id: 124994
accession number: 1946.435
share license status: Copyrighted
url: https://clevelandart.org/art/1946.435
updated: 2024-07-25 11:10:52.122000
Steel into the Sky, c. 1932. Max Kalish (American, 1891–1945). Bronze; overall: 47.6 x 28 x 11.5 cm (18 3/4 x 11 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Friends of the Artist 1946.435
title: Steel into the Sky
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creation date: c. 1932
creation date earliest: 1930
creation date latest: 1945
current location:
creditline: Gift of Friends of the Artist
copyright:
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culture: America, Ohio, Cleveland
technique: bronze
department: American Painting and Sculpture
collection: American - Sculpture
type: Sculpture
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catalogue raisonne:
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CREATORS
* Max Kalish (American, 1891–1945) - sculptor
Born in Valozin, Lithuania, Max Kalish immigrated with his family to Cleveland in 1898. Shortly after their arrival they changed the family name from Kalichik to Kalish. At the age of 15 he won a scholarship from the Cleveland School of Art and studied sculpture under Herman Matzen. In 1910 Kalish enrolled in the National Academy of Design in New York. After returning to Cleveland in early 1912, he briefly shared a studio with William Zorach. Kalish traveled to Europe in 1912–13, studying at the École des Beaux-Arts and the Académie Colarossi in Paris, and exhibiting in the Paris Salon (1913). He worked as a sculptor for the Panama-Specific Exposition in San Francisco, 1913–14, returning to Cleveland the following year. His first solo exhibition was at Korner & Wood Galleries in Cleveland (1916). He served in the army during World War I. In 1921 he began creating bronze sculptures devoted to the theme of labor and completed the last in 1938. In 1923 Cleveland school children collected small change to fund the casting of Kalish’s large-scale monument to Abraham Lincoln, which was installed in front of the School Administration Building. During the 1920s his sculptures appeared in solo shows in Cleveland and New York. He participated in the annual May Shows at the Cleveland Museum of Art (1924–30) as well as the annuals of the Pennsylvania Academy of Fine Arts in Philadelphia and the Art Institute of Chicago. In the late 1920s he began a series of marble figures that were exhibited at the Grand Central Art Galleries in New York. By 1933 he had moved to New York, where he established a private school for teaching sculpture techniques. Kalish died in New York.
"Transformations in Cleveland Art" (CMA, 1996), p. 231
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measurements: Overall: 47.6 x 28 x 11.5 cm (18 3/4 x 11 x 4 1/2 in.)
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inscription: Signed back of base: "M KALISH"; scratched on back: "Modern Art Foundry, NY"; illegible seal stamped on back
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CURRENT EXHIBITIONS
title: The Human Figure in American Sculpture: A Question of Modernity
opening date: 1995-02-23T05:00:00
The Human Figure in American Sculpture: A Question of Modernity. Los Angeles County Museum of Art (organizer) (February 23-May 14, 1995); Montgomery Museum of Fine Arts (June 22-September 10, 1995); Wichita Art Museum (October 19, 1995-January 7, 1996); National Academy of Design Museum and School of Fine Arts (February 15-May 5, 1996).
title: Transformations in Cleveland Art, 1796-1946
opening date: 1996-05-19T04:00:00
Transformations in Cleveland Art, 1796-1946. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 19-July 21, 1996).
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LEGACY EXHIBITIONS
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PROVENANCE
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RELATED WORKS
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CITATIONS
Robinson, William H., et. al. Transformations in Cleveland Art, 1796-1946: Community and Diversity in Early Modern America. Cleveland, Ohio: Cleveland Museum of Art, 1996.
page number: Reproduced and Mentioned: p.116
url:
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IMAGES