id: 128838
accession number: 1951.453
share license status: CC0
url: https://clevelandart.org/art/1951.453
updated: 2024-11-02 04:00:17.225000
Altarpiece with The Passion of Christ, c. 1440s. Master of the Schlägl Altarpiece (German). Oil and gold on wood; framed: 88.9 x 157.5 x 8.3 cm (35 x 62 x 3 1/4 in.); unframed: 74.3 x 69.8 cm (29 1/4 x 27 1/2 in.); part 1: 84.9 x 81.4 x 8.3 cm (33 7/16 x 32 1/16 x 3 1/4 in.); part 2: 84.6 x 152.2 x 8.3 cm (33 5/16 x 59 15/16 x 3 1/4 in.); part 3: 84.6 x 78.7 x 8.3 cm (33 5/16 x 31 x 3 1/4 in.); panel: 36.2 x 35 cm (14 1/4 x 13 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1951.453
title: Altarpiece with The Passion of Christ
title in original language:
series:
series in original language:
creation date: c. 1440s
creation date earliest: 1440
creation date latest: 1449
current location: 111 German and Austrian Gothic
creditline: Mr. and Mrs. William H. Marlatt Fund
copyright:
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culture: Germany
technique: oil and gold on wood
department: Medieval Art
collection: MED - Medieval Art
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Master of the Schlägl Altarpiece (German) - artist
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measurements: Framed: 88.9 x 157.5 x 8.3 cm (35 x 62 x 3 1/4 in.); Unframed: 74.3 x 69.8 cm (29 1/4 x 27 1/2 in.); Part 1: 84.9 x 81.4 x 8.3 cm (33 7/16 x 32 1/16 x 3 1/4 in.); Part 2: 84.6 x 152.2 x 8.3 cm (33 5/16 x 59 15/16 x 3 1/4 in.); Part 3: 84.6 x 78.7 x 8.3 cm (33 5/16 x 31 x 3 1/4 in.); Panel: 36.2 x 35 cm (14 1/4 x 13 3/4 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
* {'description': 'Westfälische Maler der Spätgotik 1440-1490, Landesmuseum, Munster, German (June 20 - September30, 1952).', 'opening_date': '2020-06-01T00:00:00'}
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PROVENANCE
Schlägl Abbey, Austria
date: -1930s
footnotes:
citations:
(Rosenberg & Stiebel, New York, NY, sold to the Cleveland Museum of Art)
date: -1951
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1951-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Tietze, Hans "Ein Passionszyklus im Stift Schlägl," Jahrbuch des kunsthistorischen Instituts der Zentralkommission für Denkmalpflege VII (1913).
page number: pp. 173-81, 187
url:
Heise, Carl Georg. Norddeutsche malerei: Studien zur ihrer Entwicklungsgeschichte im 15. [i.e. fünfzehnten] Jahrhundert von Köln bis Hamburg. Leipzig: K. Wolff, 1918.
page number: pp. 68-69, fig. 62
url:
Hugelschofer, Walter "Der Hochaltar von 1457 des Klosters Marienfeld in Westfalen," Zeitschrift für bildende Kunst n.s. XXXVI (1926-1927).
page number: p. 184
url:
Hainisch, Erwin "Schlagl, 2 in Georg Dehio," Hanbuch der deutschen Kunstdenkmaler II: Osterreich (Vienna and Berlin, 1935).
page number: p. 584
url:
Sommer, Johannes "Johann Koerbecke, der Meister des Marienfelder Altares von 1457," Westfalen XVI (1937).
page number: p. 42
url:
Stange, Alfred. Deutsche Malerei der Gotik 3. München u.a: Dt. Kunstverl, 1938.
page number: figs. 273-74
url:
Busch, Harald. Meister des Nordens; die Altniederdeutsche Malerei, 1450-1550. Hamburg: Ellermann, 1943.
page number: p. 66
url:
Rensing, Theodor "Der Meister von Schoppingen," Westfallen, XXVII (1948).
page number: pp. 224, 240-241
url:
Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart Bd. 37. Bd. 37. 1950.
page number: pp. 301-02
url:
Landesmuseum für Kunst und Kulturgeschichte Münster, and Paul Pieper. Westfälische Maler der Spätgotik 1440-1490: [Ausstellung] Landesmuseum für Kunst und Kulturgeschichte Münster Westfalen, 20. Juni-30. September 1952. Münster: Das Museum, 1952.
page number: cat nos. 76-84
url:
Francis, Henry S. “The Schlaegl Altarpiece.” The Bulletin of the Cleveland Museum of Art 39, no. 8 (1952).
page number: pp. 210-211
url: https://www.jstor.org/stable/25141826
Stange, Alfred. Deutsche Malerei der Gotik: Bd 6 Nordwestdeutschland in der Zeit von 1450 bis 1515. Munchen: Deutscher Kunstverlag, 1954.
page number: pp. 75-6
url:
Francis, Henry S. "Early German Painting in the Cleveland Museum of Art," American-German Review XXI/2 (1954-55).
page number: p. 7
url:
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
page number: Mentioned and Reproduced: cat. no. 455
url: https://archive.org/details/CMAHandbook1958/page/n83
Rensing, Theodor. Der Meister von Schöppingen. [München]: Deutscher Kunstverlag, 1959.
page number: p. 36-37
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 67
url: https://archive.org/details/CMAHandbook1966/page/n91
Stange, Alfred. Kritisches Verzeichnis der deutschen Tafelbilder vor Dürer. (München): Bruckmann, 1967.
page number: p. 178, no. 579
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 67
url: https://archive.org/details/CMAHandbook1969/page/n91
Puttfarken, Thomas. Meister Francke und die Kunst um 1400. Ausstellung zur Jahrhundert-Feier der Hamburger Kunsthalle, 30. Aug. bis 19. Okt. 1969. (Hamburg: Hamburger Kunsthalle, 1969.
page number: pp. 37-38
url:
Musper, H. Theodor. Altdeutsche Malerei. [Köln]: M. DuMont Schauberg, 1970.
page number: p. 49-50, repr. no. 39
url:
Cleveland Museum of Art. European Paintings Before 1500. Cleveland: The Museum, 1974. .
page number: pp. 31-33, color plate VIII, cat no. 11
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 75
url: https://archive.org/details/CMAHandbook1978/page/n95
Bologna, Ferdinando. Napoli e le rotte mediterranee della pittura: da Alfonso il Magnanimo a Ferdinando il Cattolico. Napoli: Società napoletana di storia patria, 1978.
page number: figs. 47-49
url:
Schlagler gemaldekatalog: geschichte der schlager gemaldesammlung und bildergalerie, verzeichnis der vorhandenen gemalde. [LINZ, AUSTRIA]: [STIFT SCHLAGL], 1987.
page number: pp. 49-51
url:
Mellinkoff, Ruth. Outcasts: Signs of Otherness in Northern European Art of the Late Middle Ages. Berkeley: University of California Press, 1993.
page number: vol 2, pl. IX.24
url:
Brunet, Jacqueline, Gennaro Toscano, and Sylvie Béguin. Les Granvelle et l'Italie au XVIe siècle: le mécénat d'une famille : actes du colloque international. Besançon: Cêtre, 1996.
page number: p. 32-33, repr. fig. 9, p. 35
url:
Be, Kenneth, "The Case of the Altered Altarpiece", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 44 no. 03, March 2004
page number: Mentioned & reproduced: cover, p. 4-5
url: https://archive.org/details/CMAMM2004-03/page/n3
Cleveland Museum of Art, and Holger A. Klein. Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art, 2007.
page number: cat. no. 88, p. 238-9
url:
Eikelmann, Renate, Holger A. Klein, Stephen N. Fliegel, and Virginia Brilliant. The Cleveland Museum of Art: Meisterwerke von 300 bis 1550. München: Hirmer, 2007.
page number: p. 256, repr. p. 257-59, no. 96
url:
Fliegel, Stephen N., and Stephen N. Fliegel. A Higher Contemplation: Sacred Meaning in the Christian Art of the Middle Ages. Kent, Ohio: Kent State University Press, 2012.
page number: p. 84, fig. 65
url:
Paintings in the Cleveland Museum of Art: Picture Book No. 4 . [Cleveland]: The Cleveland Museum of Art, 1952.
page number: Reproduced: p. 47
url: https://archive.org/details/CMAPaintings1952
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1951.453/1951.453_web.jpg
print: https://openaccess-cdn.clevelandart.org/1951.453/1951.453_print.jpg
full: https://openaccess-cdn.clevelandart.org/1951.453/1951.453_full.tif