{
"data": {
"id": 130316,
"accession_number": "1952.90",
"share_license_status": "CC0",
"tombstone": "Bodhisattva (\u89b3\u97f3\u83e9\u85a9\u50cf), c. 1200\u20131250. Japan, Kamakura period (1185\u20131333). Lacquered wood with color, gilt copper, and cut-gold (kirikane); with base: 76.2 cm (30 in.); without base: 55.9 cm (22 in.). The Cleveland Museum of Art, John L. Severance Fund, 1952.90",
"current_location": null,
"title": "Bodhisattva",
"title_in_original_language": "\u89b3\u97f3\u83e9\u85a9\u50cf",
"creation_date": "c. 1200\u20131250",
"creation_date_earliest": 1200,
"creation_date_latest": 1250,
"artists_tags": [],
"culture": [
"Japan, Kamakura period (1185\u20131333)"
],
"technique": "lacquered wood with color, gilt copper, and cut-gold (kirikane)",
"support_materials": [],
"department": "Japanese Art",
"collection": "Japanese Art",
"type": "Sculpture",
"measurements": "with base: 76.2 cm (30 in.); without base: 55.9 cm (22 in.)",
"dimensions": {
"with base": {
"height": 0.762,
"height_inch": 30,
"height_inch_fraction": 0.0
},
"without base": {
"height": 0.559,
"height_inch": 22,
"height_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [],
"legacy": []
},
"provenance": [
{
"description": "Hara Tomitar\u014d \u539f\u5bcc\u592a\u90ce [1868\u20131939], Yokohama, Japan",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 1
},
{
"description": "(Hollis & Company, Cleveland, OH, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": null,
"date": "?\u20131952",
"sortorder": 2
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1952\u2013",
"sortorder": 3
}
],
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"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": "This sculpture represents one of two bodhisattvas who flank the Buddha Amida, the Buddha of Infinite Life and Light. He has one foot in front of the other and his right leg bent at the knee to show that he is in motion; his torso also sways. He accompanies Amida as he descends to collect a dying person who has asked to be born after death into Amida\u2019s Pure Land, a place conducive to progressing along the path to enlightenment.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79912065"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1952.90-bodhisattva"
]
},
"citations": [
{
"citation": "Lee, Sherman. \"A Japanese Wood Sculpture of the Kamakura Period.\" The Bulletin of the Cleveland Museum of Art 42, no. 3 (March 1955): 45\u201348.
Published as Kwannon",
"page_number": "Mentioned: p. 46; Reproduced: pp. 46\u201347",
"url": "https://www.jstor.org/stable/25142024"
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 907",
"url": "https://archive.org/details/CMAHandbook1958/page/n160"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 275",
"url": "https://archive.org/details/CMAHandbook1966/page/n299"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 275",
"url": "https://archive.org/details/CMAHandbook1969/page/n299"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 371",
"url": "https://archive.org/details/CMAHandbook1978/page/n391"
},
{
"citation": "Yamane, Yu\u0304zo\u0304 \u5c71\u6839\u6709\u4e09, Shu\u0304jiro\u0304 Shimada \u5cf6\u7530\u4fee\u4e8c\u90ce, and Terukazu Akiyama \u79cb\u5c71\u5149\u548c. Zaigai Nihon no shiho\u0304 [\u5728\u5916\u65e5\u672c\u306e\u81f3\u5b9d = Japanese Art: Selections from Western Collections, vol. 8 ]. To\u0304kyo\u0304: Mainichi Shinbunsha, 1979.",
"page_number": "Mentioned: cat. no. 27, p. 127; Reproduced: color plate 27",
"url": ""
},
{
"citation": "Zenzo Shimizu \u6e05\u6c34\u5584\u4e09. \"Japanese Sculptures in America and Canada,\" Ars Buddhica \u4f5b\u6559\u85dd\u8853, no. 126 (September 1979), part I, pp. 67\u201388.",
"page_number": "Reproduced: fig. 8",
"url": ""
},
{
"citation": "Hara Sankei kyu\u0304zo\u0304 Nihon bijutsuten: Sankei Kinenkan kaikan kinen tokubetsuten \u539f\u4e09\u6eaa\u65e7\u8535\u65e5\u672c\u7f8e\u8853\u5c55: \u4e09\u6eaa\u8a18\u5ff5\u9928\u958b\u9928\u8a18\u5ff5\u7279\u522b\u5c55 [Hara Sankei Former Collection of Japanese Art Exhibition: Special Exhibition Commemorating the Opening of the Sankei Memorial Museum]. Yokohama-shi: Sankeien Hosho\u0304kai\u4e09\u6eaa\u5712\u4fdd\u52dd\u4f1a, 1989.",
"page_number": "Reproduced: pl. 132",
"url": ""
}
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"creditline": "John L. Severance Fund",
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"alternate_titles": [
"Kannon Bosatsu"
],
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"updated_at": "2026-05-29 06:44:09.791000"
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