id: 128375 accession number: 1951.334 share license status: CC0 url: https://clevelandart.org/art/1951.334 updated: 2019-11-18 10:29:12.027000 The Vision of Saint Jerome, c. 1660. Giovanni Battista Langetti (Italian, 1635-1676). Oil on canvas; framed: 238 x 187 x 13 cm (93 11/16 x 73 5/8 x 5 1/8 in.); unframed: 200.2 x 149.2 cm (78 13/16 x 58 3/4 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds 1951.334 title: The Vision of Saint Jerome title in original language: series: series in original language: creation date: c. 1660 creation date earliest: 1655 creation date latest: 1665 current location: 217 Italian Baroque creditline: Delia E. Holden and L. E. Holden Funds copyright: --- culture: Italy, 17th century technique: oil on canvas department: European Painting and Sculpture collection: P - Italian 16th & 17th Century type: Painting find spot: catalogue raisonne: --- CREATORS * Giovanni Battista Langetti (Italian, 1635-1676) - artist --- measurements: Framed: 238 x 187 x 13 cm (93 11/16 x 73 5/8 x 5 1/8 in.); Unframed: 200.2 x 149.2 cm (78 13/16 x 58 3/4 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed lower left: "LANGETI FAC.at" translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * Mostra della pittura italiana, sei-e settecento italiano. Pitti Palace, Florence, Italy. (1922). --- PROVENANCE Palazzo Conti, Vicenza (1758); (Italico Brass, Venice, 1922) date: footnotes: citations: --- fun fact: digital description: wall description: Jerome (c. AD 347–420) studied Greek and Latin literature in Rome, but eventually pursued theology, perceiving his conduct as corrupt and sinful. Around AD 374, Jerome had a vision of the Last Judgment in which an angel called him to task for his transgressions. Jerome then withdrew from society, learned Hebrew, and studied the Gospels, which led to his influential translations of the Bible. Langetti here follows a convention by depicting Jerome's vision after he retreated from the world. Working in the northern Italian port of Genoa, Langetti absorbed Caravaggio's impact, seen in the composition's naturalistic bodies and dramatic light. --- RELATED WORKS --- CITATIONS Cochin, Charles Nicolas, Henry Swinburne, and Charles-Antoine Jombert. Voyage d'Italie ou, Recueil de notes sur les ouvrages de peinture & de sculpture, qu'on voit dans les principales villes d'Italie. Paris, France: 1758. page number: Reproduced: p. 182 url: Thieme, Ulrich, Felix Becker, Fred. C. Willis, and Hans Vollmer. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Leipzig, Germany: W. Engelmann, 1907 page number: Reproduced: p. 341, vol. XXII url: Mostra della pittura italiana del Seicento e del Settecento, 1922. Catalogo. Roma, Italy: Bestetti e Tumminelli, 1922. page number: Reproduced: p. 111, no. 559 url: Fiocco, Giuseppe. Giambattista Langetti e il naturalismo a Venezia / Giuseppe Fiocco. [Italy?]: [publisher not identified], 1922. page number: Mentioned: P. 286; reproduced: P. 274 url: Ojetti, Ugo, Luigi Dami, and Nello Tarchiani. La pittura italiana del seicento e del settecento alla Mostra di palazzo Pitti. Milano, Italy: Bestetti e Tumminelli, 1924. page number: Reproduced: pl. 177 url: Zarnowski, Jan, F Baumgart, and J Zarnowski. “Contributi Alla Conoscenza Di G.b. Langetti.” Bollettino D'arte 25 (1931): 97-106. page number: Mentioned: P. 104 url: Dickey, E. M. O'R. A Picture-Book of British Art. London: G. Bell, 1931. page number: Reproduced: P. 32, pl. 35 url: Francis, Henry D. "St. Jerome by Giovanni Battista Langetti." The Bulletin of The Cleveland Museum of Art XXXIX no. 2 (February, 1952): 24-26. page number: Reproduced: p. 22 url: Hispanic Society of America, and Elizabeth du Gué Trapier. Ribera in the Collection. 1952. page number: Reproduced: p. 260 url: Réau, Louis. Iconographie de l'Art Chrétien. Paris: Presses Universitaires de France, 1955. page number: Mentioned: Vol. III,pt. 2, P. 748 url: Pigler, Andor. Barockthemen, eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts. Budapest, Hungary: Verlag der Ungarischen Akademie der Wissenschaften, 1956. page number: Reproduced: p. 430 url: Ananoff, Alexandre. L'Oeuvre Dessiné de Jean-Honoré Fragonard, 1732-1806; Catalogue Raisonné. Paris: F. de Nobele, libraire, 1961. page number: Mentioned: P. 182, no. 1079 url: Manning, Robert L., and Bertina Suida Manning. Genoese Masters, Cambiaso to Magnasco 1550-1750: Dayton Art Institute, October 19 - December 2, 1962, John and Mable Ringling Museum of Art, January 5 - February 17, 1963, Wadsworth Atheneum, March 19 - May 5, 1963. Dayton, OH: The Institute, 1962. page number: Reproduced: p. 182 url: Cummings, Frederick J. Art in Italy, 1600-1700. New York, NY: H.N. Abrams, 1965. page number: Reproduced: p. 182 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 115 url: https://archive.org/details/CMAHandbook1966/page/n139 Donzelli, Carlo, and Giuseppe Maria Pilo. I pittori del Seicento veneto. Firenze, Italy: R. Sandron, 1967. page number: Reproduced: p. 214 url: Moir, Alfred. The Italian Followers of Caravaggio. Cambridge, MA: Harvard University Press, 1967. page number: Reproduced: p. 289, no. 52, vol. I; p. 82, fig. 398, vol. II url: Stefani, Marina. “Nuovi Contributi Alla Conoscenza Di Giambattista Langetti.” Arte Veneta: Rivista di Storia dell'Arte XX (1967): 190-202. page number: Mentioned: P. 198 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 115 url: https://archive.org/details/CMAHandbook1969/page/n139 Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, MA: Harvard University Press, 1972. page number: Reproduced: p. 103, 410, 574 url: Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge: Harvard University Press, 1972. page number: Mentioned: P. 103, 410, 574 url: Sobral, Luis de Moura. "The Guercino Acquisition: A Singular Achievement in Drawing." M. [Montréal]: Musée des Beaux-Arts de Montréal] VI (1974): 5-18. page number: Mentioned and reproduced: P. 17, fig. 13 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 139 url: https://archive.org/details/CMAHandbook1978/page/n159 Newcome, Mary Young. Genoese Baroque Painting. Ann Arbor, MI: University Microfilms International, 1978. page number: Reproduced: p. 38, fig. 21 url: Pallucchini, Rodolfo, and Maria Maddalena Palmegiano. La pittura veneziana del Seicento. Venezia, Italy: Alfieri, 1981. page number: Mentioned: p. 248, vol. I; Reproduced: p. 738, fig. 796, vol. II url: The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982. page number: Reproduced: p. 356; Mentioned: p. 364-366 url: Carneo, Antonio, Caterina Furlan, and Giuseppe Bergamini. Antonio Carneo: nella pittura veneziana del Seicento. Milan, Italy: Electa, 1995. page number: Reproduced: p. 45, no. 27 url: Orlando, Anna, Genova e il collezionismo nel Novecento : studi nel centenario di Angelo Costa. Torino, Italy: U. Allemandi, 2000. page number: Reproduced: pl. 242 url: Cuzin, Jean Pierre. Fragonard. Milan, Italy: 5 continents, 2003. page number: Reproduced: p. 70 url: Stefani Mantovanelli, Marinai. Giovanni Battista Langetti: il principe dei tenebrosi. Soncino, Italy: Edizioni dei Soncino, 2011. page number: Reproduced: p. 111, fig. 57 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1951.334/1951.334_web.jpg print: https://openaccess-cdn.clevelandart.org/1951.334/1951.334_print.jpg full: https://openaccess-cdn.clevelandart.org/1951.334/1951.334_full.tif