id: 126726 accession number: 1949.156 share license status: CC0 url: https://clevelandart.org/art/1949.156 updated: 2022-07-01 09:00:15.172000 Alms Bowl, c. 900s. Japan, Heian period (794–1185). Gilt bronze; overall: 12.8 x 23.8 cm (5 1/16 x 9 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1949.156 title: Alms Bowl title in original language: series: series in original language: creation date: c. 900s creation date earliest: 895 creation date latest: 905 current location: creditline: Purchase from the J. H. Wade Fund copyright: --- culture: Japan, Heian period (794–1185) technique: gilt bronze department: Japanese Art collection: Japanese Art type: Metalwork find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 12.8 x 23.8 cm (5 1/16 x 9 3/8 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Japanese Decorative Style opening date: 1961-08-30T04:00:00 Japanese Decorative Style. The Cleveland Museum of Art (August 30-October 15, 1961). title: Japanese Arts of the Heian Period opening date: 1967-10-05T04:00:00 Japanese Arts of the Heian Period. The Asia Society Museum, New York, NY (organizer) (October 5, 1967-February 19, 1968). title: Japanese Gallery 235 Rotation - January-July 2017 opening date: 2017-01-09T05:00:00 Japanese Gallery 235 Rotation - January-July 2017. The Cleveland Museum of Art (January 9-July 10, 2017). --- LEGACY EXHIBITIONS * Japanese Arts of the Heian Period: 794-1185. Asia House Gallery, New York City, NY (October 5-December 17, 1967) and Fogg Art Museum, Harvard University, Cambridge, MA (January 17-February 25, 1968). --- PROVENANCE (Hollis & Company, Cleveland, OH, sold to the Cleveland Museum of Art) date: ?-1949 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1949- footnotes: citations: --- fun fact: digital description: wall description: Alms bowls used by Buddhist monks to receive donations have traditionally been made of iron or wood. This bowl, made of gilt bronze and decorated with incised designs of birds and flowers in roundels as well as butterflies, is instead a luxury item likely meant for a Buddhist altar, where it would have contained offerings for a Buddhist deity. --- RELATED WORKS --- CITATIONS Milliken, William M. “Important Acquisitions of Japanese Art.” The Bulletin of the Cleveland Museum of Art, vol. 38, no. 9, 1951, pp. 211–217. page number: Mentioned: p. 212 url: https://www.jstor.org/stable/25141741 The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 904 url: https://archive.org/details/CMAHandbook1958/page/n159 Lee, Sherman E. Japanese Decorative Style. [Cleveland]: Cleveland Museum of Art, 1961. page number: Mentioned and reproduced: p. 19 url: https://archive.org/details/JapaneseDecorativeStyle/page/n31 Feddersen, Martin. Japanese Decorative Art, A Handbook for Collectors and Connoisseurs. London: Faber and Faber, 1962. page number: Reproduced: fig. 76 url: Rosenfield, John M. Japanese Arts of the Heian Period, 794-1185. [New York]: Asia Society, 1967. page number: Reproduced: pp. 92 and 123, cat. no. 41 url: Grossman, Nancy, James T. Ulak, Marjorie Williams, and Laurence Channing. Art of Japan: Masterpieces from the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2005. page number: Mentioned and Reproduced: p. 23 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1949.156/1949.156_web.jpg print: https://openaccess-cdn.clevelandart.org/1949.156/1949.156_print.jpg full: https://openaccess-cdn.clevelandart.org/1949.156/1949.156_full.tif