{
    "data": {
        "id": 130167,
        "accession_number": "1952.544.2",
        "share_license_status": "CC0",
        "tombstone": "Four Seasons: Summer: Harvest Scene, designed c. 1535, woven mid- to late 1600s. Possibly by Gobelins Manufactory (France, Paris, est. 1662). Wool, silk, and gold fil\u00e9: tapestry weave; overall: 254 x 255 cm (100 x 100 3/8 in.). The Cleveland Museum of Art, Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn, 1952.544.2",
        "current_location": null,
        "title": "Summer: Harvest Scene",
        "series": "Four Seasons",
        "creation_date": "designed c. 1535, woven mid- to late 1600s",
        "creation_date_earliest": 1530,
        "creation_date_latest": 1699,
        "artists_tags": [
            "gender unknown"
        ],
        "culture": [
            "France"
        ],
        "technique": "Wool, silk, and gold fil\u00e9: tapestry weave",
        "support_materials": [],
        "department": "Textiles",
        "collection": "Textiles",
        "type": "Tapestry",
        "measurements": "Overall: 254 x 255 cm (100 x 100 3/8 in.)",
        "dimensions": {
            "overall": {
                "height": 2.54,
                "height_inch": 100,
                "height_inch_fraction": 0.0,
                "width": 2.55,
                "width_inch": 100,
                "width_inch_fraction": 0.375
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 438939,
                    "title": "Cycles of Life: The Four Seasons Tapestries",
                    "description": "<i>Cycles of Life: The Four Seasons Tapestries</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 13, 2022-February 19, 2023).",
                    "opening_date": "2022-02-12T05:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Balloch Castle, Scotland",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": null
            },
            {
                "description": "Henry Symons Sale: Anderson Galleries, New York, January 27-Febuary 3, 1923",
                "citations": [],
                "footnotes": [],
                "date": "January 27-Febuary 3, 1923",
                "sortorder": 2
            },
            {
                "description": "Frank Hadley Ginn (1868-1938) and Cornelia Winifred Root Ginn (1877-1937), Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "1923-1952",
                "sortorder": 3
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "1952-",
                "sortorder": 4
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [
            "1952.545",
            "393.1923"
        ],
        "did_you_know": "Images of the harvest provided a way to express pride in the fruitfulness and plenty of a particular region and celebrate the diligence of the field laborers.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "The wheat harvest took place in July and represented the hard, hot work of summer. The reaper in the foreground and his companion in the middle distance swing their scythes high above their heads as they prepare to cut the wheat stalks. Underneath the shade of an apple tree, three figures in the foreground are determining a price for the wheat. A woman gestures to the coins that the seated man is counting. Behind them another man holds an account book, in which he records their decisions. His pen holder and ink pot hang from his belt. In the distance to the right, two horses draw a cart piled high with wheat toward four farmers who gather bunches of wheat stalks together and tie them into bundles.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60760259"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1952.544.2-summer-harvest-scene"
            ]
        },
        "citations": [
            {
                "citation": "Scaturro, Jane and Hanson, Robin. \u201cCycles of Life: Celebrating the four seasons.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>62, no. 1: 18-21.",
                "page_number": "Reproduced: P. 20; Mentioned: P. 18.",
                "url": ""
            },
            {
                "citation": "Warwick House, Ltd, and Lucas. The Balloch Castle Seasons of Lucas; Being Four Gobelin Tapestries Rich with Gold, 8 Feet 2 Inches High, with Combined Width of 41 Feet 7 Inches, from Balloch Castle, Near Glasgow, Where They Hung for Nearly Two Centuries; a Companion Set to the Famous Months of Lucas, and by the Same Designer. Baltimore: N.T.A. Munder &amp; Co., printers, 1918.",
                "page_number": null,
                "url": "https://archive.org/stream/gri_33125016354546/gri_33125016354546#page/n10/mode/2up"
            },
            {
                "citation": "Hunter, George Leland. \"The Loan Exhibition of Tapestries.\" <em>The Bulletin of the Cleveland Museum of Art</em> 5, no. 8/9 (October-November 1918): 63-87.",
                "page_number": "66",
                "url": "http://www.jstor.org/stable/25136215"
            },
            {
                "citation": "Hunter, George Leland. <em>Loan Exhibition of Tapestries</em>. <em>Assembled, Arranged and Catalogued by George Leland Hunter. </em>Cleveland Museum of Art<em>. </em>October 5th December 1st 1918.",
                "page_number": null,
                "url": "https://archive.org/details/Tapestries_198617/page/n4"
            },
            {
                "citation": "Hunter, George Leland. \u201cThe Cleveland Tapestry Exhibition\u201d in <em>The Art World &amp; Arts &amp; Decoration </em>(November 1918) 25-28.",
                "page_number": null,
                "url": "https://books.google.com/books?id=KH0XAQAAMAAJ&pg=PA27&lpg=PA27&dq=the+four+seasons+tapestries+lucas&source=bl&ots=QWu0DyxXAj&sig=ACfU3U3Iq8ujNfIEMy8gtfrGGmlfNFP6mw&hl=en&sa=X&ved=2ahUKEwjwls3e6fPfAhVo2oMKHUd9CgIQ6AEwDHoECAMQAQ#v=onepage&q=the%20four%20seasons%20tapestries%20lucas&f=false"
            },
            {
                "citation": "Anderson Galleries, Inc. <em>The Henry Symons Collections.</em> New York: Anderson Galleries, 1923.",
                "page_number": "no. 1167",
                "url": null
            },
            {
                "citation": "Freund, Karl. \"Four Gobelin Tapestries,\" International Studio. (December 1924), 234-238.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Crick-Kuntziger, Marthe, \u201cL\u2019\u00e9nigme des \u2018Mois de Lucas,\u2019\u201d <em>Actes du XIIe Congr</em>\u00e8s international d\u2019Histoire de l\u2019Art. Volume 2. Brussels, 1930. 497-505.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Ward, Evelyn Svec. \"Four Seasons Tapestries from Gobelins.\" <em>The Bulletin of the Cleveland Museum of Art</em> 40, no. 6 (1953): 113-19.",
                "page_number": "113-119",
                "url": "http://www.jstor.org/stable/25141888."
            },
            {
                "citation": "Standen, Edith A. \"Drawings for the \"Months of Lucas\" Tapestry Series.\" <em>Master Drawings</em> 9, no. 1 (1971): 3-80.",
                "page_number": null,
                "url": "http://www.jstor.org/stable/1553120"
            },
            {
                "citation": "Standen, Edith Appleton. \"Tapestries in the Collection of the Museum of Art, Carnegie Institute,\" Carnegie Magazine. (December 1981), 3-19. <strong><br></strong><br>Carnegie Institute, Carnegie Institute of Technology, and Carnegie Library of Pittsburgh. Carnegie Magazine. Pittsburgh: The Institute, 1928.",
                "page_number": "2-7",
                "url": null
            },
            {
                "citation": "Standen, Edith Appleton. European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art. New York: The Museum, 1985.",
                "page_number": "322, 330",
                "url": null
            },
            {
                "citation": "Detroit Institute of Arts, Alan Phipps Darr, Tracey Albainy, and Melanie Holcomb. Woven Splendor: Five Centuries of European Tapestry in the Detroit Institute of Arts. [Detroit]: The Institute, 1996.",
                "page_number": "52-54",
                "url": null
            },
            {
                "citation": "Standen, Edith Appleton and Janet Arnold. \"The Comte de Toulouse's 'Months of Lucas' Gobelins Tapestries: Sixteenth-Century Designs with Eighteenth-Century Additions,\" Metropolitan Museum Journal. (1996), 59-79.",
                "page_number": null,
                "url": "http://www.jstor.org/stable/1512972"
            },
            {
                "citation": "Langeois, David, Daniel Alcouffe, Sandrine Riahi, and Muse\u0301e Du Louvre. <em>Quelques Chefs-D'oeuvre De La Collection Djahanguir Riahi : Ameublement Franc\u0327ais Du Xviiie Sie\u0300cle</em>. Milano: Franco Maria Ricci, 1999.",
                "page_number": "66-8",
                "url": null
            },
            {
                "citation": "Mironneau, Paul. Muse\u0301e national du Cha\u0302teau de Pau. Paris: Re\u0301union des muse\u0301es nationaux, 2003.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Christies, Manson &amp; Woods. Important Early European Furniture, Sculpture and Tapestries: Thursday 8 November 2007. London: Christie's, 2007.",
                "page_number": "122-129",
                "url": null
            },
            {
                "citation": "Cleveland Foundation. \u201cCurating the Fine Art of Giving with the Frank Hadley Ginn &amp; Cornelia Root Ginn Charitable Trust,\u201din <em>Gift of Giving news for donors and friends of the Cleveland Foundation. </em>Spring 2018. 4-5.",
                "page_number": null,
                "url": null
            }
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        "creditline": "Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 130167,
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            {
                "id": 8592,
                "description": "Gobelins Manufactory (France, Paris, est. 1662)",
                "extent": null,
                "qualifier": "possibly by",
                "role": "manufacturer",
                "biography": "For more information: http://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000032919",
                "name_in_original_language": null,
                "death_year": "1799",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
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        "legal_status": "accessioned",
        "accession_date": "1952-12-26T00:00:00",
        "sortable_date": 1530,
        "date_added_to_oa": null,
        "date_text": "designed c. 1535, woven mid- to late 1600s",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "component",
        "conservation_statement": "This tapestry was woven with a wool warp and silk- and metal-thread weft. This photomicrograph at 10 times magnification shows a detail of the ribbon and the crossed arrows motif in the central figure\u2019s back. The metal-thread weft is the vertical threads in this image, alternating with the red silk weft.",
        "has_conservation_images": true,
        "cover_accession_number": "1952.544",
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
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        "updated_at": "2026-05-29 06:43:38.041000"
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}