id: 128842
accession number: 1951.454
share license status: CC0
url: https://clevelandart.org/art/1951.454
updated: 2020-05-22 09:00:40.141000
Saint Peter Repentant, 1645. Georges de La Tour (French, 1593-1652). Oil on canvas; framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1951.454
title: Saint Peter Repentant
title in original language:
series:
series in original language:
creation date: 1645
creation date earliest: 1645
creation date latest: 1645
current location: 217 Italian Baroque
creditline: Gift of the Hanna Fund
copyright:
---
culture: France, 17th century
technique: oil on canvas
department: European Painting and Sculpture
collection: P - French 17th Century
type: Painting
find spot:
catalogue raisonne:
---
CREATORS
* Georges de La Tour (French, 1593-1652) - artist
---
measurements: Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: signed upper right: Georgs delaTour Invet et Pin / 1645
translation:
remark:
---
CURRENT EXHIBITIONS
title: In Memoriam: Leonard C. Hanna, Jr.
opening date: 1958-03-04T05:00:00
In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art (organizer) (March 4-April 7, 1958).
title: Georges de la Tour and His World: Masterpieces in Focus
opening date: 1996-10-06T00:00:00
Georges de la Tour and His World: Masterpieces in Focus. National Gallery of Art, Washington, DC (October 6, 1996-January 5, 1997); Kimbell Art Museum (February 1-May 10, 1997).
title: Georges de la Tour (1593-1652)
opening date: 1997-10-01T00:00:00
Georges de la Tour (1593-1652). Galeries Nationales du Grand Palais, Paris, France (October 1, 1997-January 26, 1998).
title: The Light of Truth. Caravaggio, La Tour, Rembrandt, Zurbarán
opening date: 2000-09-09T00:00:00
The Light of Truth. Caravaggio, La Tour, Rembrandt, Zurbarán. Galleria d’Arte Moderna e Contemporanea Accademia Carrara di Bergamo, Bergamo, Italy (September 9-December 17, 2000).
title: Georges de la Tour
opening date: 2005-03-07T00:00:00
Georges de la Tour. National Museum of Western Art, Tokyo, Tokyo, Japan (organizer) (March 7-May 29, 2005).
title: Masterpieces of European Painting from The Cleveland Museum of Art
opening date: 2006-11-08T00:00:00
Masterpieces of European Painting from The Cleveland Museum of Art. Frick Collection, New York, NY (organizer) (November 8, 2006-January 28, 2007).
title: Masterpieces of European Painting from the Cleveland Museum of Art
opening date: 2007-03-29T00:00:00
Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007).
title: Georges de la Tour
opening date: 2016-02-23T00:00:00
Georges de la Tour. Museo Nacional del Prado, Madrid, Spain (organizer) (February 23-June 12, 2016).
---
LEGACY EXHIBITIONS
* Caravaggio and His Followers. The Cleveland Museum of Art, Cleveland, Ohio (October 29, 1971-January 2, 1972).
---
PROVENANCE
Possibly Alleyn's College of God's Gift, Dulwich, Surrey, until 1857;
date:
footnotes:
citations:
Reverend William Lucas Chafy, until 1878, by inheritance to his heirs;
date:
footnotes:
citations:
Heirs of Reverend Chafy, Bath, Somerset, until May 1951;
date:
footnotes:
citations:
[Marshall Spink, London];
date:
footnotes:
citations:
[M. Knoedler & Co., New York], sold to the Cleveland Museum of Art, 1951.
date:
footnotes:
citations:
---
fun fact:
The rooster next to Peter is a reference to Jesus's prediction that Peter will betray him, stating: "Before the rooster crows, you will disown me three times."
digital description:
wall description:
During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance. The apostle’s red-rimmed eyes and the uncertain light of the lantern suggest anxious sleepless nights; muted colors and simple forms give visual expression to Peter’s somber emotions. Unlike other artists inspired by Caravaggio, La Tour worked in relative isolation in northeastern France, and his connection to his Italian counterpart remains unclear.
---
RELATED WORKS
---
CITATIONS
Bloch, Vitale. Georges de La Tour; een beschouwing over zijn werk voorafgegaan door een catalogus van zijn oeuvre. Amsterdam, Netherlands: J.H. de Bussy, 1950.
page number: Reproduced: p. 53
url:
Bloch, Vitale. Georges de La Tour; een beschouwing over zijn werk voorafgegaan door een catalogus van zijn oeuvre. Amsterdam: J.H. de Bussy, 1950.
page number: Mentioned: P. 53, no. 18; reproduced: Pl. 18
url:
Pariset, Francois-Georges. "Le Saint Pierre Repentant de Georges de la Tour." Arts-loisirs no. 304 (1951): 1, 4.
page number: Mentioned: P. 1, 4; reproduced: P. 1
url:
Sterling, Charles. "Observations sur Georges de la Tour à propos d'un Livre Recent." La Revue des Arts I (September 1951): 147-158.
page number: Mentioned: P. 154; Reproduced: P. 153, fig. 7
url:
Francis, Henry S. "The Retentant St. Peter by Georges de La Tour." The Bulletin of The Cleveland Museum of Art XXXIX, no. 7 (September, 1952): 174-177.
page number: Reproduced: p. 170
url:
"Accessions of American and Canadian Museums." The Art Quarterly (Winter 1952): 344-346.
page number: Reproduced: P. 344
url:
Pariset, François-Georges. "Mise Au Point - Provisoire - Sur Georges De La Tour." Cahiers De Bordeaux / Journées Internationales D'etudes D'art 2 (1955): 79-89.
page number: Mentioned: P. 87
url:
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
page number: Mentioned and Reproduced: cat. no. 480
url: https://archive.org/details/CMAHandbook1958/page/n88
Milliken, William Mathewson. The Cleveland Museum of Art. New York: H.N. Abrams, 1958.
page number: Reproduced: P. 38
url:
Pariset, François-Georges. "La Servante á la Puce." Le Pays Lorrain 39, no. 3 (1958): 100-108.
page number: Mentioned and reproduced: P. 105-106
url:
Grossmann, F. "A Painting by Georges De La Tour in the Collection of Archduke Leopold Wilhelm." The Burlington Magazine 100, no. 660 (March 1958): 86-91.
page number: Mentioned: P. 90
url: http://www.jstor.org/stable/872408
Myers, Bernard S. Encyclopedia of World Art. New York: McGraw-Hill, 1959.
page number: Mentioned: Vol. IX, P. 164
url:
Bougier, Annette Marie. Georges de La Tour, Peintre du Roy. [Paris]: Desclée, De Brouwer, 1963.
page number: Mentioned: P. 92-93
url:
Casa de Velázquez (Madrid). Vélazquez, son temps, son influence Actes du colloque tenu a la Casa de Velázquez les 7, 9 et 10 décembre 1960. Paris: Arts et métiers graphiques, 1963.
page number: Mentioned: P. 62; reproduced: Pl. XXXVIII
url:
Birren, Faber. History of Color in Painting, With New Principles of Color Expression. New York, NY: Reinhold Pub. Corp, 1965.
page number: Reproduced: p. 247
url:
Birren, Faber. History of Color in Painting, With New Principles of Color Expression. New York: Reinhold Pub. Corp, 1965.
page number: Mentioned and reproduced: P. 247
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 117
url: https://archive.org/details/CMAHandbook1966/page/n141
Wrightsman, Charles B., Jayne Wrightsman, F. J. B. Watson, Carl Christian Dauterman, and Everett Fahy. The Wrightsman Collection. [New York]: Metropolitan Museum of Art, 1966.
page number: Mentioned: Vol. 5, P. 134
url:
Cavina, Anna Ottani. Georges de La Tour. Milano: Fratelli, Fabbri, 1966.
page number: Mentioned: P. 4
url:
“Fiftieth Anniversary for the Cleveland Museum of Art.” Art in America 54 (March 1966): 20–56.
page number: Mentioned: P. 23; reproduced: P. 29
url:
Alsop, Joseph. "Les Chef-d'Oeuvre de Première Importance du Second Musée des Etats-Unis." Connaissance des Arts 172 (June 1966): 55-63.
page number: Mentioned and reproduced: P. 57
url:
Cleveland Museum of Art. Selected Works: Cleveland Museum of Art. 1967.
page number: Reproduced: no. 155
url:
Pariset, François-Georges. "L'Ermite à la Lanterne et Georges de La Tour." Cahiers Alsaciens d'Archéologie, d'Art et d'Histoire XI (1967): 241-246.
page number: Mentioned and Reproduced: P. 244-246
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 117
url: https://archive.org/details/CMAHandbook1969/page/n141
Wright, Christopher. "A Suggestion for Etienne De La Tour." The Burlington Magazine 111, no. 794 (May 1969): 295-97.
page number: Mentioned: P. 296
url: http://www.jstor.org/stable/875939
Fricke, Berthold, ed. The Cleveland Museum of Art. Hannover: Knorr & Hirth, 1970.
page number: Mentioned and Reproduced: P. 46-47
url:
Szigethi Ágnes. Georges de La Tour. [Budapest]: Corvina, 1971.
page number: Reproduced: Fig. 44
url:
Moussalli, Ulysse. A la recherche de Georges de La Tour. Paris, France: Grenier aux livres, 1972.
page number: Reproduced: p. 66, 72; Mentioned: 75-76
url:
Tanaka, Hidemichi. "Observations sur l'évolution stylistique de Georges de La Tour". In Evolution Générale Et Développements Régionaux En Histoire De L'Art. (1972): 45-50.
page number: Mentioned: Vol. II, P. 45-47; Reproduced: Vol. III, Pl. 271, no. 13
url:
Nicolson, Benedict and Christopher Wright. "Georges de La Tour et la Grande Bretagne." La Revue du Louvre et des Musées de France 22, no. 2 (1972): 135-142.
page number: Mentioned: P. 135, 141, n. 1
url:
Gállego, Julián. "Crónica de Paris: La Tour, Illuminado." Goya 109 (1972): 35-39.
page number: Mentioned: P. 37
url:
Cavini. "La Tour a l'Orangerie e il suo primo tempo Caravaggesco." Paragone: Mensile di Arte Figurativa e Letteratura XXIII, pt. 2, no. 273 (1972): 3-24.
page number: Mentioned: P. 20, n. 17
url:
Georges de La Tour. Paris, France: Réunion des musées nationaux, 1972.
page number: Mentioned: pp. 40, 43, 51, 77, 108, 111-112, 188, 190-193, 261, 263.
url:
Held, Julius S. “Caravaggio and His Followers.” Art in America 60 (March 1972): 40–47.
page number: Mentioned: P. 43; reproduced: P. 45
url:
Blunt, Anthony. "Georges De La Tour at the Orangerie." The Burlington Magazine 114, no. 833 (August 1972): 516-25.
page number: Mentioned: P. 520
url: http://www.jstor.org/stable/877063
Dauriac, Jacques Paul. "Zur Wiederentdeckung un Wüdigung von Georges de La Tour." Die Kunst (December 1972): 725-728.
page number: Mentioned: P. 727
url:
Brejon de Lavergnée, Arnauld, and Jean Pierre Cuzin. I Caravaggeschi francesi. Roma, Italy: De Luca, 1973.
page number: Reproduced: p. 94
url:
Rosenberg, Pierre and François Macé de Lépinay. Georges de La Tour, vie et œuvre. Fribourg, Switzerland : Office du livre, 1973.
page number: Reproduced: p. 159
url:
Solesmes, François. Georges de La Tour. (Lausanne, Switzerland: Éditions Clairefontaine, 1973.
page number: Reproduced: p. 110, p. 162
url:
Thuillier, Jacques. Tout l'Oeuvre Peint de Georges de La Tour. Paris: Flammarion, 1973.
page number: Mentioned: P. 8, 95, no. 51; reproduced: P. 94, Pl. XL, XLVII
url:
Gállego, Julian. "Actualidad de Georges de La Tour." Goya 112 (1973): 200-207.
page number: Mentioned: P. 206
url:
Held, Julius S. “Emergence of Georges de La Tour.” Art in America 61 (April 1973): 82–87.
page number: Reproduced: P. 86
url:
Nicolson, Benedict, and Christopher Wright. Georges De La Tour. London, United Kingdom: Phaidon Press, 1974.
page number: Mentioned: p. 13-15; Reproduced: fig. 96
url:
Tribout de Morembert, Henri. "Considérations sur Georges de La Tour." Gazette des Beaux-Arts LXXXIII (April 1974): 227-234.
page number: Mentioned: P. 227, 230
url:
Roskill, Mark W. What Is Art History? New York, NY: Harper & Row, 1976.
page number: Reproduced: p. 39
url:
Spear, Richard E. "A New Book on La Tour." The Burlington Magazine 118, no. 877 (April 1976): 233-35.
page number: Mentioned: P. 235
url: http://www.jstor.org/stable/878384
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 171
url: https://archive.org/details/CMAHandbook1978/page/n191
Nicolson, Benedict. The International Caravaggesque Movement: Lists of Pictures by Caravaggio and His Followers Throughout Europe from 1590 to 1650. Oxford, United Kingdom: Phaidon, 1979.
page number: Reproduced: p. 65
url:
Lurie, Ann Tzeutschler. "The Weeping Heraclitus by Hendrick Terbrugghen in the Cleveland Museum of Art." The Burlington Magazine 121, no. 914 (May 1979): 279-87.
page number: Mentioned: P. 284, n. 31
url: http://www.jstor.org/stable/879582
The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.
page number: Mentioned: p. 90-91; Reproduced: p. 91
url:
Rosenberg, Pierre. France in the Golden Age: Seventeenth-Century French Paintings in American Collections. New York: Metropolitan Museum of Art, 1982.
page number:
url:
Brigstocke, Hugh. “France in the Golden Age {Metropolitan Museum of Art, New York; Exhibit}.” Apollo: The International Magazine for Collectors 116 (July 1982): 8–14.
page number: Mentioned: P. 8
url:
Wright, Christopher. The Art of the Forger. New York, NY: Dodd, Mead, 1985.
page number: Mentioned: p. 12; Reproduced: p. 29
url:
Adams, Steven. The Art of the Pre-Raphaelites. Secaucus, NJ: Chartwell Books, 1988.
page number: Reproduced: p. 29
url:
Quignard, Pascal, and Georges du Mesnil de La Tour. Georges de la Tour & Pascal Quignard. Paris, France: Flohic, 1991.
page number: Mentioned: p. 55-56; Reproduced: p. 57
url:
Lacau St. Guily, Agnès, and Georges du Mesnil de La Tour. La Tour, une lumière dans la nuit. Paris, France: Mame, 1992.
page number: Reproduced: p. 90
url:
Thuillier, Jacques. Georges de La Tour. Paris, France: Flammarion, 1992.
page number: Reproduced: p. 201
url:
Daniels, Stephen. Fields of Vision: Landscape Imagery and National Identity in England and the United States. Cambridge, United Kingdom: Polity, 1993.
page number: Reproduced: p. 133, fig. 8
url:
Conisbee, Philip. The Magdalene with the Smoking Flame. Washington, D.C.: Board of Trustees, National Gallery of Art, 1993.
page number: Mentioned: P. 13-14
url:
Russell, John. London. New York, NY: H.N. Abrams, 1994.
page number: Reproduced: p. 46
url:
Egri, Péter. Érték és képzelet: Shelley, Turner, Field és Chopin. Budapest: Akadémiai Kiadó, 1994.
page number: Reproduced: P. 12, no. 6
url:
Le Floch, Jean-Claude. La Tour: le clair et l'obscur. Paris, France: Herscher, 1995.
page number: Mentioned: p. 58; Reproduced: p. 59
url:
Le Floch, Jean-Claude. Le signe de contradiction: essai sur Georges de La Tour et son œuvre. Rennes, France: Presses universitaires de Rennes 2, 1995.
page number: Reproduced: p. 23, no. 9
url:
Quignard, Pascal. La Nuit et le Silence: Georges de La Tour. [France]: Flohic Editions, 1995.
page number: Reproduced: P. 58
url:
Conisbee, Philip. National Gallery of Art (U.S.), and Kimbell Art Museum. Georges De La Tour and His World. Washington, DC: National Gallery of Art, 1996.
page number: Mentioned: p. 112; Reproduced: p. 113, 272
url:
Duro, Paul. The Academy and the Limits of Painting in Seventeenth-Century France. New York, NY: Cambridge University Press, 1997.
page number:
url:
Cuzin, Jean Pierre, and Dimitri Salmon. Georges de La Tour: histoire d'une redécouverte. Paris, France: Gallimard, 1997.
page number: Reproduced: p. 69
url:
Cuzin, Jean Pierre, Georges du Mesnil de La Tour, and Pierre Rosenberg. Georges de La Tour: Paris, Galeries nationales du Grand Palais, 3 octobre 1997-26 janvier 1998. Paris, France: Réunion des musées nationaux, 1997.
page number: Reproduced: p. 225, 254; Mentioned: p. 224-225
url:
Choné, Paulette. "Itinéraire d'un Peintre Lorrain." Connaissance des Arts, supp. issue #112 (1997): 30-49.
page number: Mentioned and reproduced: P. 38-39
url:
Blunt, Anthony, and Richard Beresford. Art and Architecture in France, 1500-1700. New Haven, CT: Yale University Press, 1999.
page number: Reproduced: p. 178, no. 64
url:
La Tour, Georges du Mesnil de, Pierre Rosenberg, and Bruno Ferté. Georges de la Tour. Paris, France: Gallimard, 1999.
page number: Mentioned: p. 104-105
url:
Armogathe, Jean Robert. La luce del vero: Caravaggio, La Tour, Rembrandt, Zurbarán. Cinisello Balsamo, Milan, Italy: Silvana, 2000.
page number: Mentioned: p. 118-119
url:
Seidel, Max. L'Europa e l'arte italiana. Venezia, Italy: Marsilio, 2000.
page number: Reproduced: p. 354; detail, pp. 352, 355, 356
url:
May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland, OH: Cleveland Museum of Art, 2001.
page number: Reproduced: p. 38; Mentioned: p. 117
url:
Chone, Paulette, Jean-Claude Boyer, Richard E. Spear, and Irving Lavin. L'âge d'or du nocturne. Paris, France: Gallimard, 2001.
page number: Reproduced: p. 186, fig. 108
url:
Rosenberg, Pierre, and Jean-Pierre Caillet. La peinture française. Paris, France: Mengès, 2001.
page number: Reproduced: p. 292
url:
Varese, Ranieri. "Bilblioteca." Critica d'Arte 64, no. 12 (December 2001): 11.
page number: Reproduced: P. 11
url:
McClintock, Stuart, and Georges du Mesnil de La Tour. The Iconography and Iconology of Georges De La Tour's Religious Paintings, 1624-1650. Lewiston, NY.: Edwin Mellen Press, 2003.
page number: Reproduced: fig. 18
url:
Takahashi, Akiya, and Jean-Pierre Cuzin. Georges de La Tour: [exposition : 8 mars-29 mai, 2005, Le Musée national d'art occidental, Tokyo. Tokyo, Japan: National Museum of Western Art, 2005.
page number: Reproduced: p. 98-99, fig. 22
url:
Iacono, Margaret. Masterpieces of European Painting from the Cleveland Museum of Art. New York. New York: The Frick Collection, 2006.
page number: Mentioned and reproduced: p. 56-59
url:
Cuzin, Jean-Pierre, Dominique Cordellier, Michel Laclotte, and Antoinette Le Normand-Romain. Figures de la réalité caravagesques français, Georges de La Tour, les frères Le Nain. Paris, France: Hazan, 2010.
page number: Reproduced: p. 217, fig. 218
url:
Merlini, Valeria, Daniela Storti, and Dimitri Salmon. Georges De La Tour in Milan: The Adoration of the Shepherds, Christ with Saint Joseph in the Carpenter's Shop. Milan, Italy: Skira, 2011.
page number: Reproduced: fig. 53
url:
Hilaire, Michel, Axel Hémery, and Michelangelo Merisi da Caravaggio. Corps et ombres: Caravage et le caravagisme européen. Milan, Italy: 5 continents, 2012.
page number: Reproduced: p. 459, fig. 7
url:
Treasures of the Cleveland Museum of Art. London, United Kingdom: Scala Books, 2012.
page number: Mentioned: p. 198-199
url:
Salmon, Dimitri, and Andrés Ubeda de los Cobos, eds. Georges De La Tour: 1593-1652. Madrid: Museo Nacional del Prado, 2016.
page number: Reproduced: p.150-151, no. 27
url:
Cuzin, Jean-Pierre, et. al. Le Saint Joseph Charpentier de Georges de la Tour: Un Don au Louvre de Percy Moore Turner. [Gent]: Snoeck, 2017.
page number: Mentioned: p. 213, n. 2505
url:
---
IMAGES
web: https://openaccess-cdn.clevelandart.org/1951.454/1951.454_web.jpg
print: https://openaccess-cdn.clevelandart.org/1951.454/1951.454_print.jpg
full: https://openaccess-cdn.clevelandart.org/1951.454/1951.454_full.tif