{
    "data": {
        "id": 127251,
        "accession_number": "1949.565.1",
        "share_license_status": "CC0",
        "tombstone": "View of Venice, 1500. Jacopo de' Barbari (Italian, 1440/50\u2013before 1515). Woodcut from six blocks on six sheets of paper. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1949.565.1",
        "current_location": null,
        "title": "View of Venice",
        "creation_date": "1500",
        "creation_date_earliest": 1500,
        "creation_date_latest": 1500,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Italy, early 16th Century"
        ],
        "technique": "woodcut from six blocks on six sheets of paper",
        "support_materials": [],
        "department": "Prints",
        "collection": "PR - Woodcut",
        "type": "Print",
        "dimensions": {},
        "state_of_the_work": "I/III",
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 311898,
                    "title": "35th Anniversary Exhibition",
                    "description": "<i>35th Anniversary Exhibition</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 30, 1951).",
                    "opening_date": "1951-06-20T04:00:00"
                },
                {
                    "id": 184690,
                    "title": "Against the Grain: Woodcuts from the Collection",
                    "description": "<i>Against the Grain: Woodcuts from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 17-November 9, 2003).",
                    "opening_date": "2003-08-17T00:00:00"
                },
                {
                    "id": 177225,
                    "title": "Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting",
                    "description": "<i>Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting</i>. National Gallery of Art, Landover, MD (organizer) (June 18-September 17, 2006).",
                    "opening_date": "2006-06-18T00:00:00"
                },
                {
                    "id": 221116,
                    "title": "Grand Scale: Oversize and Composite Prints from the Age of Titian and D\u00fcrer",
                    "description": "<i>Grand Scale: Oversize and Composite Prints from the Age of Titian and D\u00fcrer</i>. Philadelphia Museum of Art, Philadelphia, PA (January 31-April 26, 2009).",
                    "opening_date": "2008-03-19T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Prince Liechtenstein",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [
            "1949.565"
        ],
        "did_you_know": null,
        "description": "By the end of the 15th century, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world. The city also became the great emporium for prints, and the woodcut developed beyond its humble origins as a popular art for simple pious imagery, playing cards, and later for book illustration. <em>View of Venice</em> epitomizes this new ambitious scope for the woodcut. This monumental print can be compared in scale only to a mural decoration and presumably served as a less expensive surrogate for paintings. The six sheets that make up the design would have been pasted either onto a canvas or the wall itself, resulting in the survival of few fine impressions like this one. The goal of the print was to depict Venice as seen from above. No single vantage point would have been sufficient, so a large team of surveyors climbed various towers and tall buildings to record small sections of the city. These individual views were combined to form the map that follows a single, though inconsistent, system of perspective. Unprecedented for its exactness of detail and difficulty of execution, <em>View of Venice</em> represents the first attempt to render the image of a city according to the laws of geometry.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79907126"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1949.565.1-view-of-venice"
            ]
        },
        "citations": [
            {
                "citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.",
                "page_number": "Mentioned and reproduced: P. 349",
                "url": ""
            }
        ],
        "catalogue_raisonne": "Kristeller 33a",
        "url": "https://clevelandart.org/art/1949.565.1",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1949.565.1/1949.565.1_web.jpg",
                "width": "900",
                "height": "660",
                "filesize": "312011",
                "filename": "1949.565.1_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1949.565.1/1949.565.1_print.jpg",
                "width": "3400",
                "height": "2494",
                "filesize": "4247206",
                "filename": "1949.565.1_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1949.565.1/1949.565.1_full.tif",
                "width": "20055",
                "height": "14708",
                "filesize": "884940332",
                "filename": "1949.565.1_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "Purchase from the J. H. Wade Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 127251,
        "creators": [
            {
                "id": 23948,
                "description": "Jacopo de' Barbari (Italian, 1440/50\u2013before 1515)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1440",
                "death_year": "1515",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1949-12-23T00:00:00",
        "sortable_date": 1500,
        "date_added_to_oa": null,
        "date_text": "1500",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "component",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": "1949.565",
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-03-27 00:00:23.816000"
    }
}