id: 129801 accession number: 1952.235 share license status: CC0 url: https://clevelandart.org/art/1952.235 updated: 2024-03-26 01:58:25.150000 The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series), 1750s. Francesco Guardi (Italian, 1712–1793). Oil on canvas; framed: 71 x 90.5 x 5.5 cm (27 15/16 x 35 5/8 x 2 3/16 in.); unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1952.235 title: The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series) title in original language: series: series in original language: creation date: 1750s creation date earliest: 1750 creation date latest: 1759 current location: creditline: Mr. and Mrs. William H. Marlatt Fund copyright: --- culture: Italy, 18th century technique: oil on canvas department: European Painting and Sculpture collection: P - Italian 18th Century type: Painting find spot: catalogue raisonne: --- CREATORS * Francesco Guardi (Italian, 1712–1793) - artist --- measurements: Framed: 71 x 90.5 x 5.5 cm (27 15/16 x 35 5/8 x 2 3/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * {'description': 'The Allure of La Serenissima: Eighteenth-Century Venetian Art. Oklahoma City Museum of Art, Oklahoma City, OK (organizer) (September 9, 2010-January 2, 2011).', 'opening_date': '2010-09-09T00:00:00'} --- PROVENANCE For individual provenance history for each painting in the series, refer to component records. date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Pallucchini, Rodolfo. L'Arte di Giovanni Battista Piazzetta. Bologna: Giuseppe Maylender, editore, 1934. page number: Mentioned: P. 34-35, n. 9 url: Morassi, Antonio. "Conclusioni su Antonio e Francesco Guardi." Emporium CXIV (November 1951): 194-219. page number: Reproduced: P. 201, figs. 7-8; Mentioned: P. 208 url: Morassi, Antonio. "Una mostra del Settecento Veneziano a Detroit." Arte Veneta: Rivista di Storia dell'Arte VII (1953): 49-62. page number: Mentioned: P. 62 url: Morassi, Antonio. "A Signed Drawing by Antonio Guardi and the Problem of the Guardi Brothers." The Burlington Magazine 95, no. 605 (August 1953): 260-67. page number: Reproduced: P. 267, figs. 27, 29 url: http://www.jstor.org/stable/871221 Levey, Michael. The Eighteenth Century Italian Schools. London, United Kingdom: Publications Dept., National Gallery, 1956. page number: Reproduced: p. 88 url: Coe, Nancy "Four Paintings by Giovanni Antonio Guardi." The Bulletin of The Cleveland Museum of Art XLIV, no.9 (November, 1957): 198-203. page number: Reproduced: p.200-201 url: The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 429 url: https://archive.org/details/CMAHandbook1958/page/n79 Morassi, Antonio. "Pellegrini e Guardi." Emporium CXXVIII, no. 767 (November 1958): 195-212. page number: Mentioned: P. 205, 209 url: Watson, Francis J. B. "A Series of Turqueries by Francesco Guardi." News XXIV (Fall 1961): 3-13. page number: Mentioned: P. 4-5 url: Valcanover, Francesco. G. Guardi; le storie di Tobiolo nella chiesa di S. Raffaele Arcangelo in Venezia. Milano: Arti Grafiche Ricordi, 1964. page number: Reproduced: opp.pl. III url: Zampetti, Pietro. Mostra dei Guardi; catalogo della Mostra. Venezia, Italy: Edizioni Alfieri, 1965. page number: Reproduced: p. 120 url: Heinemann, Fritz. "Mostra Dei Guardi : Ausstellung in Venedig, Juni Bis September 1965." Kunstchronik / Hrsg. Vom Zentralinstitut Für Kunstgeschichte 18 (1965): 223-246. page number: Reproduced: P. 238 url: Pallucchini, Rodolfo. "Note alla Mostra dei Guardi," Arte Veneta: Rivista di Storia dell'Arte XIX (1965): 215-237. page number: Mentioned: P. 228 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 145-146 url: https://archive.org/details/CMAHandbook1966/page/n169 Rossacher, Kurt. Visionen des Barock: Entwürfe aus der Sammlung Kurt Rossacher : Ausstellung in der Residenzgalerie Salzburg vom 28. Mai bis 31. August 1966 (Meisterwerke aus österr. Privatbesitz I). Salzburg, Austria: Residenzgalerie Salzburg, 1966. page number: Reproduced: p. 66 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 145-146 url: https://archive.org/details/CMAHandbook1969/page/n169 Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, MA: Harvard University Press, 1972. page number: Reproduced: p. 97-98, 255-256, 265, 574 url: Morassi, Antonio. Guardi. Antonio e Francesco Guardi. Venezia: Alfieri, 1973. page number: Mentioned: Vol. I, P. 83, P. 109, nos. 11-14; Reproduced: Vol. II, figs., 6-9 url: Rossi Bortolatto, Luigina. L'opera completa di Francesco Guardi. Milano, Italy: Rizzoli, 1974. page number: Reproduced: p. 88 url: Lurie, Ann T., Rudiger Klessmann, and Louise S. Richards. Johann Liss: Ausstellung unter dem Protektorat der Präsidentin des Deutschen Bundestages Frau Annemarie Renger und des International Council of Museums (ICOM), Augsburg, 1975. page number: Mentioned: P. 116, n. 6; P. 176, no. E97; Reproduced: fig. 168 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 143 url: https://archive.org/details/CMAHandbook1978/page/n163 Martini, Egidio. La pittura del settecento veneto. Udine, Italy: Istituto per L'enciclopedi del Friuli Venezia Giulia, 1981. page number: Reproduced: p. 398, fig. 278 url: The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982. page number: Mentioned and Reproduced: p. 360-363 url: George, Hardy. La Serenissima: Eighteenth-Century Venetian Art from North American Collections. Oklahoma City, OK: Oklahoma City Museum of Art, 2010. page number: Reproduced: p. 55, no. 8 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1952.235/1952.235_web.jpg print: https://openaccess-cdn.clevelandart.org/1952.235/1952.235_print.jpg full: https://openaccess-cdn.clevelandart.org/1952.235/1952.235_full.tif