id: 130196 accession number: 1952.566 share license status: CC0 url: https://clevelandart.org/art/1952.566 updated: 2024-03-26 01:58:26.811000 Portrait of Melle de Vandeul, possibly 1760. Jean-Baptiste Lemoyne (French, 1704–1778). Terracotta; overall: 63.5 x 33 cm (25 x 13 in.). The Cleveland Museum of Art, John L. Severance Fund 1952.566 title: Portrait of Melle de Vandeul title in original language: series: series in original language: creation date: possibly 1760 creation date earliest: 1760 creation date latest: 1760 current location: creditline: John L. Severance Fund copyright: --- culture: France, 18th century technique: terracotta department: European Painting and Sculpture collection: Sculpture type: Sculpture find spot: catalogue raisonne: --- CREATORS * Jean-Baptiste Lemoyne (French, 1704–1778) - artist Jean-Baptiste Lemoyne was a nephew of Jean-Baptiste Lemoyne (1679-1731), a sculptor, and son on Jean Baptiste Lemoyne (1664-1755), a sculptor of note. Jean-Baptiste Lemoyne II's training was completely French. He studies with his father and Robert Le Lorrain, whose career was so closely linked with the Rohan family. In 1725 he won first prize for sculpture which carried with it the privilege of studying at the French Academy in Rome. Because of domestic troubles, he could not take advantage of this, and his entire life, with the exception of brief sojourns was spent in Paris. He was received in the Academy in 1728 and ended by being made its director in 1768 in succession of the painter François Boucher. He was engaged in some monumental projects, but his fame rests in his series of portrait busts. He belongs in the distinguished group which includes Houdon, Pigalle, Caffieri, and Pajou, the last being one of his pupils. His portraits are characterized by directness and lack of affectation and combine with sympathetic understanding of the sitters and ubobtrusiveness and dignified idealism. --- measurements: Overall: 63.5 x 33 cm (25 x 13 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed underneath shoulder: J. B. Lemoyne (incised). translation: remark: --- CURRENT EXHIBITIONS title: Style, Truth and the Portrait opening date: 1963-10-01T04:00:00 Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963). title: Traditions and Revisions: Themes from the History of Sculpture opening date: 1975-09-24T04:00:00 Traditions and Revisions: Themes from the History of Sculpture. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 24-November 16, 1975). title: Portraiture: The Image of the Individual opening date: 1983-11-22T05:00:00 Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). --- LEGACY EXHIBITIONS --- PROVENANCE Bouet, Paris, France date: footnotes: citations: César M. de Hauke, Paris, France, sold to the Cleveland Museum of Art date: -1952 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1952- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Saisselin, Rémy G. Style, Truth, and the Portrait. [Cleveland]: Cleveland Museum of Art, 1963. page number: cat. no. 52 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 136 url: https://archive.org/details/CMAHandbook1966/page/n160 Cleveland Museum of Art. Selected Works: Cleveland Museum of Art. 1967. page number: no. 180 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 136 url: https://archive.org/details/CMAHandbook1969/page/n160 Hawley, Henry. “Sculptures by Jules Dalou, Henry Cros, and Medardo Rosso.” The Bulletin of the Cleveland Museum of Art 58, no. 7 (1971). page number: p. 203, fig. 4 url: https://www.jstor.org/stable/25152386 Cleveland Museum of Art, Gabriel P. Weisberg, and H. W. Janson. Traditions and Revisions: Themes from the History of Sculpture. Cleveland: Cleveland Museum of Art, 1975. page number: cat. no. 58 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 182 url: https://archive.org/details/CMAHandbook1978/page/n202 “Part II. Annual Report Issue for the Year 1952.” The Bulletin of the Cleveland Museum of Art 40, no. 6 (1953). page number: pp. 135-6 url: https://www.jstor.org/stable/25141894 Ditner, David Charles. Seventeenth and Eighteenth Century European Sculpture in the Cleveland Museum of Art. 1986. page number: p. 189 url: Tortora, Phyllis G., and Keith Eubank. A Survey of Historic Costume: A History of Western Dress. New York: Fairchild Publications, 1994. page number: p. 198, fig. 11.17 url: Grison, Marie-Noelle. "A Newly Discovered Bust of a Woman by Jean-Baptiste Lemoyne." The Burlington Magazine 157, no. 1342 (January 2015). page number: Mentioned: p. 12; Reproduced: fig. 11 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1952.566/1952.566_web.jpg print: https://openaccess-cdn.clevelandart.org/1952.566/1952.566_print.jpg full: https://openaccess-cdn.clevelandart.org/1952.566/1952.566_full.tif