id: 127949 accession number: 1950.578 share license status: CC0 url: https://clevelandart.org/art/1950.578 updated: 2023-08-24 11:35:24.775000 Venus, c. 1560. Danese Cattaneo (Italian, 1509–1573). Bronze; overall: 52.9 x 20 x 12 cm (20 13/16 x 7 7/8 x 4 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund 1950.578 title: Venus title in original language: series: series in original language: creation date: c. 1560 creation date earliest: 1555 creation date latest: 1565 current location: creditline: John L. Severance Fund copyright: --- culture: Italy, 16th century technique: bronze department: European Painting and Sculpture collection: Sculpture type: Sculpture find spot: catalogue raisonne: --- CREATORS * Danese Cattaneo (Italian, 1509–1573) - artist --- measurements: Overall: 52.9 x 20 x 12 cm (20 13/16 x 7 7/8 x 4 3/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Art and Humanism in the Renaissance opening date: 1962-01-23T05:00:00 Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). title: Collecting Drawings in England opening date: 1987-11-03T05:00:00 Collecting Drawings in England. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 3, 1987-January 17, 1988). title: The Persistence of Classicism in Sculpture opening date: 1988-11-16T05:00:00 The Persistence of Classicism in Sculpture. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1988-January 15, 1989). --- LEGACY EXHIBITIONS --- PROVENANCE Hans Gutmann (Vienna, Austria) date: footnotes: citations: Erich Lederer (Geneva, Switzerland), sold to the Cleveland Museum of Art, 1950. date: footnotes: citations: --- fun fact: digital description: Cattaneo's Venus is reminiscent of the ancient Aphrodite of Knidos by Praxiteles (Greek, c. 375–340 BC), as Venus holds her drapery in her right hand, leaving her body fully exposed. This work recalls Cattaneo's bronze sculptures of goddesses with the unbalanced curvature of the body and elaborately sculpted hair. Along with the hands and feet, the back of the figure is largely unfinished, indicating that it probably originally stood against a wall or in a niche. wall description: --- RELATED WORKS --- CITATIONS The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 93 url: https://archive.org/details/CMAHandbook1966/page/n117 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 93 url: https://archive.org/details/CMAHandbook1969/page/n117 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 108 url: https://archive.org/details/CMAHandbook1978/page/n128 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1950.578/1950.578_web.jpg print: https://openaccess-cdn.clevelandart.org/1950.578/1950.578_print.jpg full: https://openaccess-cdn.clevelandart.org/1950.578/1950.578_full.tif