{
"data": {
"id": 129164,
"accession_number": "1951.65.11",
"share_license_status": "CC0",
"tombstone": "Landscapes and Interiors: The Pastry Shop, 1899. \u00c9douard Vuillard (French, 1868\u20131940). Color lithograph; image: 35.1 x 27.5 cm (13 13/16 x 10 13/16 in.); sheet: 44.3 x 36 cm (17 7/16 x 14 3/16 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1951.65.11",
"current_location": null,
"title": "The Pastry Shop",
"series": "Landscapes and Interiors",
"creation_date": "1899",
"creation_date_earliest": 1899,
"creation_date_latest": 1899,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "color lithograph",
"support_materials": [],
"department": "Prints",
"collection": "PR - Lithograph",
"type": "Print",
"measurements": "Image: 35.1 x 27.5 cm (13 13/16 x 10 13/16 in.); Sheet: 44.3 x 36 cm (17 7/16 x 14 3/16 in.)",
"dimensions": {
"sheet": {
"height": 0.443,
"height_inch": 17,
"height_inch_fraction": 0.4375,
"width": 0.36,
"width_inch": 14,
"width_inch_fraction": 0.1875
},
"image": {
"height": 0.351,
"height_inch": 13,
"height_inch_fraction": 0.8125,
"width": 0.275,
"width_inch": 10,
"width_inch_fraction": 0.8125
}
},
"state_of_the_work": "I/I",
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 309884,
"title": "Urban Vicissitudes",
"description": "Urban Vicissitudes. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 2-September 29, 1985).",
"opening_date": "1985-07-02T04:00:00"
},
{
"id": 310102,
"title": "Art Nouveau in France",
"description": "Art Nouveau in France. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 12-November 27, 1988).",
"opening_date": "1988-07-12T04:00:00"
},
{
"id": 329533,
"title": "Private Lives: Home and Family in the Art of the Nabis, Paris, 1889\u20131900",
"description": "Private Lives: Home and Family in the Art of the Nabis, Paris, 1889\u20131900. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (July 1-September 19, 2021).",
"opening_date": "2021-07-01T04:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "(William H. Schab Gallery, New York, sold to the Cleveland Museum of Art, Cleveland, OH)",
"citations": [],
"footnotes": null,
"date": "?-1951",
"sortorder": 1
},
{
"description": "Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1951-",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [
"1951.75"
],
"did_you_know": "In 1897, Vuillard purchased a Kodak Brownie that allowed him to take intimate snapshots of family and friends as well as create reference photographs for his paintings and prints.",
"early_education_description": null,
"artlens_description": null,
"description": "Vuillard\u2019s subject of Parisians enjoying refreshments out-of-doors is echoed in his friend Bonnard\u2019s Caf\u00e9 Terrace, on view nearby. Both artists treat public settings with the same enveloping closeness of their interiors.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79909888"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1951.65.11-the-pastry-shop"
]
},
"citations": [
{
"citation": "Brown, Heather Lemonedes. \u201cThe Nabi City.\u201d In Private Lives: Home and Family in the Art of the Nabis, Paris, 1889-1900. Mary Weaver Chapin and Heather Lemonedes Brown, 222-261. Cleveland: Cleveland Museum of Art, 2021.",
"page_number": "Mentioned: P. 232; Reproduced: P. 258, no. 176",
"url": ""
}
],
"catalogue_raisonne": "Roger-Marx 41",
"url": "https://clevelandart.org/art/1951.65.11",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1951.65.11/1951.65.11_web.jpg",
"width": "736",
"height": "900",
"filesize": "299238",
"filename": "1951.65.11_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1951.65.11/1951.65.11_print.jpg",
"width": "2780",
"height": "3400",
"filesize": "3350324",
"filename": "1951.65.11_print.jpg"
},
"full": {
"url": "https://openaccess-cdn.clevelandart.org/1951.65.11/1951.65.11_full.tif",
"width": "8947",
"height": "10943",
"filesize": "293749660",
"filename": "1951.65.11_full.tif"
}
},
"alternate_images": [],
"creditline": "Gift of the Hanna Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 129164,
"creators": [
{
"id": 1833,
"description": "\u00c9douard Vuillard (French, 1868\u20131940)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "After attending the Lyc\u00e9e Condorcet, \u00c9douard Vuillard entered the studio of history painter Diog\u00e8ne Maillart (1840-1926). In 1886 he enrolled at the Acad\u00e9mie Julian, where he was taught by Tony Robert-Fleury (1837-1911) and Bouguereau (q.v.). The following year he was accepted into the \u00c9cole des Beaux-Arts and was briefly in the atelier of G\u00e9r\u00f4me (q.v.). At this time he also studied seventeenth-century Dutch painting and the works of Chardin (1699-1779). By 1889 Vuillard was persuaded by his friend painter and theorist Maurice Denis (1870-1943) to join the newly formed group of artists known as the Nabis. The Nabis based many of their ideas on synthetism, first developed by Gauguin (q.v.) and \u00c9mile Bernard (1868-1941), in which the artist was to work not from nature but from memory. Vuillard's initial synthetist works reveal a preoccupation with pattern and bright colors, denying the three-dimensionality of the object. By 1892, however, his colors were more subdued, reflecting his desire to mimic the unusual lighting effects that he had seen in symbolist theater. Vuillard's first major commissions date from this time, including nine panels for the dining room of Alexandre Natanson and four decorative panels for the library of Dr. Henri Vaquez. In 1898 Vuillard visited Venice and Florence, and the following year he and Bonnard (q.v.), a fellow member of the Nabis, made an excursion to London. Later they went to Milan and Venice and eventually to Spain. Vuillard also made trips to Brittany and Normandy. His first public commission came in 1912, when he was asked to paint panels for the foyer of the Com\u00e9die des Champs-Elys\u00e9es in Paris. During that period he moved beyond the synthetism of the Nabis and returned to a more traditional perspective. At the same time he was accepting commissions for portraits. In 1936 he was chosen to paint a mural at the Palais des Nations in Geneva and was subsequently elected to the Institut de France.",
"name_in_original_language": null,
"birth_year": "1868",
"death_year": "1940",
"use_in_caption": true,
"include_extent": false,
"weight": 1
},
{
"id": 28934,
"description": "Auguste Clot (French, 1858\u20131936)",
"extent": "printed by",
"qualifier": null,
"role": "printer",
"biography": null,
"name_in_original_language": null,
"birth_year": "1858",
"death_year": "1936",
"use_in_caption": false,
"include_extent": false,
"weight": 2
},
{
"id": 291938,
"description": "Ambroise Vollard (French, 1867\u20131939)",
"extent": "published by",
"qualifier": null,
"role": "publisher",
"biography": "French art dealer and publisher, 1867-1939",
"name_in_original_language": null,
"birth_year": "1867",
"death_year": "1939",
"use_in_caption": false,
"include_extent": false,
"weight": 3
}
],
"legal_status": "accessioned",
"accession_date": "1951-03-21T00:00:00",
"sortable_date": 1899,
"date_added_to_oa": null,
"date_text": "1899",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "component",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": "1951.65",
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [
"Landscapes and Interiors: The Pastry Shop"
],
"is_highlight": false,
"updated_at": "2026-05-29 06:39:53.048000"
}
}