id: 129218 accession number: 1952.110 share license status: CC0 url: https://clevelandart.org/art/1952.110 updated: 2024-03-26 01:58:22.403000 Madonna and Child, c. 1350. Attributed to Lippo Memmi (Italian). Tempera and gold on poplar panel; framed: 71.3 x 43.8 x 5.7 cm (28 1/16 x 17 1/4 x 2 1/4 in.); unframed: 71.3 x 44 cm (28 1/16 x 17 5/16 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1952.110 title: Madonna and Child title in original language: series: series in original language: creation date: c. 1350 creation date earliest: 1345 creation date latest: 1355 current location: 110A Italian Gothic creditline: Gift of the Hanna Fund copyright: --- culture: Italy, Siena technique: tempera and gold on poplar panel department: Medieval Art collection: MED - Medieval Art type: Painting find spot: catalogue raisonne: --- CREATORS * Lippo Memmi (Italian) - artist --- measurements: Framed: 71.3 x 43.8 x 5.7 cm (28 1/16 x 17 1/4 x 2 1/4 in.); Unframed: 71.3 x 44 cm (28 1/16 x 17 5/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: In Memoriam: Leonard C. Hanna, Jr. opening date: 1958-03-04T05:00:00 In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). title: Juxtapositions opening date: 1965-09-11T04:00:00 Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965). title: Draped in Splendor: Renaissance Textiles and the Church opening date: 2003-09-07T00:00:00 Draped in Splendor: Renaissance Textiles and the Church. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 7, 2003-September 26, 2004). title: Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art opening date: 2007-05-10T00:00:00 Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. J. Paul Getty Museum, Los Angeles, CA (October 30, 2007-January 20, 2008); Frist Art Museum, Nashville, TN (February 13-June 7, 2009). --- LEGACY EXHIBITIONS * {'description': 'Meisterwerke Italienischer Renaissance, Secession Building, Vienna, Austria (1924-5).', 'opening_date': '1924-01-01T00:00:00'} * {'description': 'Exhibition of Italian Art 1200-1900, Royal Academy, Burlington House (January-March, 1930).', 'opening_date': '1930-01-01T00:00:00'} --- PROVENANCE Richard von Kaufman (1850–1908), Berlin, Germany date: footnotes: citations: (Sale: Paul Cassirer und Hugo Helbing, Berlin, Germany, December 4-5, 1917) date: December 4-5, 1917 footnotes: citations: August Lederer (1857–1936), Vienna, Austria to Erich Lederer date: 1924 footnotes: citations: Erich Lederer, Geneva, Switzerland, sold to the Cleveland Museum of Art date: -1952 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1952- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS page number: url: Harck, F. "Quadri di Maestri Italiani in Possesso di Privati a Berlino," Archivo Storico dell'arte, Vol. II (1889) page number: p. 206 url: Venturi, Adolfo. Storia dell'arte italiana. Milano: U. Hoepli, 1901. page number: Vol. V, p. 655, fig. 532 url: Berenson, Bernard. The Central Italian Painters of the Renaissance. New York: G.P. Putnam's Sons, 1909. page number: p. 148 url: Crowe, J. A., G. B. Cavalcaselle, R. Langton Douglas, S. Arthur Strong, G. de Nicola, and Tancred Borenius. A History of Painting in Italy. London: J. Murray, 1908. page number: Vol. III, pp. 79-80, n. 1 url: Reinach, Salomon. Répertoire de peintures du Moyen âge et de la Renaissance (1280-1580). Paris: E. Leroux, 1910. page number: Vol. III, p. 378, fig. 1 url: Paul Cassirer und Hugo Helbing (Firm). Die Sammlung Richard von Kaufmann, Berlin; III. Band. 1917. page number: vol. I, no. 7, p. 22 url: Marle, Raimond van. Simone Martini et les peintres de son école. Strasbourg: J.H.E. Heitz, 1920. page number: p. 190 url: Meisterwerke italienischer renaissance aus Privatbesitz. Wien: Sezession, 1924. page number: Cat. No. 71 url: Marle, Raimond van, and Charlotte van Marle. The Development of the Italian Schools of Painting. The Hague: M. Nijhoff, 1923. page number: p. 274, n. 3 url: Gielly, L. Les primitifs siennois. Paris: A. Michel, 1926. page number: p. 111 url: Thieme, Ulrich, Felix Becker, Hans Vollmer, B. C. Kreplin, J. Müller, Ludwig Scheewe, H. Wolff, and O. Kellner. Allgemeines Lexikon der bildenden Künstler: von der Antike bis zur Gegenwart Bd XXIII Bd XXIII. 1929. page number: p. 277 url: Royal Academy of Arts (Great Britain), and A. E. Popham. Italian Drawings Exhibited at the Royal Academy, Burlington House, London, 1930. London: The Oxford University Press, and the Executive Committee of the exhibition, 1931. page number: no. 30 url: Weigelt, "Minor Simonesque Masters," Apollo XIV (1931) page number: p. 13, fig. XII url: Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works, with an Index of Places. 1932. page number: p. 360 url: Sandberg-Vavala, Eveyln. "Some Partial Reconstructions - 1" Burlington Magazine LXXI (1937). page number: p. 177, n. 6 url: Thieme, Ulrich, Felix Becker, and Hans Vollmer. Allgemeines Lexikon der bildenden Künstler: von der Antike bis zur Gegenwart Bd XXXVII Bd XXXVII. 1950. page number: p. 194 url: Francis, H. (1953). A Sienese "Madonna and Child" by Lippo Memmi. The Bulletin of the Cleveland Museum of Art, 40(4). page number: pp. 59-61 url: https://www.jstor.org/stable/25141873 The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 392 url: https://archive.org/details/CMAHandbook1958/page/n73 Frinta, Mojmir. "An Investigation of the Punched Decoration of Medieval Italian and Non-Italian Panel Painting," The Art Bulletin XLVII (June 1965). page number: pp. 259-9, fig. 23 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 54 url: https://archive.org/details/CMAHandbook1966/page/n78 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 54 url: https://archive.org/details/CMAHandbook1969/page/n78 Cleveland Museum of Art. European Paintings Before 1500. Cleveland: The Museum, 1974. . page number: pp. 99-101, cat. no. 36; figs 36a; colorplate XXI url: Critica D'Arte Anno XLII, Nuva Ser. fasc. 151 (Jan-June 1977). page number: p. 75 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 63 url: https://archive.org/details/CMAHandbook1978/page/n83 De Benedictis, Cristina. La pittura senese 1330-1370. Firenze: Salimbeni libreria editrice, 1979. page number: pp. 22, 90, fig. 30 url: Real, William A. "Exploring New Applications for Infrared Reflectography." The Bulletin of the Cleveland Museum of Art 72, no. 8 (1985). page number: pp. 390-412 url: https://www.jstor.org/stable/25159923 Metropolitan Museum of Art (New York, N.Y.), and John Wyndham Pope-Hennessy. The Robert Lehman Collection. New York: The Museum, 1987. page number: p. 26 url: Cleveland Museum of Art, and Holger A. Klein. Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art, 2007. page number: Cat. no. 97, p. 260 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1952.110/1952.110_web.jpg print: https://openaccess-cdn.clevelandart.org/1952.110/1952.110_print.jpg full: https://openaccess-cdn.clevelandart.org/1952.110/1952.110_full.tif