{
    "data": {
        "id": 129218,
        "accession_number": "1952.110",
        "share_license_status": "CC0",
        "tombstone": "Madonna and Child, c. 1350. Attributed to Lippo Memmi (Italian). Tempera and gold on poplar panel; framed: 71.3 x 43.8 x 5.7 cm (28 1/16 x 17 1/4 x 2 1/4 in.); unframed: 71.3 x 44 cm (28 1/16 x 17 5/16 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1952.110",
        "current_location": "110A Italian Gothic",
        "title": "Madonna and Child",
        "creation_date": "c. 1350",
        "creation_date_earliest": 1345,
        "creation_date_latest": 1355,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Italy, Siena"
        ],
        "technique": "tempera and gold on poplar panel",
        "support_materials": [],
        "department": "Medieval Art",
        "collection": "MED - Medieval Art",
        "type": "Painting",
        "measurements": "Framed: 71.3 x 43.8 x 5.7 cm (28 1/16 x 17 1/4 x 2 1/4 in.); Unframed: 71.3 x 44 cm (28 1/16 x 17 5/16 in.)",
        "dimensions": {
            "framed": {
                "height": 0.713,
                "height_inch": 28,
                "height_inch_fraction": 0.0625,
                "width": 0.438,
                "width_inch": 17,
                "width_inch_fraction": 0.25,
                "depth": 0.057,
                "depth_inch": 2,
                "depth_inch_fraction": 0.25
            },
            "unframed": {
                "height": 0.713,
                "height_inch": 28,
                "height_inch_fraction": 0.0625,
                "width": 0.44,
                "width_inch": 17,
                "width_inch_fraction": 0.3125
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 301477,
                    "title": "In Memoriam: Leonard C. Hanna, Jr.",
                    "description": "<i>In Memoriam: Leonard C. Hanna, Jr.</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958).",
                    "opening_date": "1958-03-04T05:00:00"
                },
                {
                    "id": 300779,
                    "title": "Juxtapositions",
                    "description": "<i>Juxtapositions</i>. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965).",
                    "opening_date": "1965-09-11T04:00:00"
                },
                {
                    "id": 179384,
                    "title": "Draped in Splendor: Renaissance Textiles and the Church",
                    "description": "<i>Draped in Splendor: Renaissance Textiles and the Church</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 7, 2003-September 26, 2004).",
                    "opening_date": "2003-09-07T00:00:00"
                },
                {
                    "id": 180667,
                    "title": "Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art",
                    "description": "<i>Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art</i>. J. Paul Getty Museum, Los Angeles, CA (October 30, 2007-January 20, 2008); Frist Art Museum, Nashville, TN (February 13-June 7, 2009).",
                    "opening_date": "2007-05-10T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>Meisterwerke Italienischer Renaissance</em>, Secession Building, Vienna, Austria (1924-5).",
                    "opening_date": "1924-01-01T00:00:00"
                },
                {
                    "description": "<em>Exhibition of Italian Art 1200-1900</em>, Royal Academy, Burlington House (January-March, 1930).",
                    "opening_date": "1930-01-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Richard von Kaufman (1850\u20131908), Berlin, Germany",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 1
            },
            {
                "description": "(Sale: Paul Cassirer und Hugo Helbing, Berlin, Germany, December 4-5, 1917)",
                "citations": [],
                "footnotes": null,
                "date": "December 4-5, 1917",
                "sortorder": 2
            },
            {
                "description": "August Lederer (1857\u20131936), Vienna, Austria to Erich Lederer",
                "citations": [],
                "footnotes": null,
                "date": "1924",
                "sortorder": 3
            },
            {
                "description": "Erich Lederer, Geneva, Switzerland, sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": null,
                "date": "-1952",
                "sortorder": 4
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1952-",
                "sortorder": 5
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "On the eve of the Battle of Montaperti in 1260, the Tuscan town of Siena was dedicated to the Virgin. Siena\u2019s miraculous victory the following day confirmed its status as the \"City of the Virgin\" and inspired fervent devotion among its citizens. Marian imagery flourished, and many altarpieces comprising images of the Madonna and Child flanked by saints were made for Sienese churches. This panel once formed part of such an altarpiece. Here, the infant Christ clings to his mother\u2019s clothing. He also holds a scroll that proclaims his special destiny. Lippo Memmi was the brother-in-law of Simone Martini, an extremely influential Sienese painter. The two artists worked closely together, and this Madonna and Child reflects Simone\u2019s aristocratic and elegant style.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60515913"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1952.110-madonna-and-child"
            ]
        },
        "citations": [
            {
                "citation": "",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Harck, F. \"Quadri di Maestri Italiani in Possesso di Privati a Berlino,\" <em>Archivo Storico dell'arte,</em> Vol. II (1889)",
                "page_number": "p. 206",
                "url": ""
            },
            {
                "citation": "Venturi, Adolfo.<em> Storia dell'arte italiana.</em> Milano: U. Hoepli, 1901.",
                "page_number": "Vol. V, p. 655, fig. 532",
                "url": ""
            },
            {
                "citation": "Berenson, Bernard. <em>The Central Italian Painters of the Renaissance</em>. New York: G.P. Putnam's Sons, 1909.",
                "page_number": "p. 148",
                "url": ""
            },
            {
                "citation": "Crowe, J. A., G. B. Cavalcaselle, R. Langton Douglas, S. Arthur Strong, G. de Nicola, and Tancred Borenius. <em>A History of Painting in Italy</em>. London: J. Murray, 1908.",
                "page_number": "Vol. III, pp. 79-80, n. 1",
                "url": ""
            },
            {
                "citation": "Reinach, Salomon. <em>Re\u0301pertoire de peintures du Moyen a\u0302ge et de la Renaissance (1280-1580)</em>. Paris: E. Leroux, 1910.",
                "page_number": "Vol. III, p. 378, fig. 1",
                "url": ""
            },
            {
                "citation": "Paul Cassirer und Hugo Helbing (Firm). <em>Die Sammlung Richard von Kaufmann, Berlin;</em> III. Band. 1917.",
                "page_number": "vol. I, no. 7, p. 22",
                "url": ""
            },
            {
                "citation": "Marle, Raimond van. <em>Simone Martini et les peintres de son e\u0301cole.</em> Strasbourg: J.H.E. Heitz, 1920.",
                "page_number": "p. 190",
                "url": ""
            },
            {
                "citation": "<em>Meisterwerke italienischer renaissance aus Privatbesitz. </em>Wien: Sezession, 1924.",
                "page_number": "Cat. No. 71",
                "url": ""
            },
            {
                "citation": "Marle, Raimond van, and Charlotte van Marle. <em>The Development of the Italian Schools of Painting.</em> The Hague: M. Nijhoff, 1923.",
                "page_number": "p. 274, n. 3",
                "url": ""
            },
            {
                "citation": "Gielly, L. <em>Les primitifs siennois.</em> Paris: A. Michel, 1926.",
                "page_number": "p. 111",
                "url": ""
            },
            {
                "citation": "Thieme, Ulrich, Felix Becker, Hans Vollmer, B. C. Kreplin, J. M\u00fcller, Ludwig Scheewe, H. Wolff, and O. Kellner. <em>Allgemeines Lexikon der bildenden K\u00fcnstler: von der Antike bis zur Gegenwart Bd XXIII </em>Bd XXIII. 1929.",
                "page_number": "p. 277",
                "url": ""
            },
            {
                "citation": "Royal Academy of Arts (Great Britain), and A. E. Popham. <em>Italian Drawings Exhibited at the Royal Academy, Burlington House, London, 1930.</em> London: The Oxford University Press, and the Executive Committee of the exhibition, 1931.",
                "page_number": "no. 30",
                "url": ""
            },
            {
                "citation": "Weigelt, \"Minor Simonesque Masters,\" <em>Apollo </em>XIV (1931)",
                "page_number": "p. 13, fig. XII",
                "url": ""
            },
            {
                "citation": "Berenson, Bernard.<em> Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works,</em> with an Index of Places. 1932.",
                "page_number": "p. 360",
                "url": ""
            },
            {
                "citation": "Sandberg-Vavala, Eveyln. \"Some Partial Reconstructions - 1\" <em>Burlington Magazine </em>LXXI (1937).",
                "page_number": "p. 177, n. 6",
                "url": ""
            },
            {
                "citation": "Thieme, Ulrich, Felix Becker, and Hans Vollmer.<em> Allgemeines Lexikon der bildenden K\u00fcnstler: von der Antike bis zur Gegenwart Bd XXXVII </em>Bd XXXVII. 1950.",
                "page_number": "p. 194",
                "url": ""
            },
            {
                "citation": "Francis, H. (1953). A Sienese \"Madonna and Child\" by Lippo Memmi. <em>The Bulletin of the Cleveland Museum of Art,</em> <em>40</em>(4).",
                "page_number": "pp. 59-61",
                "url": "https://www.jstor.org/stable/25141873"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
                "page_number": "Mentioned and Reproduced: cat. no. 392",
                "url": "https://archive.org/details/CMAHandbook1958/page/n73"
            },
            {
                "citation": "Frinta, Mojmir. \"An Investigation of the Punched Decoration of Medieval Italian and Non-Italian Panel Painting,\" <em>The Art Bulletin </em>XLVII (June 1965).",
                "page_number": "pp. 259-9, fig. 23",
                "url": ""
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 54",
                "url": "https://archive.org/details/CMAHandbook1966/page/n78"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 54",
                "url": "https://archive.org/details/CMAHandbook1969/page/n78"
            },
            {
                "citation": "Cleveland Museum of Art<em>. European Paintings Before 1500.</em> Cleveland: The Museum, 1974. .",
                "page_number": "pp. 99-101, cat. no. 36; figs 36a; colorplate XXI",
                "url": ""
            },
            {
                "citation": "<em>Critica D'Arte </em>Anno XLII, Nuva Ser. fasc. 151 (Jan-June 1977).",
                "page_number": "p. 75",
                "url": ""
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 63",
                "url": "https://archive.org/details/CMAHandbook1978/page/n83"
            },
            {
                "citation": "De Benedictis, Cristina. <em>La pittura senese 1330-1370</em>. Firenze: Salimbeni libreria editrice, 1979.",
                "page_number": "pp. 22, 90, fig. 30",
                "url": ""
            },
            {
                "citation": "Real, William A. \"Exploring New Applications for Infrared Reflectography.\" <em>The Bulletin of the Cleveland Museum of Art</em> 72, no. 8 (1985).",
                "page_number": "pp. 390-412",
                "url": "https://www.jstor.org/stable/25159923"
            },
            {
                "citation": "Metropolitan Museum of Art (New York, N.Y.), and John Wyndham Pope-Hennessy. <em>The Robert Lehman Collection</em>. New York: The Museum, 1987.",
                "page_number": "p. 26",
                "url": ""
            },
            {
                "citation": "Lurie, Ann T. \u201cIn Search of a Valencian Madonna by Starnina.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 76, no. 10 (December 1989): 334\u2013373.",
                "page_number": "Mentioned and reproduced: p. 335, fig. 2",
                "url": "http://www.jstor.org/stable/25160098"
            },
            {
                "citation": "Cleveland Museum of Art, and Holger A. Klein. <em>Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art.</em> Cleveland, Ohio: Cleveland Museum of Art, 2007.",
                "page_number": "Cat. no. 97, p. 260",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1952.110",
        "images": {
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        "alternate_images": [],
        "creditline": "Gift of the Hanna Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": "Mr. and Mrs. Michael J. Horvitz Gallery",
        "athena_id": 129218,
        "creators": [
            {
                "id": 2233,
                "description": "Lippo Memmi (Italian)",
                "extent": null,
                "qualifier": "attributed to",
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        ],
        "legal_status": "accessioned",
        "accession_date": "1952-03-27T00:00:00",
        "sortable_date": 1345,
        "date_added_to_oa": null,
        "date_text": "c. 1350",
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        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [
            "Virgin and Child"
        ],
        "is_highlight": false,
        "updated_at": "2026-06-10 17:59:34.568000"
    }
}