{
"data": {
"id": 130196,
"accession_number": "1952.566",
"share_license_status": "CC0",
"tombstone": "Portrait of Melle de Vandeul, possibly 1760. Jean-Baptiste Lemoyne (French, 1704\u20131778). Terracotta; overall: 63.5 x 33 cm (25 x 13 in.). The Cleveland Museum of Art, John L. Severance Fund, 1952.566",
"current_location": null,
"title": "Portrait of Melle de Vandeul",
"creation_date": "possibly 1760",
"creation_date_earliest": 1760,
"creation_date_latest": 1760,
"artists_tags": [
"male"
],
"culture": [
"France"
],
"technique": "terracotta",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "Sculpture",
"type": "Sculpture",
"measurements": "Overall: 63.5 x 33 cm (25 x 13 in.)",
"dimensions": {
"overall": {
"height": 0.635,
"height_inch": 25,
"height_inch_fraction": 0.0,
"width": 0.33,
"width_inch": 13,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Signed underneath shoulder: J. B. Lemoyne (incised).",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 304248,
"title": "Style, Truth and the Portrait",
"description": "Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963).",
"opening_date": "1963-10-01T04:00:00"
},
{
"id": 302145,
"title": "Traditions and Revisions: Themes from the History of Sculpture",
"description": "Traditions and Revisions: Themes from the History of Sculpture. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 24-November 16, 1975).",
"opening_date": "1975-09-24T04:00:00"
},
{
"id": 309658,
"title": "Portraiture: The Image of the Individual",
"description": "Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984).",
"opening_date": "1983-11-22T05:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Bouet, Paris, France",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
},
{
"description": "C\u00e9sar M. de Hauke, Paris, France, sold to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "-1952",
"sortorder": null
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1952-",
"sortorder": 3
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": "Lemoyne specialized in portrait busts of wealthy Parisians. In this case, the sitter is a close relative of important French critic and writer Denis Diderot.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60759739"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1952.566-portrait-of-melle-de"
]
},
"citations": [
{
"citation": "Saisselin, Re\u0301my G. Style, Truth, and the Portrait. [Cleveland]: Cleveland Museum of Art, 1963.",
"page_number": "cat. no. 52",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 136",
"url": "https://archive.org/details/CMAHandbook1966/page/n160"
},
{
"citation": "Cleveland Museum of Art. Selected Works: Cleveland Museum of Art. 1967.",
"page_number": "no. 180",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 136",
"url": "https://archive.org/details/CMAHandbook1969/page/n160"
},
{
"citation": "Hawley, Henry. \u201cSculptures by Jules Dalou, Henry Cros, and Medardo Rosso.\u201d The Bulletin of the Cleveland Museum of Art 58, no. 7 (1971).",
"page_number": "p. 203, fig. 4",
"url": "https://www.jstor.org/stable/25152386"
},
{
"citation": "Cleveland Museum of Art, Gabriel P. Weisberg, and H. W. Janson. Traditions and Revisions: Themes from the History of Sculpture. Cleveland: Cleveland Museum of Art, 1975.",
"page_number": "cat. no. 58",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 182",
"url": "https://archive.org/details/CMAHandbook1978/page/n202"
},
{
"citation": "\u201cPart II. Annual Report Issue for the Year 1952.\u201d The Bulletin of the Cleveland Museum of Art 40, no. 6 (1953).",
"page_number": "pp. 135-6",
"url": "https://www.jstor.org/stable/25141894"
},
{
"citation": "Ditner, David Charles. Seventeenth and Eighteenth Century European Sculpture in the Cleveland Museum of Art. 1986.",
"page_number": "p. 189",
"url": ""
},
{
"citation": "Tortora, Phyllis G., and Keith Eubank. A Survey of Historic Costume: A History of Western Dress. New York: Fairchild Publications, 1994.",
"page_number": "p. 198, fig. 11.17",
"url": ""
},
{
"citation": "Grison, Marie-Noelle. \"A Newly Discovered Bust of a Woman by Jean-Baptiste Lemoyne.\" The Burlington Magazine 157, no. 1342 (January 2015).",
"page_number": "Mentioned: p. 12; Reproduced: fig. 11",
"url": null
}
],
"url": "https://clevelandart.org/art/1952.566",
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"creditline": "John L. Severance Fund",
"image_credit": null,
"sketchfab_id": null,
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"athena_id": 130196,
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{
"id": 12135,
"description": "Jean-Baptiste Lemoyne (French, 1704\u20131778)",
"extent": null,
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"role": "artist",
"biography": "Jean-Baptiste Lemoyne was a nephew of Jean-Baptiste Lemoyne (1679-1731), a sculptor, and son on Jean Baptiste Lemoyne (1664-1755), a sculptor of note.\r\n\r\nJean-Baptiste Lemoyne II's training was completely French. He studies with his father and Robert Le Lorrain, whose career was so closely linked with the Rohan family. In 1725 he won first prize for sculpture which carried with it the privilege of studying at the French Academy in Rome. Because of domestic troubles, he could not take advantage of this, and his entire life, with the exception of brief sojourns was spent in Paris. He was received in the Academy in 1728 and ended by being made its director in 1768 in succession of the painter Fran\u00e7ois Boucher.\r\n\r\nHe was engaged in some monumental projects, but his fame rests in his series of portrait busts. He belongs in the distinguished group which includes Houdon, Pigalle, Caffieri, and Pajou, the last being one of his pupils.\r\n\r\nHis portraits are characterized by directness and lack of affectation and combine with sympathetic understanding of the sitters and ubobtrusiveness and dignified idealism.",
"name_in_original_language": null,
"birth_year": "1704",
"death_year": "1778",
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}
],
"legal_status": "accessioned",
"accession_date": "1952-12-26T00:00:00",
"sortable_date": 1760,
"date_added_to_oa": null,
"date_text": "possibly 1760",
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"is_nazi_era_provenance": true,
"impression": null,
"alternate_titles": [
"Bust of a Woman"
],
"is_highlight": false,
"updated_at": "2026-08-22 11:53:13.814000"
}
}