{
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"accession_number": "1952.592",
"share_license_status": "CC0",
"tombstone": "Covered Tureen on Stand (Pot \u00e0 oille), 1797\u201398. Henry Auguste (French, 1759\u20131816). Silver; overall: 26.2 x 29.1 cm (10 5/16 x 11 7/16 in.); average: 22.6 cm (8 7/8 in.). The Cleveland Museum of Art, Gift of James Hazen Hyde, 1952.592",
"current_location": "202 French Neoclassical Decorative Arts",
"title": "Covered Tureen on Stand (Pot \u00e0 oille)",
"creation_date": "1797\u201398",
"creation_date_earliest": 1797,
"creation_date_latest": 1798,
"artists_tags": [
"male"
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"culture": [
"France, late 18th-early 19th Century"
],
"technique": "silver",
"support_materials": [],
"department": "Decorative Art and Design",
"collection": "Decorative Arts",
"type": "Silver",
"measurements": "Overall: 26.2 x 29.1 cm (10 5/16 x 11 7/16 in.); Average: 22.6 cm (8 7/8 in.)",
"dimensions": {
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"height": 0.262,
"height_inch": 10,
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"width": 0.291,
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"copyright": null,
"inscriptions": [
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"inscription": "[Coat-of-arms of Amoral don Federico Carlos Gravina on bowl; cover; stand]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
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{
"inscription": "[Assay mark for large-sized work, 1798-1809, lining exterior; tureen foot exterior]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "[Assay mark for medium-sized work, 1798-1809, beneath stand foot; on edge of cover]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "[Maker's mark of Henri Auguste, master silversmith in 1785, beneath tureen foot; beneath stand foot; inside stand foot edge]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "[Official assay mark for first standard silver, Paris, 1798-1809, beneath stand foot; lining exterior; on cover]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "[Official mark for silver imported from countries with customs conventions, 1838-1912, beneath stand foot; edge of cover; tureen lip exterior; lining exterior; on one tureen handle; outside stand foot; tureen foot exterior]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "[Unknown mark, possibly Ceres' profile in square with \"E\" and \"7\", beneath stand foot; on cover; rim of lining; tureen foot exterior; tureen lip exterior]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "[Unofficial assay mark for first standard silver, Paris, 1794-1797, beneath foot stand; beneath tureen foot; near tureen handle exterior]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
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"exhibitions": {
"current": [
{
"id": 311637,
"title": "All That Glitters: Great Silver Vessels in Cleveland's Collection",
"description": "All That Glitters: Great Silver Vessels in Cleveland's Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 23, 1994-January 8, 1995).",
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{
"description": "Exposition d'orf\u00e9vrerie fran\u00e7aise civile du XVIe si\u00e8cle au debut du XIXe. Mus\u00e9e des Arts D\u00e9coratifs, Paris, France (April - May 1926).",
"opening_date": "1926-04-01T00:00:00"
},
{
"description": "The Taste of Napoleon. Nelson Gallery and Atkins Museum of of Fine Arts, Kansas City, Missouri (October - November 1969).",
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"did_you_know": "The coat of arms on the body of the work corresponds to the family of Federico Carlos Gravina, a Sicilian-Spanish admiral who was known to have had a close diplomatic relationship with Napoleon I.",
"early_education_description": null,
"artlens_description": null,
"description": "This pot-\u00e0-oille was designed by master goldsmith Henri Auguste after drawings by draftsman and sculptor Jean Guillaume Moitte. Though many of the neoclassical decorative elements on this piece are pulled from Moitte\u2019s design, Auguste\u2019s final product leaves out much of the proposed ornamentation. Instead this object finds distinction in its large size and smooth expanses of silver that emphasize the purity of its lines.",
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"citation": "Foote, Helen. \"A Gift of French Silver.\" The Bulletin of the Cleveland Museum of Art 40, no. 4 (1953): 64-67.",
"page_number": "Mentioned: p. 64; Reproduced; p. 67",
"url": "https://www.jstor.org/stable/25141875"
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{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 159",
"url": "https://archive.org/details/CMAHandbook1966/page/n183"
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{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 159",
"url": "https://archive.org/details/CMAHandbook1969/page/n183"
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{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 191",
"url": "https://archive.org/details/CMAHandbook1978/page/n211"
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"alternate_titles": [
"Soup Tureen",
"Covered Tureen with Tray",
"Tureen and Platter"
],
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"updated_at": "2026-05-29 06:44:12.744000"
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