{
"data": {
"id": 130132,
"accession_number": "1952.512",
"share_license_status": "CC0",
"tombstone": "Christ with Joseph of Arimathea, c. 1525. Giovanni Girolamo Savoldo (Italian, c. 1480\u2013after 1548). Oil on wood; framed: 134.6 x 221 x 12.7 cm (53 x 87 x 5 in.); unframed: 105 x 191.8 cm (41 5/16 x 75 1/2 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1952.512",
"current_location": null,
"title": "Christ with Joseph of Arimathea",
"creation_date": "c. 1525",
"creation_date_earliest": 1520,
"creation_date_latest": 1530,
"artists_tags": [
"male"
],
"culture": [
"Italy"
],
"technique": "oil on wood",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "P - Italian 16th & 17th Century",
"type": "Painting",
"measurements": "Framed: 134.6 x 221 x 12.7 cm (53 x 87 x 5 in.); Unframed: 105 x 191.8 cm (41 5/16 x 75 1/2 in.)",
"dimensions": {
"framed": {
"height": 1.346,
"height_inch": 53,
"height_inch_fraction": 0.0,
"width": 2.21,
"width_inch": 87,
"width_inch_fraction": 0.0,
"depth": 0.127,
"depth_inch": 5,
"depth_inch_fraction": 0.0
},
"unframed": {
"height": 1.05,
"height_inch": 41,
"height_inch_fraction": 0.3125,
"width": 1.918,
"width_inch": 75,
"width_inch_fraction": 0.5
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 301477,
"title": "In Memoriam: Leonard C. Hanna, Jr.",
"description": "In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958).",
"opening_date": "1958-03-04T05:00:00"
},
{
"id": 217087,
"title": "Savoldo conservation treatment and loan",
"description": "Savoldo conservation treatment and loan. J. Paul Getty Museum, Los Angeles, CA (organizer) (November 1, 2009-May 18, 2012).",
"opening_date": "2009-11-01T00:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Monastery of San Domenico, Pesaro",
"citations": [],
"footnotes": null,
"date": "c. 1525",
"sortorder": 1
},
{
"description": "Princes of Liechtenstein, Vienna",
"citations": [],
"footnotes": null,
"date": "By 1904",
"sortorder": 2
},
{
"description": "Frederick Mont (1894\u20131994), New York, negotiated sale from Liechtenstein to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "1952",
"sortorder": 3
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "This panel originally crowned the largest painting Savoldo ever made for a public setting.",
"early_education_description": null,
"artlens_description": null,
"description": "After the Crucifixion, Joseph of Arimathea obtained permission to bury Christ\u2019s body in Joseph\u2019s own tomb. Aside from an amorphous, cloudy sky, Savoldo eliminated the background entirely and reduced the narrative to two monumental figures, brought to the front of the picture plane. These qualities surely had a great impact on Caravaggio, who initially trained in Northern Italy, where Savoldo spent his career. This work originally hung over a large altarpiece, which explains the unusual perspective, the panel\u2019s horizontal shape, and the figures\u2019 position above the viewer.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60516083"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1952.512-christ-with-joseph-o"
]
},
"citations": [
{
"citation": "Francis, Henry. \"The Liechtenstein Piet\u00e0 by Savoldo.\" The Bulletin of the Cleveland Museum of Art 40, no. 6 (June 1953): 119-121.",
"page_number": "Reproduced: p. 115; Mentioned: p. 120",
"url": "https://www.jstor.org/stable/25141889"
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 414",
"url": "https://archive.org/details/CMAHandbook1958/page/n76"
},
{
"citation": "Heydenreich, Ludwig H., Wolfgang Lotz, and Lise Lotte Mo\u0308ller. Studien zur toskanischen Kunst; Festschrift fu\u0308r Ludwig Heinrich Heydenreich zum 23. Ma\u0308rz 1963. Mu\u0308nchen: Prestel-Verlag, 1964.",
"page_number": "297-299",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 96",
"url": "https://archive.org/details/CMAHandbook1966/page/n120"
},
{
"citation": "Pope-Hennessy, John Wyndham. The Portrait in the Renaissance. [New York]: [Bollingen Foundation; distributed by] Pantheon Books, 1966.",
"page_number": "296-297",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 96",
"url": "https://archive.org/details/CMAHandbook1969/page/n120"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 111",
"url": "https://archive.org/details/CMAHandbook1978/page/n131"
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.",
"page_number": "Mentioned: p. 411-413; Reproduced: p. 412",
"url": null
},
{
"citation": "Giovanni Gerolamo Savoldo tra Foppa, Giorgione e Caravaggio. Milano: Electa, 1990.",
"page_number": "16, 25, 30, 32, 50, 264, 318",
"url": ""
},
{
"citation": "Gilbert, Creighton. \"Several of the Contexts of Savoldo's \"Dead Christ\".\" The Bulletin of the Cleveland Museum of Art 79, no. 1 (1992): 16-35.",
"page_number": "Reproduced: p. 16; Mentioned: p. 16-36",
"url": "https://www.jstor.org/stable/25161345"
},
{
"citation": "Gelfand, Laura. \"Girolamo Savoldo in the Cleveland Museum of Art: A question of mistaken identities.\" Apollo: The International Magazine of Art and Antiques. Vol. CXLI, No. 397, March 1995. London: Apollo Magazine, 1925.",
"page_number": "14-19",
"url": ""
},
{
"citation": "Olivari, Mariolina. Giovan Gerolamo Savoldo: la pala di Pesaro. Milano: Electa, 2008.",
"page_number": "",
"url": ""
},
{
"citation": "Klerck, Bram de. \"The Portrait Historie in Passion Scenes in Renaissance Italy.\" In Example or Alter Ego?: Aspects of the Portrait Historie\u0301 in Western Art from Antiquity to the Present. Edited by Volker Manuth, Rudie van Leeuwen, and A. M. Koldeweij, 159-172. 2016.",
"page_number": "Mentioned: p. 159-161, 167, 169-170; Reproduced: P. 160, fig. 1",
"url": null
},
{
"citation": "Amodei, Tito. La Passione di Gesu\u0300 nell'arte Italiana. Teramo: Palumbi, 2017.",
"page_number": "Reproduced: p. 58- 59",
"url": null
},
{
"citation": "Barilli, Renato. \"Savoldo\" Art e dossier 393, Suppl. (December 2021): 5-50.",
"page_number": "reproduction p.50",
"url": ""
},
{
"citation": "Frangi, Francesco, and Gian Girolamo Savoldo. Giovan Girolamo Savoldo: pittura e cultura religiosa nel primo Cinquecento. Cinisello Balsamo, Milano : Silvana editoriale, 2022.",
"page_number": "Mentioned: p. 304; reproduced: pp. 334-335, figs. 172-173",
"url": ""
},
{
"citation": "Gentili, Augusto. Ritratti Al Dettaglio: Venezia E Dintorni, 1500-1575. Roma: Bulzoni editore, 2025.",
"page_number": "Mentioned: p. 60; Reproduced: p. [262], fig. 4.22",
"url": ""
},
{
"citation": "Tantardini, Lucia. \u201cGiovan Girolamo Savoldo: Pittura e cultura religiosa nel primo Cinquecento.\u201d The Burlington Magazine 167, n. 1473 (December 2025): 1254-1255.",
"page_number": "Mentioned and reproduced: p. 1254",
"url": ""
}
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"alternate_titles": [
"The Dead Christ with Joseph of Arimathea"
],
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"updated_at": "2026-09-17 11:22:17.082000"
}
}