id: 128808
accession number: 1951.430
share license status: CC0
url: https://clevelandart.org/art/1951.430
updated: 2022-05-11 09:00:16.114000
Sheet of Studies and Sketches, 1858. Edgar Degas (French, 1834-1917). Graphite, pen and dark brown ink, and watercolor on thick ivory wove paper; sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund 1951.430
title: Sheet of Studies and Sketches
title in original language:
series:
series in original language:
creation date: 1858
creation date earliest: 1858
creation date latest: 1858
current location:
creditline: John L. Severance Fund
copyright:
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culture: France, 19th century
technique: graphite, pen and dark brown ink, and watercolor on thick ivory wove paper
department: Drawings
collection: DR - French
type: Drawing
find spot:
catalogue raisonne:
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CREATORS
* Edgar Degas (French, 1834-1917) - artist
Son of a Parisian banker, Edgar Degas enrolled in law school in 1853 following his father's wishes. But he had already shown an interest in art and had also registered to copy at the Louvre. In 1855 he entered the École des Beaux-Arts and became a student of Louis Lamothe (1822-1869), a former pupil of Ingres (q.v.). One year later Degas made the traditional journey to Italy, remaining there for three years. He visited family members in Naples and Florence and attended life classes at the Villa Medici in Rome. A visit to Normandy in 1861 may have introduced him to the racetrack. In Paris he continued to study at the Louvre, where he met Manet (q.v.) in 1862. Apart from his continuous interest in portraiture and history painting, Degas began to pay attention to subjects of modern life. Between 1865 and 1870, he exhibited at the Salon. At the time of the Franco-Prussian War, he enlisted in the artillery, but because of his poor eyesight he served (with Manet) in the infantry. After the war he traveled first to London and, in 1872-73, visited his uncle and brothers who had a cotton business in New Orleans. Degas participated in the first impressionist exhibition of 1874. He continued to exhibit with these artists until 1886 but never completely considered himself a member of the group, preferring to call himself a realist or naturalist. While many of the impressionists painted en plein air, Degas worked with models in his studio and, later in his career, from his imagination. In addition to painting, he experimented often with monotypes, engraving, pastels, sculpture, and photography. He traveled extensively-London, Naples, Spain, Morocco, and Switzerland-but continued to draw his subject matter from modern-day Paris. Other recurring themes would be the female nude and the ballet dancer. After the impressionist exhibition of 1886, Degas no longer participated in group shows. Instead he sold his works to private dealers such as Durand-Ruel and Ambroise Vollard. In the 1890s he began his own art collection, which, besides many works on paper, included paintings by such artists as Ingres, Cézanne (q.v.), Delacroix (q.v.), Gauguin (q.v.), and van Gogh (q.v.). His own art at the time became characterized by broader strokes of paint, charcoal, and pastel and the use of more vibrant colors, partly because of problems with his vision. His failing eyesight and poor health caused him to abandon his pursuit of art during the last years of his life.
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measurements: Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)
state of the work:
edition of the work:
support materials:
description: ivory wove paper
watermarks:
inscriptions:
inscription: Inscribed, lower left, in graphite: Flor. 1857; stamped, lower left, in red ink: artist’s stamp [Lugt 658]; verso, in red ink: estate stamp [Lugt 657]
translation:
remark:
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CURRENT EXHIBITIONS
title: Department of Prints and Drawings Opening Exhibition
opening date: 1958-03-03T05:00:00
Department of Prints and Drawings Opening Exhibition. The Cleveland Museum of Art (organizer) (March 3, 1958-October 11, 1959).
title: Aspects of Drawing
opening date: 1961-01-10T05:00:00
Aspects of Drawing. The Cleveland Museum of Art (organizer) (January 10-April 2, 1961).
title: Drawings
opening date: 1963-01-11T05:00:00
Drawings. The Cleveland Museum of Art (organizer) (January 11-September 10, 1963).
title: 19th and 20th Century Drawings
opening date: 1965-02-19T05:00:00
19th and 20th Century Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 19-March 24, 1965).
title: French Drawings
opening date: 1965-11-10T05:00:00
French Drawings. The Cleveland Museum of Art (organizer) (November 10, 1965-February 16, 1966).
title: Ingres & Delacroix through Degas & Puvis de Chavannes: The Figure in French Art, 1800–1870
opening date: 1975-05-20T04:00:00
Ingres & Delacroix through Degas & Puvis de Chavannes: The Figure in French Art, 1800–1870. Shepherd Gallery, New York, NY (organizer) (May 20-June 28, 1975).
title: Northern European Drawings from the Cleveland Museum of Art
opening date: 1982-11-16T05:00:00
Northern European Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1982-January 9, 1983).
title: The Lessons of the Academy
opening date: 1983-02-08T05:00:00
The Lessons of the Academy. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 8-May 29, 1983).
title: The Private Degas
opening date: 1987-01-20T05:00:00
The Private Degas. Whitworth Art Gallery, Manchester, United Kingdom of Great Britain and Northern Ireland (January 20-February 28, 1987); Fitzwilliam Museum, Cambridge CB2 1RB (March 17-May 3, 1987).
title: Directions in Drawing: 1750-1988
opening date: 1991-04-02T04:00:00
Directions in Drawing: 1750-1988. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 2-August 4, 1991).
title: French Drawings from the Collection
opening date: 1994-12-13T05:00:00
French Drawings from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 13, 1994-March 12, 1995).
title: Master Drawings from the Cleveland Museum of Art
opening date: 2000-08-27T00:00:00
Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000); The Morgan Library & Museum, New York, NY (May 23-August 19, 2001); Museum of Fine Arts, Houston, Houston, TX (October 14, 2001-January 6, 2002).
title: Treasures on Paper from the Collection of the Cleveland Museum of Art
opening date: 2014-03-09T00:00:00
Treasures on Paper from the Collection of the Cleveland Museum of Art. The Cleveland Museum of Art (organizer) (March 9-June 8, 2014).
title: Degas: A Passion for Perfection
opening date: 2018-02-11T05:00:00
Degas: A Passion for Perfection. Denver Art Museum, Denver, CO (organizer) (February 11-May 20, 2018).
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LEGACY EXHIBITIONS
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PROVENANCE
Studio of the artist
date: 1858 - 1917
footnotes:
citations:
Estate of Edgar Degas [1834-1917], Paris
date: 1917-1919
footnotes:
* Lugt 658, lower left, in red ink; Lugt 657, verso, upper center, in red ink.
citations:
(his fourth sale, Galerie Georges Petit, Paris, July 2-4, 1919, no. 74b, sold to Nunès)
date: 1919
footnotes:
* As "Tête de femme. -- Tête d'homme. -- Lutteurs. -- Cavalier," for 2,000 F.
citations:
(Galerie Nunès et Fiquet, Paris)
date: 1919-?
footnotes:
citations:
Private collection
date: after 1919-by 1931
footnotes:
citations:
(Victor D. Spark, New York, NY, sold to the Cleveland Museum of Art)
date: by 1950-1951
footnotes:
citations:
Cleveland Museum of Art, Cleveland, OH
date: 1951-
footnotes:
citations:
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fun fact:
The date Degas wrote on this drawing is incorrect; he didn't visit Florence until 1858, and must have inscribed the sheet years later.
digital description:
Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past. The refined female head drawn at center in graphite was copied from a drawing then attributed to Leonardo da Vinco in the Uffizi Gallery's collection. Other sketches record Degas's responses to Florentine sculpture. At upper right, he sketched an informal portrait of his cousin Giulia Bellelli, probably from life.
wall description:
Although the sheet is inscribed "Flor. 1857" in the artist’s own hand, the date is incorrect. Degas visited Florence for the first time in 1858 and must have written the inscription many years later. The fragmented, disassociated imagery makes the drawing a beguiling document of artistic process and the young artist’s engagement with the art of the past. The refined female head drawn in graphite was copied from a drawing then attributed to Leonardo da Vinci in the Uffizi Gallery. Other sketches show Degas’s responses to Florentine sculpture. The small study in the upper right was likely made from life, perhaps an impromptu portrait of his cousin Giulia Bellelli.
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RELATED WORKS
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CITATIONS
Catalogue des tableaux, pastels et dessins par Edgar Degas et provenant de son atelier. Paris: Galerie Georges Petit, 1919.
page number: Mentioned and reproduced: p. 70, no. 74b
url:
George, Waldemar. "The Youth of Degas." Formes 15 (May 1931).
page number: Reproduced: after p. 76
url:
Graber, Hans. Edgar Degas: Nach eigenen und fremden Zeugnissen. Basel: Benno Schwabe, 1942.
page number: Mentioned: p. 246, Reproduced: opp. p. 20.
url:
Henry S. Francis. "Drawings by Degas." The Bulletin of the Cleveland Museum of Art 44 (December 1957).
page number: Mentioned: p. 213; Reproduced: p. 210
url:
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
page number: Mentioned and Reproduced: cat. no. 601
url: https://archive.org/details/CMAHandbook1958/page/n112
Vitali, Lamberto. “Three Italian Friends of Degas.” Burlington Magazine 105, no. 723 (June 1963): 266-73.
page number: Mentioned: pp. 266 n. 4, 269 n. 6
url:
Reymert, Martin L. H. and Gary Koehler. Ingres & Delacroix through Degas & Puvis de Chavannes: The Figure in French Art, 1800–1870. Exh. cat. New York: Shepherd Gallery, 1975.
page number: Mentioned and reproduced: cover, pp. 317-18, no. 134
url:
Russoli, Franco. L’Opera completa di Degas. Milan: Rizzoli, 1978.
page number: Reproduced: pp. 86-87, no. 17
url:
Thomson, Richard. The Private Degas. Exh. cat. London: Arts Council of Great Britain, 1987.
page number: Mentioned: pp. 15-17, 51, 138, no. 10; Reproduced: plate 65.
url:
DeGrazia, Diane and Carter E. Foster. Master Drawings from the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2000.
page number: Mentioned: p. 8, pp. 132-33, p. 290; Reproduced: p. 133
url:
Cleveland Museum of Art. Museum Masters: 2016-17 Companion Guide. [Cleveland, Ohio]: Cleveland Museum of Art, 2016.
page number: Mentioned and Reproduced: P. 16
url:
Reff, Theodore. The Letters of Edgar Degas. New York: Wildenstein Plattner, 2020.
page number: Mentioned: vol. 1, p. 114 n. 3.
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1951.430/1951.430_web.jpg
print: https://openaccess-cdn.clevelandart.org/1951.430/1951.430_print.jpg
full: https://openaccess-cdn.clevelandart.org/1951.430/1951.430_full.tif