id: 124993 accession number: 1946.434 share license status: Copyrighted url: https://clevelandart.org/art/1946.434 updated: 2024-03-26 01:58:04.127000 Riding the Crane, c. 1926. Max Kalish (American, 1891–1945). Bronze; overall: 51.4 x 32.4 x 15.3 cm (20 1/4 x 12 3/4 x 6 in.). The Cleveland Museum of Art, Gift of Friends of the Artist 1946.434 title: Riding the Crane title in original language: series: series in original language: creation date: c. 1926 creation date earliest: 1921 creation date latest: 1931 current location: creditline: Gift of Friends of the Artist copyright: --- culture: America, Ohio, Cleveland technique: bronze department: American Painting and Sculpture collection: American - Sculpture type: Sculpture find spot: catalogue raisonne: --- CREATORS * Max Kalish (American, 1891–1945) - sculptor Born in Valozin, Lithuania, Max Kalish immigrated with his family to Cleveland in 1898. Shortly after their arrival they changed the family name from Kalichik to Kalish. At the age of 15 he won a scholarship from the Cleveland School of Art and studied sculpture under Herman Matzen. In 1910 Kalish enrolled in the National Academy of Design in New York. After returning to Cleveland in early 1912, he briefly shared a studio with William Zorach. Kalish traveled to Europe in 1912–13, studying at the École des Beaux-Arts and the Académie Colarossi in Paris, and exhibiting in the Paris Salon (1913). He worked as a sculptor for the Panama-Specific Exposition in San Francisco, 1913–14, returning to Cleveland the following year. His first solo exhibition was at Korner & Wood Galleries in Cleveland (1916). He served in the army during World War I. In 1921 he began creating bronze sculptures devoted to the theme of labor and completed the last in 1938. In 1923 Cleveland school children collected small change to fund the casting of Kalish’s large-scale monument to Abraham Lincoln, which was installed in front of the School Administration Building. During the 1920s his sculptures appeared in solo shows in Cleveland and New York. He participated in the annual May Shows at the Cleveland Museum of Art (1924–30) as well as the annuals of the Pennsylvania Academy of Fine Arts in Philadelphia and the Art Institute of Chicago. In the late 1920s he began a series of marble figures that were exhibited at the Grand Central Art Galleries in New York. By 1933 he had moved to New York, where he established a private school for teaching sculpture techniques. Kalish died in New York.
"Transformations in Cleveland Art" (CMA, 1996), p. 231 --- measurements: Overall: 51.4 x 32.4 x 15.3 cm (20 1/4 x 12 3/4 x 6 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed on base: "M. KALISH" translation: remark: --- CURRENT EXHIBITIONS title: The Cleveland Institute of Art: 100 Years opening date: 1982-12-22T05:00:00 The Cleveland Institute of Art: 100 Years. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 22, 1982-January 30, 1983). title: The American Way in Sculpture 1890-1930 opening date: 1986-08-12T04:00:00 The American Way in Sculpture 1890-1930. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 12-October 19, 1986). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Solender, Katherine. The American Way in Sculpture, 1890-1930. Cleveland, OH: Published by the Cleveland Museum of Art in cooperation with Indiana University Press, 1986. page number: cat. #51, p. 51, repr. url: Kraynak, Scott, Henry Adams, Douglas Max Utter, William G. Scheele, R. A. Washington, and Mike Hudson. The Heart of Cleveland. Shaker Hts, OH: Red Giant Books, 2018. page number: Reproduced: P. 23, fig. 15 url: --- IMAGES