{
    "data": {
        "id": 127713,
        "accession_number": "1950.375",
        "share_license_status": "CC0",
        "tombstone": "Base for a Satyr and Satyress Group, early 1500s or later. Italy, possibly Padua, early 16th century or later. Bronze; overall: 33.7 x 14.9 x 18.4 cm (13 1/4 x 5 7/8 x 7 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1950.375",
        "current_location": null,
        "title": "Base for a Satyr and Satyress Group",
        "creation_date": "early 1500s or later",
        "creation_date_earliest": 1500,
        "creation_date_latest": 1650,
        "artists_tags": [],
        "culture": [
            "Italy, possibly Padua, early 16th century or later"
        ],
        "technique": "bronze",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "Sculpture",
        "type": "Sculpture",
        "measurements": "Overall: 33.7 x 14.9 x 18.4 cm (13 1/4 x 5 7/8 x 7 1/4 in.)",
        "dimensions": {
            "overall": {
                "height": 0.337,
                "height_inch": 13,
                "height_inch_fraction": 0.25,
                "width": 0.149,
                "width_inch": 5,
                "width_inch_fraction": 0.875,
                "depth": 0.184,
                "depth_inch": 7,
                "depth_inch_fraction": 0.25
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 302205,
                    "title": "Art and Humanism in the Renaissance",
                    "description": "<i>Art and Humanism in the Renaissance</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962).",
                    "opening_date": "1962-01-23T05:00:00"
                },
                {
                    "id": 442134,
                    "title": "Nature and Antiquity in the Italian Renaissance",
                    "description": "<i>Nature and Antiquity in the Italian Renaissance</i>. St\u00e4dtische Galerie Liebieghaus, Frankfurt am Main, Germany (organizer) (December 4, 1985-March 2, 1986).",
                    "opening_date": "1985-12-04T05:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Art Institute of Chicago, Chicago, IL, (fall, 1943-1944): \"15th and 16th c. Sculpture in Bronze and Wood, lent by Dr. Ernst Wittman,\" (no cat.)",
                    "opening_date": "1943-01-01T00:00:00"
                },
                {
                    "description": "Stadtische Galerie - Liebieghaus, West Germany, (Frankfurt) Dec 4, 1985 - March 2, 1986. cat. no. 167, repr.",
                    "opening_date": "1985-12-04T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Monastery of Heiligenkreuz, Austria, sold to Ern\u00f6 Wittmann",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            },
            {
                "description": "Dr. Ern\u00f6 Wittmann (Budapest, Hungary), sold through R. Stora & Co. (New York, New York) to the Cleveland Museum of Art, 1950.",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "description": "The pagan subject matter here was common in the 1500s and, with the pan pipes on the ground, indicates a scene of poetry and music. Long thought to be an ink stand, the two openings are now understood as possibly having housed a satyr and satyress.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79907950"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1950.375-base-for-a-satyr-and"
            ]
        },
        "citations": [
            {
                "citation": "Planiscig, Leo. <em>Piccoli Bronzi Italiani Del Rinascimento</em>. Milano: Fratelli Treves, 1930. no. 124.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Meller, Simon. \"Dr. Wittmann Ern\u0151 kisplasztikai gy\u0171jtem\u00e9nye.\" <em>Magyar M\u0171v\u00e9szet </em>10 (1934): 235\u2013236.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Milliken, William. \"Two Renaissance Bronzes.\" <em>The Bulletin of the Cleveland Museum of Art </em>38, no. 2 (February 1951): 36-37, 42-44.",
                "page_number": "Reproduced: p. 38; Mentioned: p. 43",
                "url": "https://www.jstor.org/stable/25141689"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
                "page_number": "Mentioned and Reproduced: cat. no. 239",
                "url": "https://archive.org/details/CMAHandbook1958/page/n51"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 87",
                "url": "https://archive.org/details/CMAHandbook1966/page/n111"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 87",
                "url": "https://archive.org/details/CMAHandbook1969/page/n111"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 100",
                "url": "https://archive.org/details/CMAHandbook1978/page/n120"
            },
            {
                "citation": "Martineau, Jane, Charles Hope, Royal Academy of Arts (Great Britain), Sea Containers Group, and Venice Simplon-Orient-Express Ltd. <em>The Genius of Venice 1500-1600.</em> London: Royal Academy of Arts, in association with Weidenfeld and Nicolson, 1983. p. 377.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Ebert-Schifferer, S., and Liebieghaus. <em>Natur Und Antike in Der Renaissance</em>. Frankfurt am Main: Liebieghaus Museum Alter Plastik, 1985. no. 167, p. 465.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Ford, Terence, Research Center for Musical Iconography (U.S.), and International Repertory of Musical Iconography (Organization). <em>RIdIM/RCMI Inventory of Music Iconography.</em> No 8. New York: Research Center for Musical Iconography, 1986. no. 154, p. 73.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Cannata, Pietro, and Museo oliveriano di Pesaro. <em>Piccoli Bronzi Rinascimentali E Barocchi Del Museo Oliveriano Di Pesaro</em>. Pesaro: Ente Olivieri Editore, 1987. p. 13",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Malgouyres, Philippe. De Filarete a\u0300 Riccio: bronzes italiens de la Renaissance (1430-1550) : la collection du Muse\u0301e du Louvre. 2020.",
                "page_number": "Reproduced and mentioned; pp. 221-222, fig. 54",
                "url": ""
            }
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        "accession_date": "1950-10-10T00:00:00",
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        "updated_at": "2026-05-01 06:48:57.476000"
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}