{
    "data": {
        "id": 130940,
        "accession_number": "1953.629",
        "share_license_status": "CC0",
        "tombstone": "Tall Bamboo and Distant Mountains, after Wang Meng (\u4eff\u738b\u8499\u4fee\u7af9\u9060\u5c71\u5716), 1694. Wang Hui (Chinese, 1632\u20131717). Hanging scroll; ink on paper; painting: 79.6 x 39.4 cm (31 5/16 x 15 1/2 in.); overall with knobs: 215.8 x 61.6 cm (84 15/16 x 24 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.629",
        "current_location": null,
        "title": "Tall Bamboo and Distant Mountains, after Wang Meng",
        "title_in_original_language": "\u4eff\u738b\u8499\u4fee\u7af9\u9060\u5c71\u5716",
        "creation_date": "1694",
        "creation_date_earliest": 1694,
        "creation_date_latest": 1694,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "China, Qing dynasty (1644-1911)"
        ],
        "technique": "Hanging scroll; ink on paper",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Hanging scroll",
        "type": "Painting",
        "measurements": "Painting: 79.6 x 39.4 cm (31 5/16 x 15 1/2 in.); Overall with knobs: 215.8 x 61.6 cm (84 15/16 x 24 1/4 in.)",
        "dimensions": {
            "painting": {
                "height": 0.796,
                "width": 0.394
            },
            "overall": {
                "height": 2.158,
                "width": 0.52
            },
            "overall with knobs": {
                "height": 2.158,
                "width": 0.616
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "\u6614\u6587\u6e56\u5dde\u6709\u66ae\u9744\u6a6b\u770b\u3002\u5b8b\u601d\u9675\u984c\u8b58\u5377\u9996\uff1a\u89c0\u5176\u7b46\u529b\u4e0d\u5728\u90ed\u7155\u4e4b\u4e0b\u3002\u65bc\u6a39\u77f3\u9593\u5beb\u53e2\u7af9\uff0c\u4e43\u81ea\u5176\u80ba\u8151\u4e2d\u6d41\u51fa\uff0c\u53c8\u4e0d\u53ef\u4ee5\u7b46\u58a8\u7566\u5f91\u89c0\u4e5f\u3002\n\n\u5b50\u6587\u5ee3\u6587\u51fa\u7d19\u6c42\u756b\u4fee\u7af9\u9060\u5c71\u3002\u60dc\u4e4e\u50d5\u4e4b\u7b46\u529b\uff0c\u4e0d\u80fd\u4f3c\u90ed\u3002\u53c8\u6562\u5f77\u5f7f\u6e56\u5dde\u4e5f\u54c9\uff1f\u81f3\u82e5\u62d9\u6734\u9119\u91ce\uff0c\u7e31\u610f\u5857\u62b9\uff0c\u804a\u53ef\u4ee5\u5beb\u4e00\u6642\u4e4b\u8da3\u3002\u59d1\u585e\u5ee3\u6587\u4e4b\u96c5\u610f\u4e91\u3002\u9ec3\u9db4\u5c71\u4e2d\u4eba\u738b\u8499\u66f8\u3002\n\n\u6b72\u6b21\u7532\u620c\u4e5d\u6708\u671b\u5f8c\u4e09\u65e5\u70ba\u519d\u7fc1\u5148\u751f\u81e8\u4e8e\u9577\u5b89\u5bd3\u9f4b\u3002\u6d77\u865e, \u738b\u7fec\u3002[\u5370]\u738b\u7fec\u4e4b\u5370; \u77f3\u8c37\u5b50.",
                "inscription_translation": "Artist's inscription, signature, and 2 seals:  \n\nIn the past, Wen Huzhou [Wen Tong, 1018\u20131079] painted A View of Evening Mist Seen in Horizontal Manner. [His Majesty] Siling of Song [Zhao Gou \u8d99\u69cb; Gaozong \u9ad8\u5b97] inscribed the following at the beginning of the scroll: \u201cI observed that the strength of his brush is by no means inferior to that of Guo Xi. When he depicted the grove of bamboo amid trees and rocks, the inspiration came directly from his heart and cannot be narrowly defined by brush and ink.\u201d \n\nProfessor Ziwen [Cao Kongzhang \u66f9\u5b54\u7ae0] brought out a piece of paper and requested a painting with the title Tall Bamboo and Distant Mountains. Regrettably, the strength of my brush hardly compares to that of Guo [Xi]. How dare I even remotely be compared to Huzhou? Indeed, my own painting is awkward, unpolished, rustic, and unruly; my mind wanders, and my brush smears and sweeps the ink. I might attempt just a little timely engagement in order to satisfy the professor\u2019s elegant desires. I, Wang Meng of Mt. Huanghe, so inscribed.\n\nJiaxu year [1694], ninth month, eighteenth day, copied for Mr. Yiweng at the residence at Chang\u2019an.  Haiyu, Wang Hui. [seals] Wang Hui zhi yin; Shi gu zi.",
                "inscription_remark": "In addition to appropriating pictorial elements of Wang Meng's Yuan dynasty painting, here Wang Hui also copied the inscription, which alluded to an even earlier artist, Wen Tong.",
                "sortorder": 1
            },
            {
                "inscription": "3 additional seals: \n\n1 of Pang Yuanji \u9f90\u5143\u6fdf (1864\u20131949); \n2 unidentified.",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": 2
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 300427,
                    "title": "Chinese Landscape Painting",
                    "description": "<i>Chinese Landscape Painting</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).",
                    "opening_date": "1954-11-05T04:00:00"
                },
                {
                    "id": 301895,
                    "title": "The Colors of Ink",
                    "description": "<i>The Colors of Ink</i>. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).",
                    "opening_date": "1974-01-10T04:00:00"
                },
                {
                    "id": 304517,
                    "title": "Eight Dynasties of Chinese Painting",
                    "description": "<i>Eight Dynasties of Chinese Painting</i>. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983).",
                    "opening_date": "1981-02-11T05:00:00"
                },
                {
                    "id": 671919,
                    "title": "Six Dynasties of Chinese Painting Part 2",
                    "description": "<i>Six Dynasties of Chinese Painting Part 2</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 10-September 1, 2024).",
                    "opening_date": "2024-05-10T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>Main Asian Rotation (Gallery 119)</em>. The Cleveland Museum of Art, Cleveland, OH (October 16, 1998-January 22, 1999).",
                    "opening_date": "1998-10-16T04:00:00Z"
                },
                {
                    "description": "<em>Main Asian Rotation (Gallery 119)</em>. The Cleveland Museum of Art, Cleveland, OH (April 28-August 8, 2000).",
                    "opening_date": "2000-04-28T04:00:00Z"
                },
                {
                    "description": "<em>Main Asian Rotation (Gallery 119)</em>. The Cleveland Museum of Art, Cleveland, OH (January 15-April 22, 2002).",
                    "opening_date": "2002-01-15T05:00:00Z"
                }
            ]
        },
        "provenance": [
            {
                "description": "Pang Yuanji \u9f90\u5143\u6fdf [1864\u20131949]",
                "citations": [],
                "footnotes": null,
                "date": "by 1909-?",
                "sortorder": 1
            },
            {
                "description": "(Walter Hochstadter [1914\u20132007], New York, NY, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": null,
                "date": "?\u20131953",
                "sortorder": 2
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1953\u2013",
                "sortorder": 3
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "As a leading figure in the Orthodox School of Chinese painting, Wang Hui believed that the act of painting was a dialogue with one or more masters of the past.",
        "description": "Wang Hui studied paintings by earlier masters and digested their styles with unceasing virtuosity. He had such enduring affection for a landscape by Wang Meng \u738b\u8499 (about 1308\u201385) that between 1686 and 1712, he made several copies, like this example. One of his compositional transformations here was moving the scholar from the pavilion directly into the landscape by the stream. <br><br>His faithful copying also included inscriptions. Wang Meng had written that he was trying to resuscitate the style of an earlier artist, Wen Tong (1018\u20131079); therefore, Wang Hui sought to revive both Wang Meng and Wen Tong.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60516409"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1953.629-tall-bamboo-and-dist"
            ]
        },
        "citations": [
            {
                "citation": "Pang, Yuanji \u9f90\u5143\u6fdf. <em>Xu zhai ming hua lu (16 juan)</em> [\u865b\u9f4b\u540d\u756b\u9304 (16\u5377) = Catalogue of paintings in the collection of the author]. Shanghai: Xuantong ji you, 1909.",
                "page_number": "Mentioned: 6a-6b, pp. 19(a)-19(b)",
                "url": null
            },
            {
                "citation": "Pang, Yuanji \u9f90\u5143\u6fdf and Binglu\u0308 Pang \u9f90\u6c37\u5c65. <em>Ming bi ji sheng </em>[\u540d\u7b46\u96c6\u52dd = Illustrated catalogue of Chinese paintings in the author's collection]. Shanghai: Mo yuan tang, 1940.",
                "page_number": "Reproduced: III, pl. 11",
                "url": null
            },
            {
                "citation": "Lee, Sherman E. <em>Chinese Landscape Painting</em>. Cleveland, OH: The Cleveland Museum of Art, 1954.",
                "page_number": "Mentioned: p. 153, cat. no. 84; Reproduced p. 153",
                "url": "https://archive.org/details/ChineseLandscape"
            },
            {
                "citation": "Sire\u0301n, Osvald. <em>Chinese Painting: Leading Masters and Principles</em>. New York: Ronald Press, 1956.",
                "page_number": "Mentioned: VII, Lists, 427",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
                "page_number": "Mentioned and Reproduced: cat. no. 877",
                "url": "https://archive.org/details/CMAHandbook1958/page/n156"
            },
            {
                "citation": "Grousset, Rene\u0301. <em>Chinese Art &amp; Culture</em>. London: A. Deutsch, 1959.",
                "page_number": "Reproduced: pl. 56",
                "url": null
            },
            {
                "citation": "Sullivan, Michael. <em>An Introduction to Chinese Art</em>. London: Faber and Faber, 1961.",
                "page_number": "Reproduced: p. 193, pl. 135",
                "url": null
            },
            {
                "citation": "Lee, Sherman E. <em>Chinese Landscape Painting</em>. Cleveland, OH: The Cleveland Museum of Art, 1962.",
                "page_number": "p. 98, no. 79",
                "url": null
            },
            {
                "citation": "Gyllensv\u00e4d, Bo. \"Some Chinese Paintings in the Ernest Erickson Collection.\" <em>The Museum of Far Eastern Antiquities Bulletin (BMFEA)</em>, no. 36 (1964): 159-170.",
                "page_number": "Comparative material. Reproduced: pls. 1-2. Mentioned: pp. 159\u2013161",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 269",
                "url": "https://archive.org/details/CMAHandbook1966/page/n293"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 269",
                "url": "https://archive.org/details/CMAHandbook1969/page/n293"
            },
            {
                "citation": "Lee, Sherman Emery, and James Robinson. <em>The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art</em>. New York: Asia Society; distributed by New York Graphic Society, 1974.",
                "page_number": "cat. no. 146",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 357",
                "url": "https://archive.org/details/CMAHandbook1978/page/n377"
            },
            {
                "citation": "Hironobu Kohara \u53e4\u539f\u5b8f\u4f38, Tamaki Ogawa \u5c0f\u5ddd\u74b0\u6a39, and Roderick Whitfield. <em>Un Juhei, O\u0304 Ki</em> \u60f2\u58fd\u5e73 \u738b\u7fec. To\u0304kyo\u0304: Chu\u0304o\u0304 Ko\u0304ronsha, 1979.",
                "page_number": "Reproduced: pp. 145 (fig. 26, detail), p. 157 (pl. 26).",
                "url": null
            },
            {
                "citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. <em>Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
                "page_number": "Reproduced: cat. no. 245, pp. 331-332",
                "url": null
            },
            {
                "citation": "Chou, Ju-hsi and Anita Chung. <em>Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art</em>. Cleveland, OH: The Cleveland Museum of Art, 2015.",
                "page_number": "Mentioned and Reproduced: pp. 408\u2013415",
                "url": null
            },
            {
                "citation": "Giuffrida, Noelle. <em>Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America</em>. Oakland, California: University of California Press, 2018.",
                "page_number": "Reproduced: p. 103, fig. 58",
                "url": null
            }
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        "creditline": "John L. Severance Fund",
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        "sketchfab_id": null,
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        "athena_id": 130940,
        "creators": [
            {
                "id": 6326,
                "description": "Wang Hui (Chinese, 1632\u20131717)",
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                "name_in_original_language": "\u738b\u7fec",
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        "accession_date": "1953-12-15T00:00:00",
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        "alternate_titles": [
            "Tall Bamboo and Distant Mountains",
            "Tall Bamboo and Distant Mountains, after Wang Meng \u4eff\u738b\u8499\u4fee\u7af9\u9060\u5c71\u5716"
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        "updated_at": "2026-03-27 00:08:34.959000"
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}