{
    "data": {
        "id": 127481,
        "accession_number": "1950.161",
        "share_license_status": "CC0",
        "tombstone": "Eccentric Flint, 600\u2013900. Guatemala, Quirigua, Maya style (250-900). Chipped flint; overall: 34.6 x 19.3 cm (13 5/8 x 7 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1950.161",
        "current_location": "233 Mesoamerican and Intermediate Region",
        "title": "Eccentric Flint",
        "creation_date": "600\u2013900",
        "creation_date_earliest": 600,
        "creation_date_latest": 900,
        "artists_tags": [],
        "culture": [
            "Guatemala, Quirigua, Maya style (250-900)"
        ],
        "technique": "chipped flint",
        "support_materials": [],
        "department": "Art of the Americas",
        "collection": "AA - Mesoamerica",
        "type": "Stone",
        "measurements": "Overall: 34.6 x 19.3 cm (13 5/8 x 7 5/8 in.)",
        "dimensions": {
            "overall": {
                "height": 0.346,
                "height_inch": 13,
                "height_inch_fraction": 0.625,
                "width": 0.193,
                "width_inch": 7,
                "width_inch_fraction": 0.625
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 309959,
                    "title": "The Blood of Kings: A New Interpretation of Maya Art",
                    "description": "<i>The Blood of Kings: A New Interpretation of Maya Art</i>. Kimbell Art Museum, Fort Worth, TX (organizer) (May 17-August 24, 1986); The Cleveland Museum of Art, Cleveland, OH (October 8-December 14, 1986).",
                    "opening_date": "1986-05-17T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>An Exhibition of Pre- Columbian Art. </em>The Peabody Museum, Cambridge, MA and the William Hayes Fogg Art Museum, Harvard University (January 15- February 10, 1940).",
                    "opening_date": "1940-01-15T00:00:00"
                },
                {
                    "description": "<em>The Blood of Kings: A New Interpretation of Maya Art. T</em>he Cleveland Museum of Art, Cleveland, OH (October 8-December 14, 1986); The Kimbell Museum of Art, Fort Worth, TX (May 17-August 14, 1986).",
                    "opening_date": "1986-05-17T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Don F. Dickson",
                "citations": [],
                "footnotes": null,
                "date": "-1936",
                "sortorder": 1
            },
            {
                "description": "Brummer Gallery, New York, NY, sold to Simkhovitch",
                "citations": [],
                "footnotes": null,
                "date": "1936-1948",
                "sortorder": 2
            },
            {
                "description": "Vladimir Gregorievitch Simkhovitch (1874-1959), New York, NY",
                "citations": [],
                "footnotes": null,
                "date": "1948-",
                "sortorder": 3
            },
            {
                "description": "John Wise, New York, NY, sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": null,
                "date": "-1950",
                "sortorder": 4
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1950-",
                "sortorder": 5
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "Named for their unusual shapes, eccentric flints often have intricately silhouetted figures like this. At the forehead of the main profile face is a smoking torch, the insignia of a deity closely linked to rulers and known today as K\u2019awil. Smaller faces appear on three protrusions. Some flints may have served as scepters; they also were buried as offerings beneath buildings and sculptures.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60759744"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1950.161-eccentric-flint"
            ]
        },
        "citations": [
            {
                "citation": "<em>Cleveland Museum of Art Picture Book</em>",
                "page_number": "231",
                "url": ""
            },
            {
                "citation": "Whitaker, Irwin. <em>Crafts and Craftsmen</em>. Dubuque, Iowa: W.C. Brown, 1967.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "International Congress of Americanists, Rudolf Grossmann, and Gustav Wilhelm Otto Antze.<em> Verhandlung des XXIV. Internationalen amerikanistenkongresses, Hamburg, 7. bis 13. september 1930.</em> Nendeln/Liechtenstein: Kraus Reprint, 1968.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "The Brummer Gallery Records. Cloisters (Museum), n.d.",
                "page_number": "N3872",
                "url": "https://libmma.contentdm.oclc.org/digital/collection/p16028coll9/id/13250/rec/1"
            },
            {
                "citation": "Peabody Museum of Archaeology and Ethnology. <em>An Exhibition of Pre-Columbian Art. </em>Cambridge, Mass: William Hayes Fogg art museum, Harvard University, 1940.",
                "page_number": "cat. no.5, p. 17",
                "url": ""
            },
            {
                "citation": "Kelemen, Pa\u0301l. <em>Medieval American Art: A Survey in Two Volumes. </em>New York: The Macmillan Company, 1943.",
                "page_number": "p. 21, pl. 256d",
                "url": ""
            },
            {
                "citation": "Morley, Sylvanus Griswold. <em>The Ancient Maya.</em> Stanford Cal: Stanford University Press, 1946.",
                "page_number": "p. 440",
                "url": ""
            },
            {
                "citation": "Foote. Helen. \"Four Pre-Columbian Ornaments.\" <em>The Bulletin of the Cleveland Museum of Art</em> 38, no. 3 (March 1951): 62-63.",
                "page_number": "Reproduced: p. 58; Mentioned: p. 62",
                "url": "https://www.jstor.org/stable/25141698"
            },
            {
                "citation": "\"Art and Archeology at The Cleveland Museum of Art.\" <em>Archaeology</em>. (Winter, 1953.).",
                "page_number": "p. 202",
                "url": ""
            },
            {
                "citation": "Covarrubias, Miguel.<em> Indian Art of Mexico and Central America. </em>New York: Knopf, 1957.",
                "page_number": "pl. LIII (Left)",
                "url": ""
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
                "page_number": "Mentioned and Reproduced: cat. no. 373",
                "url": "https://archive.org/details/CMAHandbook1958/page/n70"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 294",
                "url": "https://archive.org/details/CMAHandbook1966/page/n318"
            },
            {
                "citation": "Alsop, Joseph. \"Treasures of the Cleveland Museum of Art.\" <em>Art In America</em>. (May - June 1966).",
                "page_number": "p. 76",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art.<em> Selected Works: Cleveland Museum of Art. </em>1967.",
                "page_number": "p. 294",
                "url": ""
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 294",
                "url": "https://archive.org/details/CMAHandbook1969/page/n318"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 398",
                "url": "https://archive.org/details/CMAHandbook1978/page/n418"
            },
            {
                "citation": "Robicsek, Francis. <em>The Smoking Gods: Tobacco in Maya Art, History, and Religion.</em> 1978.",
                "page_number": "p. 76, fig. 79D",
                "url": ""
            },
            {
                "citation": "Schele, Linda, Mary Ellen Miller, and Justin Kerr. <em>The Blood of Kings: Dynasty and Ritual in Maya Art. </em>New York: G. Braziller, 1986.",
                "page_number": "Pl. 25, pp. 78, 83, 101",
                "url": ""
            },
            {
                "citation": "Lucena Salmoral, Manuel. <em>Ame\u0301rica 1492: retrato de un continente hace quinientos an\u0303os</em>. Madrid: Anaya, 1990.",
                "page_number": "p. 216",
                "url": ""
            },
            {
                "citation": "Fasquelle, Ricardo Agurica. Mayan Artistry Unearthed.<em> National Geographic Magazine</em>. (September, 1991).",
                "page_number": "p. 102",
                "url": ""
            },
            {
                "citation": "Palenque Round Table, Merle Greene Robertson, Martha J. Macri, and Jan McHargue. <em>Eighth Palenque Round Table, </em>1993. San Francisco: Pre-Columbian Art Research Institute, 1996.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Bradburne, James M., Annette Weber, and James Clifton<em>. Blut: Kunst, Macht, Politik, Pathologie.</em> Mu\u0308nchen: Prestel, 2001.",
                "page_number": "fig. 5",
                "url": ""
            },
            {
                "citation": "Keoke, Emory Dean, and Kay Marie Porterfield. <em>Encyclopedia of American Indian Contributions to the World: 15,000 Years of Inventions and Innovations</em>. New York, NY: Facts on File, 2002.",
                "page_number": "p. 109",
                "url": ""
            },
            {
                "citation": "Bradburne, James M., and James Clifton<em>. Blood: art, power, politics, and pathology.</em> Munich: Prestel, 2002.",
                "page_number": "p. 44, fig. 5",
                "url": ""
            },
            {
                "citation": "Summers, David.<em> Real Spaces: World Art History and the Rise of Western Modernism</em>. London: Phaidon Press, 2003.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Miller, Mary Ellen, and Megan Eileen O'Neil. <em>Maya art and architecture.</em> 2014.",
                "page_number": "p. 83, pl. 197, 221",
                "url": ""
            },
            {
                "citation": "Biro, Yae\u0308lle, Christine E. Brennan, and Christel H. Force. The Brummer Galleries, Paris and New York: Defining Taste from Antiquities to the Avant-Garde. Leiden ; Boston : Brill, 2023.",
                "page_number": "Mentioned: p. 306; Reproduced: p. 310, fig. 6.9",
                "url": ""
            },
            {
                "citation": "Wanjiru, Florence. \u201cMaya Eccentric Flints.\u201d <em>First American Art Magazine</em>, n. 50 (Spring 2026): 34-41.",
                "page_number": "Reproduced: p. 36",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1950.161",
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                "date_created": "2010-09-03T15:39:18",
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        ],
        "creditline": "John L. Severance Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 127481,
        "creators": [],
        "legal_status": "accessioned",
        "accession_date": "1950-06-29T00:00:00",
        "sortable_date": 600,
        "date_added_to_oa": null,
        "date_text": "600\u2013900",
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        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [
            "Eccentric Flint in Human Shape"
        ],
        "is_highlight": false,
        "updated_at": "2026-05-29 06:33:51.265000"
    }
}