id:			128804
accession number:	1951.427
share license status:	CC0
url:			https://clevelandart.org/art/1951.427
updated:		2024-03-26 01:58:20.663000

Madonna of the Palm Tree, c. 1520–25. Marcantonio Raimondi (Italian, 1470/82–1527/34), after Raphael (Italian, 1483–1520). Engraving; The Cleveland Museum of Art, Dudley P. Allen Fund 1951.427

title:				Madonna of the Palm Tree
title in original language:	
series:				
series in original language:	
creation date:			c. 1520–25
creation date earliest:		1515
creation date latest:		1530
current location:		
creditline:			Dudley P. Allen Fund
copyright:			

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culture:	Italy, 16th century
technique:	engraving
department:	Prints
collection:	PR - Engraving
type:		Print
find spot:	
catalogue raisonne: Bartsch XIV.69.62 ; Delaborde 96.13

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CREATORS

* Marcantonio Raimondi (Italian, 1470/82–1527/34)  - artist

* Raphael (Italian, 1483–1520) 
Raffaello Sanzio (Urbino, April 6, 1483-Rome, April 6, 1520), commonly known as Raphael, was one of the most admired Italian painters and architects on the High Renaissance. He was trained in his native city Urbino, a center of art and culture during the rule of the Duke Federico da Montefeltro. Around 1495, Raphael moved to Perugia and joined the master Pietro Perugino's workshop. He later sojourned to Siena, and then resided in Florence by the autumn of 1504. There, Raphael studied the works by Renaissance masters such as Leonardo da Vinci, Michelangelo, Fra Bartolomeo, and Masaccio. Raphael is best known for his paintings of Madonnas (from 1504 through 1507), and the frescoes that Pope Julio II commissioned to him in the Vatican Palace in Rome in 1514. The same year architect Donato Bramante died, and the pope appointed Raphael chief architect. Raphael's style was based on clarity of forms and harmonious compositions; after his death, his works were highly admired by both Mannerist and Baroque artists.
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CURRENT EXHIBITIONS

	title:		Connoisseurship in Italian Figural Compositions
	opening date:   1980-10-21T04:00:00
	<i>Connoisseurship in Italian Figural Compositions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 1980-February 15, 1981).

	title:		Real Prints: Reproduction or Invention
	opening date:   1987-04-07T04:00:00
	<i>Real Prints: Reproduction or Invention</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 7-May 17, 1987).

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LEGACY EXHIBITIONS

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PROVENANCE

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RELATED WORKS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1951.427/1951.427_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1951.427/1951.427_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1951.427/1951.427_full.tif