id: 125248 accession number: 1947.208 share license status: CC0 url: https://clevelandart.org/art/1947.208 updated: 2024-03-26 01:58:05.230000 The Coronation of the Virgin with the Trinity, c. 1400. Master of Rubielos de Mora (Spanish). Oil on panel; framed: 158.4 x 101.5 x 9.5 cm (62 3/8 x 39 15/16 x 3 3/4 in.); overall: 144.6 x 91.4 cm (56 15/16 x 36 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1947.208 title: The Coronation of the Virgin with the Trinity title in original language: series: series in original language: creation date: c. 1400 creation date earliest: 1395 creation date latest: 1405 current location: 110B Late Gothic creditline: Gift of the Hanna Fund copyright: --- culture: Spain, Valencia, early 15th Century technique: oil on panel department: Medieval Art collection: MED - Medieval Art type: Painting find spot: catalogue raisonne: --- CREATORS * Master of Rubielos de Mora (Spanish) - artist the painter was named for an altarpiece he did for the church at Rubielos-de-Mora, Teruel. He was active in collaboration with, or in the workshop of, Pedro Nicolau-de-Albentosa in and around Valencia, c. 1400-1410. --- measurements: Framed: 158.4 x 101.5 x 9.5 cm (62 3/8 x 39 15/16 x 3 3/4 in.); Overall: 144.6 x 91.4 cm (56 15/16 x 36 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: In Memoriam: Leonard C. Hanna, Jr. opening date: 1958-03-04T05:00:00 In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). title: Gothic Art 1360-1440 opening date: 1963-08-06T04:00:00 Gothic Art 1360-1440. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 6-September 15, 1963). --- LEGACY EXHIBITIONS --- PROVENANCE Conde del Asalto, Madrid, Spain date: footnotes: citations: Heirs of Conde del Asalto date: including 1929 footnotes: citations: (Joseph Brummer, New York, NY, sold to the Cleveland Museum of Art) date: 1938-1947 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1947- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Mayer, August L. Geschichte der spanischen malerei. Leipzig: Klinkhardt & Biermann, 1922. page number: p. 34 url: Post, Chandler Rathfon, and Harold E. Wethey. A History of Spanish Painting. Cambridge, Mass: Harvard University Press, 1930. page number: Vol. III (1930) p. 30, 32; Vol. VI (1935) p. 579; Vol. VII (1938) pp. 788-790; Vol. IX (1947) p. 759; Vol. X (1950) p. 310 url: Leandro de Saralegui, "Pedro Nicolau" Boletin de la Sociedad Española de Excursiones. page number: Vol XLI (1933) p. 166, n. 1; Vol. XLIX (1941) pp. 96-97; Vol. L (1942) pp. 116-117 url: The Brummer Gallery Records. Cloisters (Museum), n.d. page number: P11129 url: https://libmma.contentdm.oclc.org/digital/collection/p16028coll9/id/39514 Francis, Henry S. ""Coronation of the Virgin," by Pedro Nicolau-de-Albentosa or a Close Follower: Gift of Hanna Fund." The Bulletin of the Cleveland Museum of Art 35, no. 8 (1948). page number: pp. 192-8 url: https://www.jstor.org/stable/25141499 The Art News (Nov. 1948). page number: p. 29 url: "Acquisitions" Pallas VII, no. 18 (November 15, 1948) page number: p. 206 url: "The Years Best: 1948," Art News XLVII, no. 9 (Jan. 1949). page number: p. 40 url: "From an American Correspondent." The Burlington Magazine 91, no. 553 (1949). page number: p. 109 url: https://www.jstor.org/stable/870160 de Saralegui, Leandro "Miscelanea de remembranzas vicentinas," Archivo de Arte Valenciano XXVI (1955). page number: pp. 18-20, fig. 9 url: The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 397 url: https://archive.org/details/CMAHandbook1958/page/n73 Milliken, William M. The Cleveland Museum of Art. New York, N.Y.: Abrams, 1958. page number: p. 28 url: Ricart, José Gudiol "Pintura Gótica," Ars Hispaniae, IX (1958). page number: p. 258, no. 2040 url: "Gothic Art 1360-1440." The Bulletin of the Cleveland Museum of Art 50, no. 7 (1963). page number: no. 105 url: https://www.jstor.org/stable/25151960 Musée des arts décoratifs (France), and Michel Laclotte. Trésors de la peinture espagnole, églises et musées de France. [Paris]: Ministère d'Etat-Affaires culturelles, 1963. page number: p. 91 url: Denny, Don "The Trinity in Enguerrand Quarton's Coronation of the Virgin" Art Bulletin XLV (1963). page number: p. 51 url: Jaffé, Michael "Cleveland Museum of Art; the Figurative Arts of the West ca. 1400-1800" Apollo LXVIII (December 1963). page number: pp. 467, 459 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 65 url: https://archive.org/details/CMAHandbook1966/page/n89 Alcolea, Santiago. Il Gotico internazionale in Spagna. [Milano]: [Fratelli Fabbri], 1966. page number: pp. 5, 7, no. 226, pl. IC url: Cuttler, Charles D. Northern Painting from Pucelle to Bruegel: Fourteenth, Fifteenth, and Sixteenth Centuries. Fort Worth: Holt, Rinehart and Winston, 1991. page number: p. 242, fig. 300 url: Meiss, Millard, Kathleen Morand, and Edith W. Kirsch. French Painting in the Time of Jean De Berry: The Boucicaut Master. 1968. page number: p. 387, n. 74 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 65 url: https://archive.org/details/CMAHandbook1969/page/n89 Germán de Pamplona. Iconografía de la Santísima Trinidad en el arte medieval español. Madrid: Consejo Superior de Investigaciones Científicas, Instituto "Diego Velázquez", 1970. page number: pp. 165-6, 183, fig. 76 url: Cleveland Museum of Art, Louise d' Argencourt, and Roger Diederen. Catalogue of Paintings. Cleveland: Cleveland Museum of Art, 1974. page number: pp. 166-8, cat. no. 60, fig. 60, pl. XXVIII url: Castelfranchi Vegas, Liana. Romanico e gotico. Milano: Fratelli Fabbri Editori, 1976. page number: p. 23 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 73 url: https://archive.org/details/CMAHandbook1978/page/n93 Gómez Frechina, José, Julián Almirante Aznar, and Pilar Ineba. El retablo de San Martín, Santa Úrsula y San Antonio abad. Madrid: BBVA, 2004. page number: p. 98, fig. 92 url: Gertsman, Elina and Barbara H. Rosenwein. The Middle Ages in 50 Objects. Cambridge: Cambridge University Press, 2018. page number: Mentioned: p. 42-45; Reproduced: p. 43 url: Bellavitis, Maddalena. Making Copies in European Art 1400-1600: Shifting Tastes, Modes of Transmission, and Changing Contexts. Leiden ; Boston : Brill, 2018. page number: Mentioned: p. 104 url: Biro, Yaëlle, Christine E. Brennan, and Christel H. Force. The Brummer Galleries, Paris and New York: Defining Taste from Antiquities to the Avant-Garde. Leiden ; Boston : Brill, 2023. page number: Mentioned: p. 485; reproduced: p. 488, fig. c.4 url: Paintings in the Cleveland Museum of Art: Picture Book No. 4 . [Cleveland]: The Cleveland Museum of Art, 1952. page number: Reproduced: p. 50 url: https://archive.org/details/CMAPaintings1952 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1947.208/1947.208_web.jpg print: https://openaccess-cdn.clevelandart.org/1947.208/1947.208_print.jpg full: https://openaccess-cdn.clevelandart.org/1947.208/1947.208_full.tif