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        "tombstone": "Beads from a Rosary, early 1500s. Italy, early 16th century. Gilt copper with champlev\u00e9 enamel ; average: 24.5 cm (9 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.277",
        "current_location": "117A Italian Renaissance",
        "title": "Beads from a Rosary",
        "creation_date": "early 1500s",
        "creation_date_earliest": 1500,
        "creation_date_latest": 1525,
        "artists_tags": [],
        "culture": [
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        "technique": "gilt copper with champlev\u00e9 enamel ",
        "support_materials": [],
        "department": "Medieval Art",
        "collection": "MED - Gothic",
        "type": "Enamel",
        "measurements": "Average: 24.5 cm (9 5/8 in.)",
        "dimensions": {
            "average": {
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        "exhibitions": {
            "current": [
                {
                    "id": 309581,
                    "title": "Master Goldsmiths of the Renaissance: Their Models and Designs",
                    "description": "<i>Master Goldsmiths of the Renaissance: Their Models and Designs</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 2, 1982-March 20, 1983).",
                    "opening_date": "1982-11-02T05:00:00"
                },
                {
                    "id": 395274,
                    "title": "Wealth and Beauty: Pier Francesco Foschi and Painting in Renaissance Florence",
                    "description": "<i>Wealth and Beauty: Pier Francesco Foschi and Painting in Renaissance Florence</i>. Georgia Museum of Art, Athens, GA (organizer) (January 29-April 24, 2022) https://georgiamuseum.org/exhibit/wealth-and-beauty-pier-francesco-foschi-and-painting-in-renaissance-florence/.",
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        "provenance": [
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        "description": "Rosaries were devices for counting a sequence of prayers and were the proud possessions of the elite, along with their books of hours. In paintings and miniatures they are often shown looped through the belts of their owners.",
        "external_resources": {
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                "https://www.wikidata.org/wiki/Q60740700"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1952.277-beads-from-a-rosary"
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        "citations": [
            {
                "citation": "National Gallery (Great Britain), and Nicholas Penny. <em>The Sixteenth Century Italian Paintings</em>. London: National Gallery Co, 2004",
                "page_number": "p. 13, fig. 2",
                "url": null
            },
            {
                "citation": "Ja\u0308ger, Moritz. <em>Mit Bildern beten: Bildrosenkra\u0308nze, Wundenringe, Stundengebetsanha\u0308nger (1413-1600) Andachtsschmuck im Kontext spa\u0308tmittelalterlicher und fru\u0308hneuzeitlicher Fro\u0308mmigkeit.</em> Gie\u00dfen: Universita\u0308tsbibliothek, 2012.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Gaimster, David. <em>Ashgate Research Companion to Material Culture in Early Modern Europe</em>. [Place of publication not identified]: Routledge, 2016.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Corry, Maya, Deborah Howard, and Mary Laven. <em>Madonnas &amp; Miracles: The Holy Home in Renaissance Italy</em>. London: Philip Wilson Publishers, 2017.",
                "page_number": "Reproduced: p.126, fig. 45",
                "url": null
            },
            {
                "citation": "Foschi, Pier Francesco, and Nelda Damiano. Wealth and Beauty: Pier Francesco Foschi and Painting in Renaissance Florence. <br>Athens : Georgia Museum of Art, University of Georgia, 2023.",
                "page_number": "Mentioned and reproduced: pp. 222-223",
                "url": ""
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