{
"data": {
"id": 127572,
"accession_number": "1950.251",
"share_license_status": "CC0",
"tombstone": "The Annunciation, c. 1580. Paolo Veronese (Italian, 1528\u20131588), and Workshop. Oil on canvas; framed: 176 x 159.5 x 9.5 cm (69 5/16 x 62 13/16 x 3 3/4 in.); unframed: 150 x 133.4 cm (59 1/16 x 52 1/2 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1950.251",
"current_location": null,
"title": "The Annunciation",
"creation_date": "c. 1580",
"creation_date_earliest": 1575,
"creation_date_latest": 1585,
"artists_tags": [
"male",
"gender unknown"
],
"culture": [
"Italy, 16th century"
],
"technique": "oil on canvas",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "P - Italian 16th & 17th Century",
"type": "Painting",
"measurements": "Framed: 176 x 159.5 x 9.5 cm (69 5/16 x 62 13/16 x 3 3/4 in.); Unframed: 150 x 133.4 cm (59 1/16 x 52 1/2 in.)",
"dimensions": {
"framed": {
"height": 1.76,
"width": 1.595,
"depth": 0.095
},
"unframed": {
"height": 1.5,
"width": 1.334
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 300859,
"title": "The Venetian Tradition",
"description": "The Venetian Tradition. The Cleveland Museum of Art, Cleveland, OH (November 8, 1956-January 1, 1957).",
"opening_date": "1956-11-08T05:00:00"
},
{
"id": 301477,
"title": "In Memoriam: Leonard C. Hanna, Jr.",
"description": "In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958).",
"opening_date": "1958-03-04T05:00:00"
},
{
"id": 302205,
"title": "Art and Humanism in the Renaissance",
"description": "Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962).",
"opening_date": "1962-01-23T05:00:00"
},
{
"id": 300779,
"title": "Juxtapositions",
"description": "Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965).",
"opening_date": "1965-09-11T04:00:00"
},
{
"id": 220974,
"title": "Paolo Veronese: Versatile Master of Renaissance Venice",
"description": "Paolo Veronese: Versatile Master of Renaissance Venice. John and Mable Ringling Museum of Art, Sarasota, FL (organizer) (December 6, 2012-April 14, 2013).",
"opening_date": "2012-12-06T00:00:00"
},
{
"id": 675826,
"title": "Renaissance to Runway: The Enduring Italian Houses",
"description": "Renaissance to Runway: The Enduring Italian Houses. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 9, 2025-February 1, 2026).",
"opening_date": "2025-11-09T05:00:00"
}
],
"legacy": [
{
"description": "Survey of Italian Art. Seattle Art Museum, Seattle, WA (November 8-December 8, 1957).",
"opening_date": "1957-11-08T00:00:00"
},
{
"description": "Titian, Tintoretto, Paolo Veronese with a Group of Sixteenth-Century Venetian Drawings. Art Gallery of Ontario,Toronto, Ontario ( February 12-March 13, 1960).",
"opening_date": "1960-02-12T00:00:00"
},
{
"description": "Masterpieces of the 16th Century Art. Vassar College Art Gallery, Poughkeepsie, NY (October 15-November 15, 1964).",
"opening_date": "1964-10-15T00:00:00"
},
{
"description": "The Adriatic Sea: A Civilization Between Borders and Frontiers. Fondo Mole Vanvitelliana, Ancona, Italy (March-July 2001).",
"opening_date": "2001-03-01T00:00:00"
},
{
"description": "The Secular Veronese. (Musee du Luxembourg, Paris, France (September 22, 2004-January 30, 2005); Musee Correr, Venice, Italy (February 11-May 29, 2005).",
"opening_date": "2005-02-11T00:00:00"
},
{
"description": "Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Museum of Fine Arts Boston, Boston, MA (March 15-August 6, 2009; Musee du Louvre, Paris, France (September 14, 2009-January 5, 2010).",
"opening_date": "2009-03-15T00:00:00"
}
]
},
"provenance": [
{
"description": "The Cleveland Museum of Art, Cleveland, Ohio",
"citations": [],
"footnotes": [],
"date": "1950-",
"sortorder": 1
},
{
"description": "(Rosenberg & Stiebel, New York, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [
"Saemy Rosenberg visited Koppel in Toronto during the war and it was determined that Rosenberg & Stiebel would sell Koppel's collection
"
],
"date": "Until 1950",
"sortorder": 2
},
{
"description": "Albert Koppel, Switzerland and Toronto, Ontario, consigned to Rosenberg & Stiebel",
"citations": [],
"footnotes": [
"After leaving Germany, Alfred Koppel went to Switzerland before settling in Toronto.
"
],
"date": "Probably 1933 - c. 1950",
"sortorder": 3
},
{
"description": "Leopold Koppel [1854-1933], Berlin, by descent to his son, Albert Koppel",
"citations": [],
"footnotes": [
"Leopold Koppel was a prominent banker and entrepreneur with an extensive collection. Art historian Wilhelm von Bode [d. 1929], who advised Koppel on his collection, likely expected him to leave it to the Kasier-Friedrich-Museum (now the Bode Museum), which Bode had established in 1904. The donation never materialized, however, as the Koppel famly had to leave Germany when Hitler came to power.
"
],
"date": "Probably 1913-1933",
"sortorder": 4
},
{
"description": "Balboni collection, Venice, probably sold to Leopold Koppel",
"citations": [],
"footnotes": [
"Max J. Friedlaender's handwritten inventory of Leopold Koppel's collection, apparently the earliest documentation for the Veronese, states that Koppel purchased the painting in 1913 from Balboni in Venice. Balboni may refer to Carlo Balboni, a dealer in Venice who appears in the provenances of a series of works by Pietro Longhi currently in the Metropolitan Museum of Art.
"
],
"date": "Until 1913",
"sortorder": 5
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The white lilies held by Gabriel are a symbol of Mary's purity and innocence, often appearing in depictions of the Annunciation.",
"description": "Although Veronese is best known for his large-scale, pageant-like presentations, here the artist has taken the narrative of the Annunciation (the announcement of the angel Gabriel to the Virgin Mary that she would conceive and bear a son) and compressed the figures close to one another, creating a startling intimacy. According to a tradition established by the medieval writer Saint Bernard, Mary has been reading from the Old Testament prophecy of Isaiah (7:14), \"A young woman is with child and she will bear a son.\"",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60515744"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1950.251-the-annunciation"
]
},
"citations": [
{
"citation": "Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Saemy Rosenberg, letter to Henry S. Francis, Nov. 3, 1966, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Saemy Rosenberg, letter to William Milliken, June 30, 1950, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Saemy Rosenberg, letter to Henry S. Francis, Nov. 3, 1966, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": null,
"page_number": null,
"url": null
},
{
"citation": "Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Hadeln, Detlev, Hermann Voss, and Morton H. Bernath. Archiv Fu\u0308r Kunstgeschichte. Leipzig: E.A. Seemann, 1913.",
"page_number": null,
"url": null
},
{
"citation": "Saemy Rosenberg, letter to Henry S. Francis, Nov. 3, 1966, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Brilliant, Virginia, et al. Paolo Veronese: A Master and His Workshop in Renaissance Venice. London, England: Scala, 2012.",
"page_number": null,
"url": null
},
{
"citation": "Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 198",
"page_number": null,
"url": null
},
{
"citation": "Saemy Rosenberg, letter to Henry S. Francis, Nov. 3, 1966, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Archiv Fu\u0308r Kunstgeschichte II, no. 3 (1914-1915): no. 50.",
"page_number": "Mentioned: No. 50; reproduced: Taf. 50",
"url": null
},
{
"citation": "Milliken, William M. \"1916 Cleveland 1951.\" ARTnews XLIX, no. 2 (1951): 30-37.",
"page_number": "Mentioned and reproduced: P. 34",
"url": null
},
{
"citation": "Cleveland Museum of Art, \u201cRecent Acquisition Press Release,\u201d January 11, 1951, Cleveland Museum of Art Archives.",
"page_number": null,
"url": "https://archive.org/details/cmapr0011"
},
{
"citation": "\"Recent Acquisitions.\" Pictures on Exhibit XIII, no. 5 (February 1951): 50-53.",
"page_number": "Mentioned: P. 53",
"url": null
},
{
"citation": "Francis, Henry. \"Venetian Art and Its Field of Influence.\" The Bulletin of the Cleveland Museum of Art 38, no. 2 (February 1951): 21-27, 30-35, 38-40",
"page_number": "Reproduced: front cover; Mentioned: p. 39-40.",
"url": "https://www.jstor.org/stable/25141687"
},
{
"citation": "\"Nachrichten.\" Die Kunst (March 1951): 121-125.",
"page_number": "Mentioned: P. 122",
"url": null
},
{
"citation": "\"Museum News.\" Museums Journal LI (April 1951): 19-22.",
"page_number": "Mentioned: P. 22",
"url": null
},
{
"citation": "Vertova, Luisa. Veronese. Milano, Italy: Electa, 1952.",
"page_number": null,
"url": null
},
{
"citation": "Berenson, Bernard. Italian Pictures of the Renaissance; A List of the Principal Artists and Their Works with an Index of Places. Venetian School. New York, NY: Phaidon Publishers; distributed by Garden City Books, 1957.",
"page_number": "Mentioned: p. 130, vol. I; Reproduced: pl. 1077, vol. II",
"url": null
},
{
"citation": "Berenson, Bernard. Italian Pictures of the Renaissance; A List of the Principal Artists and Their Works with an Index of Places. Venetian School. New York: Phaidon Publishers; distributed by Garden City Books, 1957.",
"page_number": "Mentioned: Vol. I, P. 130; Reproduced: Vol. II, pl. 1077",
"url": null
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 417",
"url": "https://archive.org/details/CMAHandbook1958/page/n77"
},
{
"citation": "Pallucchini, Rodolfo. \"Tiziano, Tintoretto e Veronese a Toronto.\" Arte Veneta: Rivista di Storia dell'Arte XII-XIV (1959-1960): 300.",
"page_number": "Mentioned: P. 300",
"url": null
},
{
"citation": "Art Gallery of Toronto. Titian, Tintoretto, Paolo Veronese, with a Group of Sixteenth-Century Venetian Drawings: a loan exhibition 12 February-13 March 1960.Toronto, Ontario, 1960.",
"page_number": "Reproduced: no. 15",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 98",
"url": "https://archive.org/details/CMAHandbook1966/page/n122"
},
{
"citation": "Marini, Remigio. L'opera completa del Veronese. Milano, Italy: Rizzoli Editore, 1968.",
"page_number": "Mentioned: p. 130; Reproduced: p. 131",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 98",
"url": "https://archive.org/details/CMAHandbook1969/page/n122"
},
{
"citation": "Heineman, Rudolf J. Thyssen-Bornemisza Collection [Established in Memory of Dr. H.C. August Thyssen. Castagnola: Villa Favorita, 1969.",
"page_number": "Mentioned: P. 346",
"url": null
},
{
"citation": "Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, MA: Harvard University Press, 1972.",
"page_number": "Mentioned: p. 39, 305, 374",
"url": null
},
{
"citation": "Pignatti, Terisio, and Veronese. Veronese. Venezia, Italy: Alfieri, 1976.",
"page_number": "Mentioned: p. 96, 162, 193, vol. I; Reproduced: figs. 679-82, vol. II.",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 114",
"url": "https://archive.org/details/CMAHandbook1978/page/n134"
},
{
"citation": "Hadeln, Detlev, and Gunter Schweikhart. Paolo Veronese. Florenz, Italy: Kunsthistorisches Institut Florenz, 1978.",
"page_number": "Mentioned: p. 92, 116; Reproduced: fig. 97",
"url": null
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.",
"page_number": "Mentioned: p. 450; Reproduced: p. 451",
"url": null
},
{
"citation": "Gemin, Massimo. Nuovi studi su Paolo Veronese. Venezia, Italy: Arsenale editrice, 1990.",
"page_number": "Reproduced: p. 209, fig. 165",
"url": null
},
{
"citation": "\"1992 Annual Report.\" The Bulletin of the Cleveland Museum of Art 80, no. 6 (1993): 215-95.",
"page_number": "Mentioned: p. 238",
"url": "https://www.jstor.org/stable/25161418"
},
{
"citation": "Pignatti, Terisio, Veronese, and Filippo Pedrocco. Veronese. Milano, Italy: Electa, 1995.",
"page_number": "Mentioned: p. 452-453; Reproduced: np. 349",
"url": null
},
{
"citation": "Nitti, Patrizia. Veronese: Gods, Heroes and Allegories. Milan, Italy: Skira, 2004.",
"page_number": "Mentioned: p. 124; Reproduced: p. 125",
"url": null
},
{
"citation": "Ilchman, Frederick, and Linda Borean. Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Boston, MA: MFA Publications, 2009.",
"page_number": "Reproduced: p. 214, cat. 41",
"url": null
},
{
"citation": "Brilliant, Virginia, et al. Paolo Veronese: A Master and His Workshop in Renaissance Venice. London,United Kingdom: Scala, 2012.",
"page_number": "Reproduced: p. 145, fig. 24",
"url": null
},
{
"citation": "Paintings in the Cleveland Museum of Art: Picture Book No. 4 . [Cleveland]: The Cleveland Museum of Art, 1952.",
"page_number": "Reproduced: p. 55",
"url": "https://archive.org/details/CMAPaintings1952"
},
{
"citation": "Lisby, Darnell-Jamal, William Griswold, Matteo Augello, Alessandra Arezzi Boza, Massimiliano Capella, Luke Meagher, Stefania Ricci, and Cleveland Museum of Art. Renaissance to Runway: The Enduring Italian Houses. Cleveland, OH: Cleveland Museum of Art, 2025.",
"page_number": "Reproduced: p. 92-93, pl. 3",
"url": ""
}
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