id: 128368
accession number: 1951.328
share license status: CC0
url: https://clevelandart.org/art/1951.328
updated: 2024-03-26 01:58:18.630000
Autumn, c. 1867–1869. Adolphe Monticelli (French, 1824–1886). Oil on wood panel; unframed: 39.9 x 60.3 cm (15 11/16 x 23 3/4 in.). The Cleveland Museum of Art, Bequest of William G. Mather 1951.328
title: Autumn
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creation date: c. 1867–1869
creation date earliest: 1867
creation date latest: 1869
current location:
creditline: Bequest of William G. Mather
copyright:
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culture: France, 19th century
technique: oil on wood panel
department: Modern European Painting and Sculpture
collection: Mod Euro - Painting 1800-1960
type: Painting
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CREATORS
* Adolphe Monticelli (French, 1824–1886) - artist
From 1842 to 1846 Adolphe-Joseph-Thomas Monticelli studied painting at the École Municipale de Dessin in Marseilles, then directed by Émile Loubon (1809-1863), who encouraged his students to paint directly from nature. Monticelli moved to Paris in 1846 and entered the École des Beaux-Arts under Delaroche (q.v.). He spent his free time in the Louvre copying works by such painters as Veronese (1528-1588), Rubens (1577-1640), Rembrandt (1606-1669), Watteau (1684-1721), Fragonard (1732-1806), and Delacroix (q.v.). In the following years he would divide his time between Marseilles and Paris. He traveled throughout Provence with Guigou (q.v.), and together they painted the surrounding landscapes and villages. In Paris in 1856 he met Diaz de la Peña (q.v.), who encouraged him to use bolder colors and a heavier texture. Under the influence of Diaz, he also began adding small figures in his landscapes. That same year Monticelli returned to Marseilles, where he would remain for seven years. He again made landscape studies while earning money with his portraits. When he moved back to Paris in 1863, he specialized in depicting the fashionable society in lush landscapes, recalling the works of Watteau. He enjoyed some popularity within these circles because of the revival of interest in the rococo style. He also encountered some impressionist painters. He returned to Marseilles when the Franco-Prussian War (1870-71) broke out and remained there for the rest of his life, creating his most mature works. He painted with Cézanne (q.v.) in the areas around Aix and Marseilles. In his late landscapes he experimented with paint texture, using thick impasto on a bare canvas to create a dynamic surface. These experiments were to leave a strong impression on van Gogh (q.v.), who saw them at the Galerie Delarebeyrette in Paris in 1886, the year of Monticelli's death. Around that time, Monticelli already had several emulators copying his work, which explains the abundant production of fake Monticellis that have since invaded the art market.
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measurements: Unframed: 39.9 x 60.3 cm (15 11/16 x 23 3/4 in.)
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CURRENT EXHIBITIONS
title: Two Romantic Painters: Blakelock and Monticelli and Designs for a New Contemporary Arts Museum
opening date: 1965-05-07T04:00:00
Two Romantic Painters: Blakelock and Monticelli and Designs for a New Contemporary Arts Museum. Contemporary Arts Museum Houston, Houston, TX (organizer) (May 7-30, 1965).
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LEGACY EXHIBITIONS
* {'description': 'Houston, Contemporary Arts Association. Two Romantic Painters; Adolphe Monticelli, Ralph Albert Blakelock (1965), no. 2.', 'opening_date': '1965-01-01T00:00:00'}
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PROVENANCE
Van Wisselingh, London. Kraushaar Galleries, New York. Sold to William G. Mather, Cleveland, 1911. Bequeathed to the CMA in 1951.
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RELATED WORKS
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CITATIONS
Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.
page number: Mentioned and reproduced: P. 470-471, Vol. II, no. 163
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1951.328/1951.328_web.jpg
print: https://openaccess-cdn.clevelandart.org/1951.328/1951.328_print.jpg
full: https://openaccess-cdn.clevelandart.org/1951.328/1951.328_full.tif