laure Bernadac. The Ultimate Picasso. New York, NY: Harry N. Abrams, 2000.
page number: Reproduced: p. 69, no. 133
url:
Cox, Neil. Cubism. London: Phaidon, 2000.
page number: Mentioned: p. 34-35, reproduced: fig. 15
url:
Solender, Katherine, "From Peacocks to Picasso", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 40 no. 09, November 2000
page number: Mentioned & reproduced: p. 8-9
url: https://archive.org/details/CMAMM2000-09/page/8
FitzGerald, Michael C., and William H. Robinson. Picasso: The Artist's Studio. Hartford: Wadsworth Atheneum Museum of Art and Yale University Press, 2001.
page number: Mentioned: p. 98-99; p. 19, 22, 24, 63-87; Reproduced pp. 62, 98
url:
Clair, Jean. Picasso Érotique. Munich: Prestel, 2001.
page number: Reproduced: p. 91, fig. 5
url:
Tōkyō Shōkō Kaigisho. Karā kōdinēshon no kiso: karā kōdinētā kentei shiken 3-kyū kōshiki tekisuto (Introduction to color coordination). Tokyo: Tōkyō Shōkō Kaigisho, 2001
page number: Reproduced: p. 28
url:
May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland: Cleveland Museum of Art, 2001.
page number: Mentioned: p. 54-55; Reproduced: p. 54
url:
Lemoine, Serge. From Puvis De Chavannes to Matisse and Picasso: Toward Modern Art. Milan: Bompiani, 2002.
page number: Reproduced: p. 41, fig. 19
url:
Andersen, Wayne V. Picasso's Brothel: Les Demoiselles D'Avignon. New York, NY: Other Press, 2002
page number: Reproduced: p. 192, fig. 19
url:
Ocaña, María Teresa. Picasso joven. La Coruña: Fundación Pedro Barrié de la Maza, Conde de Fenosa, 2002.
page number: Reproduced: p. 72
url:
Sekai bijutsukan no tabi. Tokyo: Shōgakukan, 2002.
page number: Reproduced: p. 310
url:
Meyer, Richard. Representing the Passions: Histories, Bodies, Visions. Los Angeles: Getty Research Institute, 2003.
page number: Reproduced: p. 236, fig. 10
url:
Becht-Jördens, Gereon and Peter Matthias Wehmeier. Picasso und die christliche Ikonographie: Mutterbeziehung und künstlerische Position. Berlin: Reimer, 2003.
page number: Reproduced: fig. 1
url:
Senzoku, Nobuyuki. Seiyō kaiga meisaku hyakuissen. Tokyo: Shōgakukan, 2003.
page number: Reproduced: p. 182, fig.100
url:
Picasso in Istanbul. Istanbul, Turkey: Sabanci University, Sakip Sabanci Museum, 2005.
page number: Reproduced: p. 19, fig. 2
url:
Lara Elizondo, Lupina. Referencias de Picasso en México: ocho pintores (1900-1950): Angel Zárraga, Diego Rivera, Carlos Mérida, Manuel Rodríguez Lozano, Alfonso Michel, Rufino Tamayo, Francisco Gutiérrez, Federico Cantú. México, DF: Qualitas Compañía de Seguros, 2005.
page number: Reproduced: p. 53
url:
Burgess, Margaret, "The Colorful Mr. Hanna", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 45 no. 09, November 2005
page number: Mentioned & reproduced: 6
url: https://archive.org/details/CMAMM2005-09/page/6
Berggruen, Olivier and Max Hollein. Picasso und das Theater. Ostfildern, Germany: Hatje Cantz, 2006.
page number: Reproduced: p. 28, fig. 1
url:
Adams, Laurie. The Making and Meaning of Art. Upper Saddle River, New Jersey: Pearson Prentice Hall, 2006.
page number: Reproduced: p. 147, fig. 8.2
url:
Robinson, William H., Jordi Falgàs, and Carmen Belen Lord. Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. Cleveland: Cleveland Museum of Art in association with Yale University Press, 2006.
page number: Mentioned: p. 135; Reproduced p. 134
url:
Calvo Serraller, Francisco. Picasso: tradición y vanguardia: guía antológica de la exposición, Madrid: Fundación Amigos del Museo del Prado, 2006.
page number: Mentioned: p. 8-9; Reproduced: p. 9
url:
Robinson, William H., Laurence Channing, Barbara J. Bradley, and Margaret Burgess. Monet to Dalí: Impressionist and Modern Masterworks from the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2007.
page number:
url:
Seki, Naoko. Pikaso. Tokyo, Japan: Shōgakukan, 2006.
page number: Reproduced: p. 51
url:
Hall, James. The Sinister Side: How Left-Right Symbolism Shaped Western Art. Oxford, UK: Oxford University Press, 2008.
page number: Reproduced: p. 333, fig.37
url:
Duchting, Hajo. Pablo Picasso. London: Prestel, 2008.
page number: Reproduced: p. 6
url:
Yūki, Masako. Pikaso egakareta koi: yattsu no koigokoro de yomitoku pikaso no miryoku. Tokyo: Shōgakukan, 2008.
page number: Reproduced: p. 21
url:
Tinterow, Gary, Susan Alyson Stein, Magdalena Dabrowski, et al. Picasso in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2010.
page number: Reproduced: p. 63, fig. 22.4
url:
Arnason, H. Harvard and Elizabeth Mansfield. History of Modern Art: Painting, Sculpture, Architecture, Photography. Upper Saddle River, New Jersey: Pearson Prentice Hall, 2010.
page number: Reproduced: p. 160, no. 8.2
url:
Giedion, Sigfried, Gotthard Jedlicka, and Piet Meyer. Pablo Picasso in Zürich--1932. Bern, Switzerland: Meyer, 2010.
page number: Reproduced: p. 80, Abb.15
url:
Cox, Neil. The Picasso Book. London: Tate Publishing, 2010.
page number: Reproduced: p. 10, fig. 2; Mentioned: p. 273-274
url:
Galassi, Susan Grace and Marilyn McCully. Picasso's Drawings, 1890-1921: Reinventing Tradition. New Haven: Yale University Press, 2011.
page number: Reproduced: p. 100, fig. 51
url:
Robinson, William H. Picasso and the Mysteries of Life: La Vie. Cleveland: Cleveland Museum of Art, 2012.
page number: Reproduced: p. 31
url:
Zuffi, Stefano. Colour in Art. Antwerpen, Belgium: Ludion, 2012.
page number: Reproduced: p. 139
url:
Treasures of the Cleveland Museum of Art. London: Scala Books, 2012.
page number: Reproduced: p. 292-293
url:
Ramon, Artur. Nada es bello sin el azar: quince episodios sobre pintura. Barcelona: Elba, 2012.
page number: Reproduced: p. 137, fig. 44
url:
Vallès, Eduard and Isabel Cendoya. Yo Picasso: self-portraits. Barcelona: Ajuntament de Barcelona, Institut de Cultura: Museu Picasso, 2013.
page number: Reproduced: p. 80, fig. 6, 7
url:
Andral, Jean-Louis, Marilyn McCully, Michael Raeburn, et al. Picasso dans la collection Nahmad. Paris: Éditions Hazan, 2013.
page number: Reproduced: p. 273-274, fig. 4; Mentioned: p. 419
url:
Bozal Fernández, Valeriano. Historia de la pintura y la escultura del siglo XX en España. Madrid: Machado Grupo de Distribucion, 2013.
page number: Reproduced: p. 45
url:
The Art Newspaper 23, no. 252 (December 2013).
page number: Reproduced: p. 32
url:
Gual, Malén, Reyes Jiménez, and William H. Robinson. Journey Through the Blue: La Vie. Barcelona: Museu Picasso, 2013.
page number: p. 103, cat. no. 20
url:
Castaño, Antonia, Maria Teresa Ocaña, Neil Cox, Brigitte Léal, Valeriano Bozal Fernández, Christopher Green. Picasso en el taller. Madrid: Fundación MAPFRE, Instituto de Cultura, 2014.
page number: Reproduced: p. 15, fig. 3
url:
Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.
page number: Mentioned and reproduced: P. 294-295
url:
Pratesi, Ludovico. "Le Sfide del Grande Transfiguratore." Art e dossier, no. 316 (December 2014).
page number: Mentioned: p. 30-35; Reproduced: p. 31
url:
"Avec le Bleu une Histoire qui Dure." Beaux arts magazine, no. 368 (Fevrier 2015).
page number: Mentioned: p. 52-53; Reproduced: p. 52
url:
Vallès, Eduard. Picasso: obra catalana. Barcelona: Enciclopèdia Catalana, 2015.
page number: Reproduced: p. 236-237
url:
Roglán, Mark A. Spanish Art in America. Madrid: Ediciones El Viso 2016.
page number: Reproduced: p. 82
url:
Müller, Markus. "The Many Metamorphoses of the Minotaur." In Pablo Picasso. Munich: Hirmer, 2016.
page number: Reproduced: p. 14, fig. 4
url:
Jones, Caroline A. The Global Work of Art: World's Fairs, Biennials, and the Aesthetics of Experience. Chicago: University of Chicago Press, 2016.
page number: Mentioned and reproduced: p. 58-59, fig. 2.8
url:
Cleveland Museum of Art. Museum Masters: 2016-17 Companion Guide. [Cleveland, Ohio]: Cleveland Museum of Art, 2016.
page number: Mentioned and reproduced: P. 46-47
url:
Kisters, Sandra. The Lure of the Biographical: On the (Self-)Representation of Modern Artists. Amsterdam: Valiz, 2017.
page number: Reproduced: p. 57, n.171
url:
Koldehoff, Stefan. "Marketing Modernism: The Thannhauser Gallery and Its Clients." Marketing Van Gogh. Stefan Koldehoff, and Chris Stolwijk, eds., 56-81. Brussels: Mercatorfonds; Amsterdam: Van Gogh Museum, 2017.
page number: Reproduced: p. 61, fig. 43
url:
Jiménez-Blanco, María Dolores. Antes, Desde y Después del Cubismo: Picasso, Gris, Blanchard, Gargallo y González, y Vuelta a Picasso. Boadilla del Monte (Madrid): Machado Libros, 2017.
page number: Reproduced: p. 97, fig. 1
url:
Saragoza, Florence, and Pablo Picasso. Picasso et la maternité. 2017.
page number: Mentioned and reproduced: pp. 22-23
url:
Rynck, Patrick de and Jon Thompson. Understanding Painting: From Giotto to Warhol. New York: Ludion, distributed by Abrams, 2018.
page number: Reproduced: p. 237
url:
Tasseau, Verane, and Jean-Louis Andral. Pablo Picasso en 15 questions. [Vanves] : Hazan, 2018.
page number: Mentioned and reproduced: P. 28-31
url:
Moore, John L., Esther Jun, Clodagh Keogh, William H. Robinson, Danni Shen, Enid Shomer, and Reto Thüring. Demise: Rina Banerjee, Esperanza Cortés, Jae Rhim Lee, Brian Maguire, Paolo Pelosini, Levent Tuncer. 2018, 6.
page number: Mentioned and reproduced: pp. 4-6.
url:
Bernardi, Claire, Stephanie Molins, and Émilia Philippot. Picasso: Bleu et Rose. Vanves: Hazan: M'O, 2018.
page number: Mentioned and reproduced: P. 20-21
url:
Faerna, José María. Picasso. Barcelona: Polígrafa, 2018.
page number: Reproduced: P. 25
url:
Lloyd, Christopher. Picasso and the Art of Drawing. London: Modern Art Press, 2018.
page number: Reproduced: p. 44, fig. 25
url:
Betard, D. "Picasso en bleu, en rose et en chefs-d'oeuvre," Beaux arts magazine, 411 (Sept. 2018).
page number: Mentioned: p. 78-86; Reproduced: p. 81
url:
Toscano, F. "Becoming Picasso." Modern Painters (Sept. 2018).
page number: Mentioned: p. 104-110; Reproduced: p. 107
url:
De Micci, L. "L'alba del Genio e Blu e Rosa." Il giornale dell'arte 36, no. 389 (Sept. 2018).
page number: Mentioned: p. 39-40
url:
Toscano, Frank. "Becoming Picasso: A major exhibition at the Musee d'Orsay looks at six formative years early last century, now known as his Blue and Rose periods." Modern painters : a quarterly journal of the fine arts 30, no. 8 (September 2018): 105-110
page number: Mentioned; p. 107
url:
Le Bon, Laurent, Claire Bernardi, Stephanie Molins, et al. Picasso, Bleu et Rose. Vanves: Hazan, 2018.
page number: Mentioned and reproduced: p. 180-182
url:
Bouvier, Raphaël, ed. Picasso: The Blue and Rose Periods. Riehen/Basel: Fondation Beyeler, 2019.
page number: Mentioned and reproduced: P. 118-119; 122-123
url:
Picasso, Pablo. Bijiasuo: yi wei tian cai de dan sheng = Picasso: Birth of a Genius. 北京市: 文化藝術出版社, 2019.
page number: Reproduced: P. 219, 225
url:
Michael, Cora. "Gauguin in the the Buckeye and Hoosier States: Portrait of Teuraheimata and its Midwestern Collectors." In Paul Gauguin: Teuraheimata a Potoru, a Rediscovery, 11-19. New York: Jill Newhouse Gallery; [Akron, Ohio]: Thomas French Fine Art, 2019.
page number: Mentioned: P. 14
url:
Bouvier, Raphaël. Le Jeune Picasso: Périodes Bleue et Rose. Riehen/Bâle, Suisse : Fondation Beyler ; Berlin : Hatje Cantz, 2019.
page number: Reproduced: P. 22, 27
url:
Berggruen, Olivier. "Painting as Drama: Picasso's Late Paintings." In Picasso: The Late Work: from the Collection of Jacqueline Picasso. Ortrud Westheider, and Michael Philipp, eds. Munich: Prestel, 2019.
page number: Mentioned and reproduced: P. 29-31
url:
Ormiston, Rosalind. Picasso. Munich; London; New York: Prestel, 2020.
page number: Mentioned and reproduced: P. 50-51
url:
Planas, Claustre Raffart. "Early Works and the Blue Period." In Picasso and Paper. William H. Robinson, et al., 62-79. London: Royal Academy of Arts, 2020.
page number: Reproduced: P. 75, cat. no. 48
url:
McCully, Marilyn. "Picasso in the Studio." In Picasso: Painting the Blue Period. Kenneth Brummel, and Susan Behrends Frank, eds., 10-23. New York: DelMonico Books · D.A.P.; Toronto, Ontario, Canada: Art Gallery of Ontario, 2021.
page number: Mentioned and reproduced: P. 18-19, fig. 16
url:
Frank, Susan Behrends. "Chronology." In Picasso: Painting the Blue Period. Kenneth Brummel, and Susan Behrends Frank, eds., 294-321. New York: DelMonico Books · D.A.P.; Toronto, Ontario, Canada: Art Gallery of Ontario, 2021.
page number: Mentioned and reproduced: P. 306-307, fig. 13
url:
Michels, Stefanie. Leipziger Schule und Kritischer Realismus: die Sammlung Fritz P. Mayer. München: Hirmer, 2022.
page number: Reproduced: P. 50
url:
Arn, Jackson. "From God to 10,000 hours." Art in America 110. no.5(June/July 2022): 42-47
page number: reproduction & mentioned p.46
url:
Conzen, Ina. Picasso. München: C.H.Beck, 2023.
page number: Mentioned and reproduced: P. 20, fig. 5
url:
Maldonado, Guitemie. "Picasso: Trajectoire d'un Geant." Dossiers de l'Art 307, no. 4 (2023): 10-27.
page number: Mentioned and reproduced: P. 12-13
url:
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