{
    "data": {
        "id": 126030,
        "accession_number": "1948.25",
        "share_license_status": "CC0",
        "tombstone": "Altar Front, c. 540\u2013600. Early Byzantium, Constantinople or Ravenna, Byzantine period, 6th century. Marble; overall: 101 x 169.5 x 25.5 cm (39 3/4 x 66 3/4 x 10 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1948.25",
        "current_location": "105 Byzantine",
        "title": "Altar Front",
        "creation_date": "c. 540\u2013600",
        "creation_date_earliest": 540,
        "creation_date_latest": 600,
        "artists_tags": [],
        "culture": [
            "early Byzantium, Constantinople or Ravenna, Byzantine period, 6th century"
        ],
        "technique": "marble",
        "support_materials": [],
        "department": "Medieval Art",
        "collection": "MED - Byzantine",
        "type": "Sculpture",
        "measurements": "Overall: 101 x 169.5 x 25.5 cm (39 3/4 x 66 3/4 x 10 1/16 in.)",
        "dimensions": {
            "overall": {
                "height": 1.01,
                "height_inch": 39,
                "height_inch_fraction": 0.75,
                "width": 1.695,
                "width_inch": 66,
                "width_inch_fraction": 0.75,
                "depth": 0.255,
                "depth_inch": 10,
                "depth_inch_fraction": 0.0625
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 196195,
                    "title": "Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe",
                    "description": "<i>Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 17, 2010-January 17, 2011); The Walters Art Museum, Baltimore, MD (February 13-May 15, 2011); The British Museum, London, United Kingdom of Great Britain and Northern Ireland (June 23-October 9, 2011).",
                    "opening_date": "2010-10-17T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Originally from S. Carlino (formerly S. Fabiano and S. Sebastiano), Ravenna",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 1
            },
            {
                "description": "Villa Lovatelli near Ravenna",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 2
            },
            {
                "description": "Villa Landau near Florence, Finaly Collection",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 3
            },
            {
                "description": "(Adolph Loewi, Los Angeles), sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": null,
                "date": "?-1948",
                "sortorder": 4
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1948-",
                "sortorder": 5
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "This marble altar was likely in a Byzantine church that was opulently decorated with mosaics, rich textiles, and gilded lamps. Worshipers would have witnessed the rituals of faith that occurred at the altar, enshrined behind a barrier called a templon, and accessible only to the clergy.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "This carved marble panel resembles the front of an Early Byzantine sarcophagus, or coffin. While its decoration is typical of those produced in the Italian city of Ravenna during the 500s, its size is considerably smaller, indicating that the panel may instead have been made as an altar front. It is likely that the small window between the center columns with its opened curtains once allowed the faithful to contemplate a precious reliquary placed inside. The decorative repertoire of the panel includes both architectural forms--arches, pediments, and columns--and a number of symbols commonly found in Early Christian art including scallop shells, lambs, palms, and crosses that represent the concepts of life, the sacrifice of Christ, victory over death, and eternal life.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60756550"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1948.25-altar-front"
            ]
        },
        "citations": [
            {
                "citation": "Miner, Dorothy Eugenia. Studies in Art and Literature for Belle Da Costa Greene. Princeton, N.J.: Princeton University Press, 1954.",
                "page_number": "pp 132-142",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
                "page_number": "Mentioned and Reproduced: cat. no. 83",
                "url": "https://archive.org/details/CMAHandbook1958/page/n29"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 37",
                "url": "https://archive.org/details/CMAHandbook1966/page/n61"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 37",
                "url": "https://archive.org/details/CMAHandbook1969/page/n59"
            },
            {
                "citation": "Brandenburg, Hugo. \"Ein fru\u0308hchristliches Relief in Berlin: Taf. 66-80\". <em>Mitteilungen des deutschen archaeologischen Instituts roemische Abteilung</em>, Band 79 (1972)",
                "page_number": "pp. 126-128, plate 79",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 38",
                "url": "https://archive.org/details/CMAHandbook1978/page/n58"
            },
            {
                "citation": "Klein, Holger. \"Himmlische Schatze: Eine internationale Ausstellung in den USA und Gro\u00dfbritanien widmet sich der Geschichte christlicher Reliquien und Reliquiare von der Sp\u00e4tantike bis zur fr\u00fchen Neuzeit\" <em>Das Mu\u0308nster</em> 63 (2010)",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Bagnoli, Martina. <em>Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe</em>. [Cleveland, Ohio]: Cleveland Museum of Art, 2010.",
                "page_number": "No. 17, pp. 17-18",
                "url": null
            },
            {
                "citation": "Markiewicz, Philippe. \"Reliques et Reliquaires: Une Approche Chretienne du Sacre\" <em>Arts Sacre\u0301s</em> No. 13, (Sept/Oct 2011)",
                "page_number": "pp. 48-53",
                "url": null
            },
            {
                "citation": "Fliegel, Stephen N., and Stephen N. Fliegel. <em>A Higher Contemplation: Sacred Meaning in the Christian Art of the Middle Ages</em>. Kent, Ohio: Kent State University Press, 2012.",
                "page_number": "p. 19",
                "url": null
            },
            {
                "citation": "Ja\u0308ggi, Carola. Ravenna: Kunst und Kultur einer spa\u0308tantiken Residenzstadt : die Bauten und Mosaiken des 5. und 6. Jahrhunderts. 2013.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Pentcheva, Bissera V. Hagia Sophia: Sound, Space, and Spirit in Byzantium. University Park: PA: Pennsylvania State University Press, 2017.",
                "page_number": "Reproduced: p. 53, fig. 23; p. 54, fig . 24",
                "url": null
            },
            {
                "citation": "Gertsman, Elina and Barbara H. Rosenwein. <em>The Middle Ages in 50 Objects</em>. Cambridge: Cambridge University Press, 2018.",
                "page_number": "Mentioned: p. 6-9; Reproduced: p. 7",
                "url": null
            }
        ],
        "url": "https://clevelandart.org/art/1948.25",
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        "creditline": "John L. Severance Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 126030,
        "creators": [],
        "legal_status": "accessioned",
        "accession_date": "1948-01-28T00:00:00",
        "sortable_date": 540,
        "date_added_to_oa": null,
        "date_text": "c. 540\u2013600",
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        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [
            "Sarcophagus Relief"
        ],
        "is_highlight": false,
        "updated_at": "2026-05-29 06:31:29.514000"
    }
}