{
"data": {
"id": 125234,
"accession_number": "1947.196",
"share_license_status": "CC0",
"tombstone": "Low Tide at Pourville, near Dieppe, 1882, 1882. Claude Monet (French, 1840\u20131926). Oil on fabric; framed: 65.4 x 106.7 x 10.5 cm (25 3/4 x 42 x 4 1/8 in.); unframed: 59.9 x 81.3 cm (23 9/16 x 32 in.). The Cleveland Museum of Art, Gift of Mrs. Henry White Cannon, 1947.196",
"current_location": null,
"title": "Low Tide at Pourville, near Dieppe, 1882",
"creation_date": "1882",
"creation_date_earliest": 1882,
"creation_date_latest": 1882,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "oil on fabric",
"support_materials": [],
"department": "Modern European Painting and Sculpture",
"collection": "Mod Euro - Painting 1800-1960",
"type": "Painting",
"measurements": "Framed: 65.4 x 106.7 x 10.5 cm (25 3/4 x 42 x 4 1/8 in.); Unframed: 59.9 x 81.3 cm (23 9/16 x 32 in.)",
"dimensions": {
"framed": {
"height": 0.654,
"height_inch": 25,
"height_inch_fraction": 0.75,
"width": 1.067,
"width_inch": 42,
"width_inch_fraction": 0.0,
"depth": 0.105,
"depth_inch": 4,
"depth_inch_fraction": 0.125
},
"unframed": {
"height": 0.599,
"height_inch": 23,
"height_inch_fraction": 0.5625,
"width": 0.813,
"width_inch": 32,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Signed lower right: 82 Claude Monet \r\n",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 311945,
"title": "The Sea",
"description": "The Sea. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 23-October 25, 1950).",
"opening_date": "1950-09-23T04:00:00"
},
{
"id": 338130,
"title": "Claude Monet: a loan exhibition",
"description": "Claude Monet: a loan exhibition. Saint Louis Art Museum (organizer) (September 25-October 22, 1957); Minneapolis Institute of Art (November 1-December 1, 1957).",
"opening_date": "1957-09-25T04:00:00"
},
{
"id": 338456,
"title": "Impressionism and its Roots",
"description": "Impressionism and its Roots. University of Iowa Museum of Art, Iowa City, IA (organizer) (November 8-December 6, 1964).",
"opening_date": "1964-11-08T05:00:00"
},
{
"id": 520810,
"title": "Impressionism and its Roots",
"description": "Impressionism and its Roots. University of Iowa Museum of Art, Iowa City, IA (organizer) (November 8-December 6, 1964).",
"opening_date": "1964-11-08T05:00:00"
},
{
"id": 304401,
"title": "The Monet Triptych: Water Lilies",
"description": "The Monet Triptych: Water Lilies. The Cleveland Museum of Art, Cleveland, OH (September 18, 1979-February 17, 1980).",
"opening_date": "1979-04-05T05:00:00"
},
{
"id": 304561,
"title": "Visions of Landscape: East and West",
"description": "Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).",
"opening_date": "1982-02-17T05:00:00"
},
{
"id": 442204,
"title": "Paris autour de 1882 (Paris around 1882)",
"description": "Paris autour de 1882 (Paris around 1882). Museum of Fine Arts, Gifu, Gifu City, Japan (organizer) (November 3-December 19, 1982); Museum of Modern Art, Kamakura, Kanagawa, Japan (January 15-February 20, 1983).",
"opening_date": "1982-11-03T05:00:00"
},
{
"id": 226271,
"title": "Monet: The Seine and the Sea, Vetheuil and Normandy, 1878-1883",
"description": "Monet: The Seine and the Sea, Vetheuil and Normandy, 1878-1883. Gallery of the Royal Scottish Academy, Edinburgh, Scotland (August 6-October 26, 2003).",
"opening_date": "2003-08-06T00:00:00"
},
{
"id": 229548,
"title": "Boudin, Monet and the Sea Painters of Normandy",
"description": "Boudin, Monet and the Sea Painters of Normandy. The Bowes Museum, County Durham, United Kingdom of Great Britain and Northern Ireland (organizer) (May 29-August 30, 2004).",
"opening_date": "2004-05-29T00:00:00"
},
{
"id": 184132,
"title": "Masterworks from The Phillips Collection",
"description": "Masterworks from The Phillips Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 20-May 29, 2005).",
"opening_date": "2005-02-20T00:00:00"
},
{
"id": 182153,
"title": "Monet to Dal\u00ed: Modern Masters from the Cleveland Museum of Art",
"description": "Monet to Dal\u00ed: Modern Masters from the Cleveland Museum of Art. Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009).",
"opening_date": "2006-05-27T00:00:00"
},
{
"id": 208590,
"title": "Monet in Normandy",
"description": "Monet in Normandy. Fine Arts Museum of San Francisco, Legion of Honor, San Francisco, CA (June 17-September 17, 2006); North Carolina Museum of Art, Raleigh, NC (October 8, 2006-January 14, 2007); The Cleveland Museum of Art, Cleveland, OH (February 18-May 28, 2007).",
"opening_date": "2006-06-17T00:00:00"
},
{
"id": 220678,
"title": "Claude Monet",
"description": "Claude Monet. Galeries Nationales du Grand Palais, 75008 Paris, France (September 20, 2010-January 24, 2011).",
"opening_date": "2010-09-20T00:00:00"
},
{
"id": 224362,
"title": "Monet - Reflections and Shadows",
"description": "Monet - Reflections and Shadows. Fondation Beyeler, CH-4125 Riehen/Basel, Switzerland (organizer) (January 22-May 28, 2017).",
"opening_date": "2017-01-22T00:00:00"
},
{
"id": 297110,
"title": "Monet/Boudin",
"description": "Monet/Boudin. Museo Nacional Thyssen-Bornemisza, Madrid, Spain (organizer) (June 26-September 30, 2018).",
"opening_date": "2018-06-26T04:00:00"
},
{
"id": 679183,
"title": "Monet and Venice",
"description": "Monet and Venice. The Brooklyn Museum, Brooklyn, NY (organizer) (October 10, 2025-February 1, 2026) https://www.brooklynmuseum.org/exhibitions/monet-venice; Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (March 21-July 26, 2026) https://www.famsf.org/exhibitions/monet-venice.",
"opening_date": "2025-10-10T04:00:00"
}
],
"legacy": [
{
"description": "Durand-Ruel, Paris, France: 1883. no. 9 (according to Wildenstein 1979; cannot be confirmed by Durand-Ruel),",
"opening_date": "1979-01-01T00:00:00"
},
{
"description": "Pictures by Claude Monet. Lotos Club, New York, NY (1899).",
"opening_date": null
}
]
},
"provenance": [
{
"description": "Possibly bought from the artist in 1882 by Durand-Ruel, Paris, France (this information from the Wildenstein catalogue raisonn\u00e9 cannot be confirmed by Durand-Ruel as their files on this matter are not conclusive).",
"citations": [],
"footnotes": [],
"date": "?1882",
"sortorder": 1
},
{
"description": "Henry White Cannon [1850-1934], New York, NY, 1899.",
"citations": [],
"footnotes": [],
"date": "1889",
"sortorder": 2
},
{
"description": "Mrs. Henry White Cannon [1861-1954] New York, NY, given to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "1947",
"sortorder": 3
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1947-",
"sortorder": 4
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The narrow strokes of black paint along the the edge of the water at the base of the cliff indicate bathers.",
"early_education_description": null,
"artlens_description": null,
"description": "This is one of several views Claude Monet painted of Pourville, a fishing village on the north coast of France in Normandy. Pourville featured a boardwalk, a broad beach, and stunning cliffs. According to the artist's correspondence, the village was nothing special, but he was inspired by the landscape: \"One could not be any closer to the sea than I am, on the pebbled beach itself and the waves beat at the foot of the house.\" During the spring of 1882 in Pourville, Monet stayed in a small hotel similar to the dwellings seen at the foot of the cliff to the right in this painting.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60515388"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1947.196-low-tide-at-pourvill"
]
},
"citations": [
{
"citation": "Francis, Henry S. \"Two Landscapes by Claude Monet.\" The Bulletin of the Cleveland Museum of Art XXXV, no. 1 (January,1948): 4-7.",
"page_number": "Mentioned: p. 4-7",
"url": null
},
{
"citation": "City Art Museum of St. Louis. Claude Monet, a Loan Exhibition. 1957.",
"page_number": "Referenced: cat. no. 52, Reproduced: Pl. 52",
"url": null
},
{
"citation": "University of Iowa. Impressionism and Its Roots. Iowa City, Iowa: University of Iowa, Gallery of Art, 1964.",
"page_number": "Referenced:c at. no. 36, Reproduced",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 175",
"url": "https://archive.org/details/CMAHandbook1966/page/n199"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 175",
"url": "https://archive.org/details/CMAHandbook1969/page/n199"
},
{
"citation": "Wildenstein, Daniel. Claude Monet: Biographie et Catalogue Raisonne\u0301. Lausanne: La Bibliothe\u0300que des Arts, 1974.",
"page_number": "Reproduced: vol. 2, no. 716",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 216",
"url": "https://archive.org/details/CMAHandbook1978/page/n236"
},
{
"citation": "Bortolatto, Luigina Rossi. Tout l'\u0153uvre peint de Monet, 1870-1889. Paris: Flammarion, 1981.",
"page_number": "Reproduced: p. 103, fig. 228",
"url": null
},
{
"citation": "Borowitz, Helen O. \" The Rembrandt and Monet of Marcel Proust.\" The Bulletin of the Cleveland Museum of Art VXX, no. 2 (February, 1983): 83.",
"page_number": "Reproduced: p. 84, Figure 9",
"url": null
},
{
"citation": "House, John. Monet, Nature into Art. New Haven, CT: Yale University Press, 1986.",
"page_number": "Reproduced: p. 190",
"url": null
},
{
"citation": "Wildenstein, Daniel. Monet. Ko\u0308ln: Taschen, 1996.",
"page_number": "Reproduced: Vol. 1, 179; vol. 2, 716",
"url": null
},
{
"citation": "Zeidler, Birgit. Claude Monet: Leben und Werk. Ko\u0308ln, Germany: Ko\u0308nemann, 1998.",
"page_number": "Reproduced: p. 57",
"url": null
},
{
"citation": "D' Argencourt, Louise and Roger Diederen. The Cleveland Museum of Art: Catalogue of Paintings, Part II; European Paintings of the 19th Century. Cleveland, OH: The Cleveland Museum of Art, 1999.",
"page_number": "Reproduced: p. 455",
"url": null
},
{
"citation": "Monet, Claude, Norio Shimada, and Keiko Sakagami. Kuro\u0304do Mone meigashu\u0304: hikari to kaze no kiseki. To\u0304kyo\u0304, Japan: Nihon Bijutsu Kyo\u0304iku Senta\u0304, 2001.",
"page_number": "Reproduced: p. 12",
"url": null
},
{
"citation": "Clarke, Michael, and Richard Thomson. Monet: The Seine and the Sea, 1878-1883. Exh. Cat. Edinburgh, Scotland: National Galleries of Scotland, 2003.",
"page_number": "Reproduced: p. 53",
"url": null
},
{
"citation": "Barker, Amy, Joanna Hashagen, and Lesley Taylor. Boudin, Monet and the Sea Painters of Normandy. [County Durham, England]: Bowes Museum, 2004.",
"page_number": "Reproduced: p. 28-29",
"url": null
},
{
"citation": "Burgess, Margaret B., \"Side by Side\", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 45 no. 05, May/June 2005",
"page_number": "Mentioned & reproduced: p. 6-7",
"url": "https://archive.org/details/CMAMM2005-05/page/6"
},
{
"citation": "Lemonedes, Heather, Lynn Federle Orr, and David H. Steel. Monet in Normandy. New York, NY: Rizzoli International Publications, Inc., 2006.",
"page_number": "Reproduced: p. 89",
"url": null
},
{
"citation": "Noce, Vincent. Monet, l'oeil et l'eau. Paris, France: Re\u0301union des Muse\u0301es nationaux, 2010.",
"page_number": "Reproduced: front cover",
"url": null
},
{
"citation": "Baillio, Joseph. Claude Monet, 1840-1926: Exh. Cat. Paris, France: Galeries Nationales, Grand Palais, Re\u0301union des muse\u0301es nationaux, 2010.",
"page_number": "Reproduced: p. 179",
"url": null
},
{
"citation": "Ulf Ku\u0308ster, ed. Monet: Light, Shadow, and Reflection. Basel: Fondation Beyeler; Berlin: Hatje Cantz, 2017.",
"page_number": "Reproduced: p. 89",
"url": null
},
{
"citation": "Lefebvre, Ge\u0301raldine. Monet/Boudin. Madrid: Museo Nacional Thyssen-Bornemisza, 2018.",
"page_number": "Reproduced: p. 31, 130, cat. no. 63",
"url": null
},
{
"citation": "Goldin, Marco. Il Giardino e la Luna: Arte dell'Ottocento dal Romanticismo all'Impressionismo. Milano : La nave di Teseo, 2021.",
"page_number": "Reproduced: P. 503",
"url": ""
},
{
"citation": "\"Leave a Legacy.\" Cleveland Art: Cleveland Museum of Art Members Magazine vol. 62, no. 3 (September 2022): 38.",
"page_number": "Reproduced: P. 38.",
"url": ""
},
{
"citation": "Small, Lisa. \"Monet in Venice: Anxiety and Enchantment.\" In Monet and Venice, Brooklyn Museum, and Fine Arts Museums of San Francisco, 30-69. New York: Rizzoli Electa, 2025.",
"page_number": "Reproduced: p. 65, fig. 77; Mentioned: p. 58",
"url": ""
}
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"creditline": "Gift of Mrs. Henry White Cannon",
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"athena_id": 125234,
"creators": [
{
"id": 1844,
"description": "Claude Monet (French, 1840\u20131926)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Claude Monet spent his youth in Le Havre in Normandy, where his father worked as a wholesale grocer. By the age of sixteen, he had exhibited some of his caricatures in an art supply store, leading to his acquaintance with Boudin (q.v.). It was Boudin who first encouraged him to paint out of doors. In 1859 Monet traveled to Paris, where he saw Boudin's salon debut and met Constant Troyon (1810-1865). A year later he joined the Acad\u00e9mie Suisse, where he was introduced to Pissarro (q.v.), but his studies were interrupted in 1861 when he was drafted for a seven-year stint in the military. His family would pay for his release from military duties only if he gave up painting. Finding this unacceptable, Monet served for one year in Algeria before an early return to France to convalesce after a severe illness. In 1862 he met Jongkind (q.v.), another important influence on the young painter's development. Monet's father then allowed him to pursue his art career in Paris, where he entered the studio of the Swiss painter Charles Gleyre (1806-1874). He studied with Gleyre until 1864 and befriended Fr\u00e9d\u00e9ric Bazille (1841-1870), Renoir (q.v.), and Sisley (q.v.), with whom he painted in the forest of Fontainebleau (D\u00e9jeuner sur l'herbe, 1865, two fragments in Mus\u00e9e d'Orsay, Paris). Monet first exhibited at the Salon of 1865 and would do so again in 1866, 1868, and 1880. In 1868 he shared a studio with Bazille and Renoir but was soon forced to leave Paris to escape his creditors. He took his mistress, Camille Doncieux, and their son, Jean, to F\u00e9camp, then \u00c9tretat, and finally Saint-Michel. There Renoir provided hospitality, and the two also painted at the boating and bathing center of La Grenouill\u00e8re on the Seine. In 1870 Monet married Camille and, to escape the Franco-Prussian War, left for London, where he remained for nine months and met Durand-Ruel, his first dealer. In the summer of 1871 he visited the Netherlands and then settled in Argenteuil, to the west of Paris. He converted a boat into a studio, as Daubigny (q.v.) had done before him, allowing him to explore different viewpoints for his landscapes. He assisted in the organization of the First Impressionist Exhibition in 1874, partly because Durand-Ruel's worsened business situation had prevented the dealer from buying his art. The following year he participated in the H\u00f4tel Drouot sale with Morisot (q.v.), Renoir, and Sisley. In 1878 Monet and his wife moved to V\u00e9theuil with the Hosched\u00e9s, who had previously commissioned some works. Camille died the following year, and, while Ernest Hosched\u00e9 spent most of his time in Paris trying to settle his precarious financial situation, Monet stayed behind with Ernest's wife, Alice. In 1881 he moved with her and her children to Poissy and within two years was living at Giverny, where he would remain for the rest of his life. He painted some of his famous scenes-the haystack and poplar series, for example- in 1890-91. Ernest Hosched\u00e9 died in 1891, and Monet married Alice the following year. At Giverny, Monet explored the themes of his garden and water lilies. He continued to travel, going to Norway in 1895, making three trips to London from 1899 through 1901, and taking Alice to Venice in 1908. The final years of his life were mainly spent working on his Great Decorations, large paintings of a water lily pond designed for two oval rooms at the Paris Orangerie. Monet is generally considered the most typical exponent of impressionism.",
"name_in_original_language": null,
"birth_year": "1840",
"death_year": "1926",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1947-07-18T00:00:00",
"sortable_date": 1882,
"date_added_to_oa": null,
"date_text": "1882",
"collapse_artists": false,
"on_loan": false,
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"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-08-20 12:30:34.439000"
}
}