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"accession_number": "1946.233",
"share_license_status": "CC0",
"tombstone": "Kero (Waisted Cup), after 1550. Peru, Colonial Inka style, 16th century. Wood, inlaid pigments; diameter of mouth: 18.3 x 14.4 cm (7 3/16 x 5 11/16 in.); overall: 18.3 x 14.4 cm (7 3/16 x 5 11/16 in.). The Cleveland Museum of Art, Gift of John Wise, 1946.233",
"current_location": "232 Andean",
"title": "Kero (Waisted Cup)",
"creation_date": "after 1550",
"creation_date_earliest": 1550,
"creation_date_latest": 1650,
"artists_tags": [],
"culture": [
"Peru, Colonial Inka style, 16th century"
],
"technique": "wood, inlaid pigments",
"support_materials": [],
"department": "Art of the Americas",
"collection": "AA - Andes",
"type": "Wood",
"measurements": "Diameter of mouth: 18.3 x 14.4 cm (7 3/16 x 5 11/16 in.); Overall: 18.3 x 14.4 cm (7 3/16 x 5 11/16 in.)",
"dimensions": {
"diameter of mouth": {
"height": 0.183,
"height_inch": 7,
"height_inch_fraction": 0.1875,
"width": 0.144,
"width_inch": 5,
"width_inch_fraction": 0.6875
},
"overall": {
"height": 0.183,
"height_inch": 7,
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"width": 0.144,
"width_inch": 5,
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},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 300804,
"title": "Treasures of Peruvian Gold",
"description": "Treasures of Peruvian Gold. The Cleveland Museum of Art, Cleveland, OH (February 23-April 3, 1966).",
"opening_date": "1966-02-23T05:00:00"
},
{
"id": 219999,
"title": "Sacred Symbols: Three Thousand Years of Native American Art [FRAME]",
"description": "Sacred Symbols: Three Thousand Years of Native American Art [FRAME]. Mus\u00e9e Fabre, Montpellier, France (July 16-September 29, 2002); Mus\u00e9e des Beaux-Arts de Rouen, Rouen, France (October 24, 2002-January 13, 2003); Mus\u00e9e des Beaux-Arts de Lyon, 69001 Lyon, France (February 19-April 29, 2003); Mus\u00e9e des Beaux-Arts de Rennes, Rennes, France (May 27-August 18, 2003); Minneapolis Institute of Art, Minneapolis, MN (organizer) (October 26, 2003-January 11, 2004).",
"opening_date": "2002-07-16T00:00:00"
}
],
"legacy": [
{
"description": "Cleveland, OH: The Cleveland Museum of Art; November 9, 1945- January 6, 1946. \"Art of the",
"opening_date": "1945-11-09T00:00:00"
},
{
"description": "Americas.\"",
"opening_date": null
},
{
"description": "Denver, Colorado: The Denver Art Museum; September 16- October 4, 1959. \"Latin America, Then",
"opening_date": "1959-09-16T00:00:00"
},
{
"description": "and Now.\"",
"opening_date": null
},
{
"description": "Cleveland, OH: The Cleveland Museum of Art; February 23-April 3, 1966. \"Treasures of Peruvian Gold.\"",
"opening_date": "1966-02-23T00:00:00"
},
{
"description": "Montpellier, France: Musee Fabre; July 16- September 29, 2002. Rouen, France: Musee des Beaux Arts; October 24, 2002- January 13, 2003. Lyon, France: Musee des Beaux-Arts; February 19, 2003- April 28, 2003. Rennes, France: Musee des Beaux-Arts: May 27- August 18, 2003. Minneapolis, MN: Minneapolis Institute of Arts; October 26, 2003- January 11, 2004. FRAME exhibition - \"Sacred Symbols: Three Thousand Years of Native American Art.\"",
"opening_date": "2002-07-16T00:00:00"
}
]
},
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"description": "Keros, used to drink the maize beer chicha, were essential items of Inka statecraft. Made and used in pairs, they reflect the important Andean concept of reciprocity. Native use of keros continued in the colonial period, the date of these two examples, which come from separate pairs. The example with geometric motifs is closest to pre-conquest models. On the second, two armies converge: the Inka, dressed in tunics with waistbands, and their opponents, perhaps jungle people whose body parts are heaped in a centerpiece.",
"external_resources": {
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],
"internet_archive": [
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"citations": [
{
"citation": "Shepherd, Dorothy. \"An Inca Poncho.\" The Bulletin of the Cleveland Museum of Art 42, no. 3 (March 1955): 48-50.",
"page_number": "Mentioned: p. 50",
"url": "https://www.jstor.org/stable/25142025"
},
{
"citation": "Maurer, Evan M., Molly Hennen, Muse\u0301e Fabre, Rouen (France), and Muse\u0301e des Beaux Arts (Lyon, France). Symboles Sacre\u0301S: Quatre Mille Ans d\u2019Art Des Ame\u0301Riques. Paris: Re\u0301union des Muse\u0301es Nationaux, 2002.",
"page_number": "Mentioned and reproduced: p. 205, 207, no. 177",
"url": ""
},
{
"citation": "Lavaquerie-Klein, Christiane, and Laurence Paix-Rusterholtz. Huaca: Tre\u0301Sors Des Peuples d\u2019Ame\u0301Rique Du Sud. Paris: Re\u0301union des Muse\u0301es Nationaux, 2006.",
"page_number": "Mentioned and reproduced: p. 28-29",
"url": ""
}
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"creditline": "Gift of John Wise",
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"updated_at": "2026-09-15 22:18:42.914000"
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