id: 129859
accession number: 1952.283
share license status: CC0
url: https://clevelandart.org/art/1952.283
updated: 2023-03-22 14:08:00.018000
The Haven of the Peach-Blossom Spring, mid-1400s. Attributed to Shi Rui (Chinese, c. 1400-c. 1470). Album leaf, ink and slight color on silk; image: 24.7 x 22.2 cm (9 3/4 x 8 3/4 in.); overall: 66.7 x 40.4 cm (26 1/4 x 15 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund 1952.283
title: The Haven of the Peach-Blossom Spring
title in original language: 武陵桃源圖
series:
series in original language:
creation date: mid-1400s
creation date earliest: 1445
creation date latest: 1470
current location:
creditline: John L. Severance Fund
copyright:
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culture: China, Ming dynasty (1368–1644)
technique: album leaf, ink and slight color on silk
department: Chinese Art
collection: ASIAN - Album leaf
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Shi Rui (Chinese, c. 1400-c. 1470) - artist
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measurements: Image: 24.7 x 22.2 cm (9 3/4 x 8 3/4 in.); Overall: 66.7 x 40.4 cm (26 1/4 x 15 7/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Ways of Painting Landscapes
opening date: 1953-03-13T05:00:00
Ways of Painting Landscapes. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 13-May 6, 1953).
title: Chinese Paintings: Themes and Techniques
opening date: 1981-02-07T05:00:00
Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981).
title: Eight Dynasties of Chinese Painting
opening date: 1981-02-11T05:00:00
Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983).
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LEGACY EXHIBITIONS
* Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).
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PROVENANCE
(Dr. Vladimir G. Simkhovitch [1874-1959], New York, NY, sold to the Cleveland Museum of Art)
date: ?-1952
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1952-
footnotes:
citations:
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fun fact:
Some fifty inhabitants of the Peach Blossom Spring gather in a small clearing surrounded by thatched huts and cottages.
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1954.
page number: cat. no. 45
url:
Sirén, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.
page number: Mentioned: VII, Lists, 178
url:
Lee, Sherman E. “Some Problems in Ming and Ch'ing Landscape Painting.” Ars Orientalis, vol. 2, 1957, pp. 471–485.
page number: Reproduced: pls. 1, 2
url: https://www.jstor.org/stable/4629051
Lee, Sherman E. “‘The Haven of T'ao Yüan-Ming.’” The Bulletin of the Cleveland Museum of Art, vol. 45, no. 9, 1958, pp. 211–214.
page number: Mentioned: pp. 211-214; Reproduced: p. 213
url: https://www.jstor.org/stable/25142296
Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1962.
page number: Reproduced: p. 62, no. 47
url:
Lee, Sherman E. and Wai-Kam Ho. "Scattered Pearls beyond the Ocean." The Bulletin of the Cleveland Museum of Art, Vol. 51, No. 2 (Feb., 1964), pp. 23-39.
page number: Reproduced: pp. 37-38, cat. no. 12
url: https://www.jstor.org/stable/25151985
Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.
page number: Reproduced: cat. no. 137, p. 161
url:
Williams, Marjorie. Chinese Painting--an Escape from the "Dusty" World. Cleveland, OH: The Cleveland Museum of Art, 1981.
page number: Reproduced: fig. 35, p. 52
url:
Walker, Nathaniel Robert. “Reforming the Way: The Palace and the Village in Daoist Paradise.” Utopian Studies, vol. 24, no. 1, 2013, pp. 6–22.
page number: Reproduced: fig. 7, p. 19
url: http://www.jstor.org/stable/10.5325/utopianstudies.24.1.0006
Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.
page number: Reproduced: pp. 222-228, and fig. 1
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1952.283/1952.283_web.jpg
print: https://openaccess-cdn.clevelandart.org/1952.283/1952.283_print.jpg
full: https://openaccess-cdn.clevelandart.org/1952.283/1952.283_full.tif