id: 125248
accession number: 1947.208
share license status: CC0
url: https://clevelandart.org/art/1947.208
updated: 2024-03-26 01:58:05.230000
The Coronation of the Virgin with the Trinity, c. 1400. Master of Rubielos de Mora (Spanish). Oil on panel; framed: 158.4 x 101.5 x 9.5 cm (62 3/8 x 39 15/16 x 3 3/4 in.); overall: 144.6 x 91.4 cm (56 15/16 x 36 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1947.208
title: The Coronation of the Virgin with the Trinity
title in original language:
series:
series in original language:
creation date: c. 1400
creation date earliest: 1395
creation date latest: 1405
current location: 110B Late Gothic
creditline: Gift of the Hanna Fund
copyright:
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culture: Spain, Valencia, early 15th Century
technique: oil on panel
department: Medieval Art
collection: MED - Medieval Art
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Master of Rubielos de Mora (Spanish) - artist
the painter was named for an altarpiece he did for the church at Rubielos-de-Mora, Teruel. He was active in collaboration with, or in the workshop of, Pedro Nicolau-de-Albentosa in and around Valencia, c. 1400-1410.
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measurements: Framed: 158.4 x 101.5 x 9.5 cm (62 3/8 x 39 15/16 x 3 3/4 in.); Overall: 144.6 x 91.4 cm (56 15/16 x 36 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: In Memoriam: Leonard C. Hanna, Jr.
opening date: 1958-03-04T05:00:00
In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958).
title: Gothic Art 1360-1440
opening date: 1963-08-06T04:00:00
Gothic Art 1360-1440. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 6-September 15, 1963).
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LEGACY EXHIBITIONS
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PROVENANCE
Conde del Asalto, Madrid, Spain
date:
footnotes:
citations:
Heirs of Conde del Asalto
date: including 1929
footnotes:
citations:
(Joseph Brummer, New York, NY, sold to the Cleveland Museum of Art)
date: 1938-1947
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1947-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Mayer, August L. Geschichte der spanischen malerei. Leipzig: Klinkhardt & Biermann, 1922.
page number: p. 34
url:
Post, Chandler Rathfon, and Harold E. Wethey. A History of Spanish Painting. Cambridge, Mass: Harvard University Press, 1930.
page number: Vol. III (1930) p. 30, 32; Vol. VI (1935) p. 579; Vol. VII (1938) pp. 788-790; Vol. IX (1947) p. 759; Vol. X (1950) p. 310
url:
Leandro de Saralegui, "Pedro Nicolau" Boletin de la Sociedad Española de Excursiones.
page number: Vol XLI (1933) p. 166, n. 1; Vol. XLIX (1941) pp. 96-97; Vol. L (1942) pp. 116-117
url:
The Brummer Gallery Records. Cloisters (Museum), n.d.
page number: P11129
url: https://libmma.contentdm.oclc.org/digital/collection/p16028coll9/id/39514
Francis, Henry S. ""Coronation of the Virgin," by Pedro Nicolau-de-Albentosa or a Close Follower: Gift of Hanna Fund." The Bulletin of the Cleveland Museum of Art 35, no. 8 (1948).
page number: pp. 192-8
url: https://www.jstor.org/stable/25141499
The Art News (Nov. 1948).
page number: p. 29
url:
"Acquisitions" Pallas VII, no. 18 (November 15, 1948)
page number: p. 206
url:
"The Years Best: 1948," Art News XLVII, no. 9 (Jan. 1949).
page number: p. 40
url:
"From an American Correspondent." The Burlington Magazine 91, no. 553 (1949).
page number: p. 109
url: https://www.jstor.org/stable/870160
de Saralegui, Leandro "Miscelanea de remembranzas vicentinas," Archivo de Arte Valenciano XXVI (1955).
page number: pp. 18-20, fig. 9
url:
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
page number: Mentioned and Reproduced: cat. no. 397
url: https://archive.org/details/CMAHandbook1958/page/n73
Milliken, William M. The Cleveland Museum of Art. New York, N.Y.: Abrams, 1958.
page number: p. 28
url:
Ricart, José Gudiol "Pintura Gótica," Ars Hispaniae, IX (1958).
page number: p. 258, no. 2040
url:
"Gothic Art 1360-1440." The Bulletin of the Cleveland Museum of Art 50, no. 7 (1963).
page number: no. 105
url: https://www.jstor.org/stable/25151960
Musée des arts décoratifs (France), and Michel Laclotte. Trésors de la peinture espagnole, églises et musées de France. [Paris]: Ministère d'Etat-Affaires culturelles, 1963.
page number: p. 91
url:
Denny, Don "The Trinity in Enguerrand Quarton's Coronation of the Virgin" Art Bulletin XLV (1963).
page number: p. 51
url:
Jaffé, Michael "Cleveland Museum of Art; the Figurative Arts of the West ca. 1400-1800" Apollo LXVIII (December 1963).
page number: pp. 467, 459
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 65
url: https://archive.org/details/CMAHandbook1966/page/n89
Alcolea, Santiago. Il Gotico internazionale in Spagna. [Milano]: [Fratelli Fabbri], 1966.
page number: pp. 5, 7, no. 226, pl. IC
url:
Cuttler, Charles D. Northern Painting from Pucelle to Bruegel: Fourteenth, Fifteenth, and Sixteenth Centuries. Fort Worth: Holt, Rinehart and Winston, 1991.
page number: p. 242, fig. 300
url:
Meiss, Millard, Kathleen Morand, and Edith W. Kirsch. French Painting in the Time of Jean De Berry: The Boucicaut Master. 1968.
page number: p. 387, n. 74
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 65
url: https://archive.org/details/CMAHandbook1969/page/n89
Germán de Pamplona. Iconografía de la Santísima Trinidad en el arte medieval español. Madrid: Consejo Superior de Investigaciones Científicas, Instituto "Diego Velázquez", 1970.
page number: pp. 165-6, 183, fig. 76
url:
Cleveland Museum of Art, Louise d' Argencourt, and Roger Diederen. Catalogue of Paintings. Cleveland: Cleveland Museum of Art, 1974.
page number: pp. 166-8, cat. no. 60, fig. 60, pl. XXVIII
url:
Castelfranchi Vegas, Liana. Romanico e gotico. Milano: Fratelli Fabbri Editori, 1976.
page number: p. 23
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 73
url: https://archive.org/details/CMAHandbook1978/page/n93
Gómez Frechina, José, Julián Almirante Aznar, and Pilar Ineba. El retablo de San Martín, Santa Úrsula y San Antonio abad. Madrid: BBVA, 2004.
page number: p. 98, fig. 92
url:
Gertsman, Elina and Barbara H. Rosenwein. The Middle Ages in 50 Objects. Cambridge: Cambridge University Press, 2018.
page number: Mentioned: p. 42-45; Reproduced: p. 43
url:
Bellavitis, Maddalena. Making Copies in European Art 1400-1600: Shifting Tastes, Modes of Transmission, and Changing Contexts. Leiden ; Boston : Brill, 2018.
page number: Mentioned: p. 104
url:
Biro, Yaëlle, Christine E. Brennan, and Christel H. Force. The Brummer Galleries, Paris and New York: Defining Taste from Antiquities to the Avant-Garde. Leiden ; Boston : Brill, 2023.
page number: Mentioned: p. 485; reproduced: p. 488, fig. c.4
url:
Paintings in the Cleveland Museum of Art: Picture Book No. 4 . [Cleveland]: The Cleveland Museum of Art, 1952.
page number: Reproduced: p. 50
url: https://archive.org/details/CMAPaintings1952
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1947.208/1947.208_web.jpg
print: https://openaccess-cdn.clevelandart.org/1947.208/1947.208_print.jpg
full: https://openaccess-cdn.clevelandart.org/1947.208/1947.208_full.tif