id: 128375 accession number: 1951.334 share license status: CC0 url: https://clevelandart.org/art/1951.334 updated: 2023-12-01 07:03:47.524000 The Vision of Saint Jerome, c. 1660. Giovanni Battista Langetti (Italian, 1635–1676). Oil on canvas; framed: 238 x 187 x 13 cm (93 11/16 x 73 5/8 x 5 1/8 in.); unframed: 200.2 x 149.2 cm (78 13/16 x 58 3/4 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds 1951.334 title: The Vision of Saint Jerome title in original language: series: series in original language: creation date: c. 1660 creation date earliest: 1655 creation date latest: 1665 current location: 217 Italian Baroque creditline: Delia E. Holden and L. E. Holden Funds copyright: --- culture: Italy, 17th century technique: oil on canvas department: European Painting and Sculpture collection: P - Italian 16th & 17th Century type: Painting find spot: catalogue raisonne: --- CREATORS * Giovanni Battista Langetti (Italian, 1635–1676) - artist --- measurements: Framed: 238 x 187 x 13 cm (93 11/16 x 73 5/8 x 5 1/8 in.); Unframed: 200.2 x 149.2 cm (78 13/16 x 58 3/4 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed lower left: "LANGETI FAC.at" translation: remark: --- CURRENT EXHIBITIONS title: Genoese Masters, Cambiaso to Magnasco, 1550-1750 opening date: 1962-10-19T04:00:00 Genoese Masters, Cambiaso to Magnasco, 1550-1750. Dayton Art Institute, Dayton, OH (organizer) (October 19-December 2, 1962); John and Mable Ringling Museum of Art, Sarasota, FL (January 5-February 17, 1963); Wadsworth Atheneum Museum of Art, Hartford, CT (March 19-May 5, 1963). title: Art in Italy, 1600-1700 opening date: 1965-04-06T05:00:00 Art in Italy, 1600-1700. The Detroit Institute of Arts, Detroit, MI (organizer) (April 6-May 9, 1965). --- LEGACY EXHIBITIONS * Mostra della pittura italiana, sei-e settecento italiano. Pitti Palace, Florence, Italy. (1922). --- PROVENANCE Palazzo Conti, Vicenza (1758); (Italico Brass, Venice, 1922) date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Cochin, Charles Nicolas, Henry Swinburne, and Charles-Antoine Jombert. Voyage d'Italie ou, Recueil de notes sur les ouvrages de peinture & de sculpture, qu'on voit dans les principales villes d'Italie. Paris, France: 1758. page number: Reproduced: p. 182 url: Thieme, Ulrich, Felix Becker, Fred. C. Willis, and Hans Vollmer. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Leipzig, Germany: W. Engelmann, 1907 page number: Reproduced: p. 341, vol. XXII url: Mostra della pittura italiana del Seicento e del Settecento, 1922. Catalogo. Roma, Italy: Bestetti e Tumminelli, 1922. page number: Reproduced: p. 111, no. 559 url: Fiocco, Giuseppe. Giambattista Langetti e il naturalismo a Venezia / Giuseppe Fiocco. [Italy?]: [publisher not identified], 1922. page number: Mentioned: P. 286; reproduced: P. 274 url: Ojetti, Ugo, Luigi Dami, and Nello Tarchiani. La pittura italiana del seicento e del settecento alla Mostra di palazzo Pitti. Milano, Italy: Bestetti e Tumminelli, 1924. page number: Reproduced: pl. 177 url: Zarnowski, Jan, F Baumgart, and J Zarnowski. “Contributi Alla Conoscenza Di G.b. Langetti.” Bollettino D'arte 25 (1931): 97-106. page number: Mentioned: P. 104 url: Dickey, E. M. O'R. A Picture-Book of British Art. London: G. Bell, 1931. page number: Reproduced: P. 32, pl. 35 url: Francis, Henry D. "St. Jerome by Giovanni Battista Langetti." The Bulletin of The Cleveland Museum of Art XXXIX no. 2 (February, 1952): 24-26. page number: Reproduced: p. 22 url: Hispanic Society of America, and Elizabeth du Gué Trapier. Ribera in the Collection. 1952. page number: Reproduced: p. 260 url: Réau, Louis. Iconographie de l'Art Chrétien. Paris: Presses Universitaires de France, 1955. page number: Mentioned: Vol. III,pt. 2, P. 748 url: Pigler, Andor. Barockthemen, eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts. Budapest, Hungary: Verlag der Ungarischen Akademie der Wissenschaften, 1956. page number: Reproduced: p. 430 url: Ananoff, Alexandre. L'Oeuvre Dessiné de Jean-Honoré Fragonard, 1732-1806; Catalogue Raisonné. Paris: F. de Nobele, libraire, 1961. page number: Mentioned: P. 182, no. 1079 url: Manning, Robert L., and Bertina Suida Manning. Genoese Masters, Cambiaso to Magnasco 1550-1750: Dayton Art Institute, October 19 - December 2, 1962, John and Mable Ringling Museum of Art, January 5 - February 17, 1963, Wadsworth Atheneum, March 19 - May 5, 1963. Dayton, OH: The Institute, 1962. page number: Reproduced: p. 182 url: Cummings, Frederick J. Art in Italy, 1600-1700. New York, NY: H.N. Abrams, 1965. page number: Reproduced: p. 182 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 115 url: https://archive.org/details/CMAHandbook1966/page/n139 Donzelli, Carlo, and Giuseppe Maria Pilo. I pittori del Seicento veneto. Firenze, Italy: R. Sandron, 1967. page number: Reproduced: p. 214 url: Moir, Alfred. The Italian Followers of Caravaggio. Cambridge, MA: Harvard University Press, 1967. page number: Reproduced: p. 289, no. 52, vol. I; p. 82, fig. 398, vol. II url: Stefani, Marina. “Nuovi Contributi Alla Conoscenza Di Giambattista Langetti.” Arte Veneta: Rivista di Storia dell'Arte XX (1967): 190-202. page number: Mentioned: P. 198 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 115 url: https://archive.org/details/CMAHandbook1969/page/n139 Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, MA: Harvard University Press, 1972. page number: Reproduced: p. 103, 410, 574 url: Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge: Harvard University Press, 1972. page number: Mentioned: P. 103, 410, 574 url: Sobral, Luis de Moura. "The Guercino Acquisition: A Singular Achievement in Drawing." M. [Montréal]: Musée des Beaux-Arts de Montréal] VI (1974): 5-18. page number: Mentioned and reproduced: P. 17, fig. 13 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 139 url: https://archive.org/details/CMAHandbook1978/page/n159 Newcome, Mary Young. Genoese Baroque Painting. Ann Arbor, MI: University Microfilms International, 1978. page number: Reproduced: p. 38, fig. 21 url: Pallucchini, Rodolfo, and Maria Maddalena Palmegiano. La pittura veneziana del Seicento. Venezia, Italy: Alfieri, 1981. page number: Mentioned: p. 248, vol. I; Reproduced: p. 738, fig. 796, vol. II url: The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982. page number: Reproduced: p. 356; Mentioned: p. 364-366 url: Carneo, Antonio, Caterina Furlan, and Giuseppe Bergamini. Antonio Carneo: nella pittura veneziana del Seicento. Milan, Italy: Electa, 1995. page number: Reproduced: p. 45, no. 27 url: Orlando, Anna, Genova e il collezionismo nel Novecento : studi nel centenario di Angelo Costa. Torino, Italy: U. Allemandi, 2000. page number: Reproduced: pl. 242 url: Cuzin, Jean Pierre. Fragonard. Milan, Italy: 5 continents, 2003. page number: Reproduced: p. 70 url: Stefani Mantovanelli, Marinai. Giovanni Battista Langetti: il principe dei tenebrosi. Soncino, Italy: Edizioni dei Soncino, 2011. page number: Reproduced: p. 111, fig. 57 url: Paintings in the Cleveland Museum of Art: Picture Book No. 4 . [Cleveland]: The Cleveland Museum of Art, 1952. page number: Reproduced:p. 59 url: https://archive.org/details/CMAPaintings1952 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1951.334/1951.334_web.jpg print: https://openaccess-cdn.clevelandart.org/1951.334/1951.334_print.jpg full: https://openaccess-cdn.clevelandart.org/1951.334/1951.334_full.tif