{
"data": {
"id": 131672,
"accession_number": "1954.262",
"share_license_status": "CC0",
"tombstone": "Pure Tones among Hills and Waters (\u5c71\u6c34\u6e05\u97f3\u5716), 1664. Xiao Yuncong (Chinese, 1596\u20131673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262",
"current_location": null,
"title": "Pure Tones among Hills and Waters",
"title_in_original_language": "\u5c71\u6c34\u6e05\u97f3\u5716",
"creation_date": "1664",
"creation_date_earliest": 1664,
"creation_date_latest": 1664,
"artists_tags": [
"male"
],
"culture": [
"China, Qing dynasty (1644-1911)"
],
"technique": "Handscroll; ink and light color on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Handscroll",
"type": "Painting",
"measurements": "Painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); Overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.)",
"dimensions": {
"painting": {
"height": 0.31,
"height_inch": 12,
"height_inch_fraction": 0.1875,
"width": 7.816,
"width_inch": 307,
"width_inch_fraction": 0.6875
},
"overall": {
"height": 0.34,
"height_inch": 13,
"height_inch_fraction": 0.375,
"width": 11.948,
"width_inch": 470,
"width_inch_fraction": 0.375
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "\u7a2e\u677e\u767c\u79c0\u8272\uff0c\u5177\u662f\u9ad8\u4eba\u5fc3\u3002/\n\u947f\u77f3\u7bc9\u8305\u5c4b\uff0c\u9577\u5e74\u8986\u7da0\u9670\u3002/\n\u767d\u96f2\u7121\u610f\u51fa\uff0c\u8212\u5377\u8da8\u7a7a\u6797\u3002/\n\u842c\u7c5f\u6642\u4e00\u5bc2\uff0c\u5fae\u98a8\u58ae\u6e05\u97f3\u3002/\n\u6b64\u60c5\u83ab\u53ef\u64ec\uff0c\u6b64\u666f\u8ab0\u80fd\u8ad6\u3002/\n\u53ea\u5411\u5343\u5cf0\u88cf\uff0c\u5171\u5f48\u4e94\u7d43\u7434\u3002/\n\u6843\u82b1\u4f9d\u7da0\u6c34\uff0c\u4e0d\u89ba\u53c8\u6625\u6df1\u3002\n\n\u7532\u8fb0\u82b1\u671d\u984c\u4e8e\u9752\u84ee\u95a3, \u9418\u5c71\u8001\u4eba\u856d\u96f2\u5f9e\u3002[\u5370] \u9418\u5c71\u8001\u4eba",
"inscription_translation": "Artist's inscription, signature, and seal: \n\nPlanting pine to unveil its natural color:/ \nThis is an idea appealing to all lofty minds./ \n[He] chiseled into the rocks to build a thatched cottage,/ \nTo shade with greeneries all year around./ \nThe white clouds drift by with no will of their own/ \nRolling and stretching toward the vacant forests./ \nSuddenly all sounds are hushed,/ \nWhile a pure tone falls from a light breeze./ \nThis sentiment is impossible to articulate,/ \nAnd the scene is beyond words./ \nTo the thousands of peaks we go,/ \nTo play a duet on the qin of five strings./ \nPetals of peach blossom flow along the green stream;/ \nWithout us being aware, the spring has deepened./ \n\nOn the \"Day of Flowers\" in the jiachen year [twelfth day of the second lunar month of 1664], inscribed at the Blue Lotus Pavilion (Qinglian Ge \u9752\u84ee\u95a3), by the Old Man of Zhong Mountain. Xiao Yuncong [seal] Zhong shan lao ren.",
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "Title and inscription, dated 1744, and 3 seals of Shen Feng \u6c88\u9cf3 (1685-1755).",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "4 colophons and 24 additional seals: \n\n1 colophon, dated 1811, and 5 seals of Xiang Yuan \u9805\u6e90 (active about 1811); \n1 colophon, dated 1858, and 2 seals of Qi Junzao \u7941\u5bef\u85fb (1793-1866); \n1 colophon and 4 seals of Zhang Yunzhong \u5f35\u5141\u4e2d (1881\u20131960?); \n4 seals of Jiang Xun \u6c5f\u6042 (active about 1753\u2013after 1780); \n1 colophon dated 1943, and 2 seals of Wang Shaoming \u6c6a\u5146\u9298 (Wang Jingwei \u6c6a\u7cbe\u885b, 1883\u20131944); \n1 seal of Qi Zhiliu \u7941\u4e4b\u93d0 (active about 1858); \n2 seals of Yu Zhimeng \u4fde\u82b7\u76df (second half of 19th century); \n4 seals unidentified.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 300427,
"title": "Chinese Landscape Painting",
"description": "Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).",
"opening_date": "1954-11-05T04:00:00"
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{
"id": 377849,
"title": "1000 Jahre Chinesische Malerei",
"description": "1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, M\u00f9nich, Germany (organizer) (October 16-December 13, 1959).",
"opening_date": "1959-10-16T04:00:00"
},
{
"id": 304561,
"title": "Visions of Landscape: East and West",
"description": "Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).",
"opening_date": "1982-02-17T05:00:00"
},
{
"id": 310041,
"title": "Mountains, Rocks, and Water: Landscape Painting in Asia",
"description": "Mountains, Rocks, and Water: Landscape Painting in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-December 13, 1987).",
"opening_date": "1987-10-02T04:00:00"
},
{
"id": 298005,
"title": "Inspired by Chinese Landscape and Art \u2013 Chinese Gallery Rotation 240a, 241c",
"description": "Inspired by Chinese Landscape and Art \u2013 Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 14, 2017-February 5, 2018).",
"opening_date": "2017-08-14T04:00:00"
},
{
"id": 521183,
"title": "When Salt was Gold: Yangzhou, City of Riches and Art",
"description": "When Salt was Gold: Yangzhou, City of Riches and Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 12-November 5, 2023).",
"opening_date": "2023-05-12T04:00:00"
}
],
"legacy": [
{
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-10T00:00:00"
},
{
"description": "Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (January 7-July 7, 2015).",
"opening_date": "2015-01-07T00:00:00"
}
]
},
"provenance": [
{
"description": "Jiang Xun \u6c5f\u6042 [active about 1753\u2013after 1780]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 1
},
{
"description": "Xiang Yuan \u9805\u6e90 [active about 1811]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 2
},
{
"description": "Qi Zhiliu \u7941\u4e4b\u93d0 [active about 1858]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 3
},
{
"description": "Yu Zhimeng \u4fde\u82b7\u76df [second half of 19th century]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 4
},
{
"description": "Wu Changshou \u5433\u660c\u7dac [1867\u20131924]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 5
},
{
"description": "Zhang Yunzhong \u5f35\u5141\u4e2d [1881\u20131960?]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 6
},
{
"description": "Wang Shaoming \u6c6a\u5146\u9298 [Wang Jingwei \u6c6a\u7cbe\u885b, 1883\u20131944]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 7
},
{
"description": "(Walter Hochstadter [1914\u20132007], New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?-1954",
"sortorder": 8
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1954-",
"sortorder": 9
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Biographical notes on Xiao Yuncong relate that he did not pursue the career of an official, but \"furnished a cottage in the eastern suburbs [of Wuhu in Anhui province] and amused himself playing the qin (zither) and reading every day.\"",
"description": "Painted at age 68, this landscape is one of Xiao Yuncong\u2019s most mature works. Extraordinary in its combination of fine details with bold brushstrokes and bluish washes, it is also one of his longest compositions in handscroll format, extending over 23 feet. Throughout his lifetime, Xiao visited Nanjing and Yangzhou, where he met with other painters and literati. Regarded as the founder of the Gushu school (\u59d1\u5b70\u6d3e) of painting, Xiao painted from nature, and his landscapes are informed by his travels, as well as by his experience as a print designer.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q60483547"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1954.262-pure-tones-among-hil"
]
},
"citations": [
{
"citation": "Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1954.",
"page_number": "Mentioned: p. 156, cat. no. 102; Reproduced: p. 127",
"url": "https://archive.org/details/ChineseLandscape"
},
{
"citation": "Trubner, Henry. A Chinese Landscape by Hsiao Yu\u0308n-Ts\u02bcung. Oriental Art, New Series, V. 1, No. 3. [Surrey, England, etc.]: [Oriental Art Magazine, Ltd.], 1955.",
"page_number": "Reproduced: p. 104, fig. 6, 7",
"url": null
},
{
"citation": "Sire\u0301n, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.",
"page_number": "Mentioned: VII, Lists, 337",
"url": null
},
{
"citation": "Lee, Sherman E. \u201cSome Problems in Ming and Ch'ing Landscape Painting.\u201d Ars Orientalis, vol. 2, 1957, pp. 471\u2013485.",
"page_number": "Reproduced: pp. 480-82, pl. 13, fig. 17",
"url": "https://www.jstor.org/stable/4629051"
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 876",
"url": "https://archive.org/details/CMAHandbook1958/page/n156"
},
{
"citation": "Goepper, Roger. Im Schatten des Wu-T\u02bbung-Baumes [\u6850\u9670\u756b\u8a23 = Tong yin hua jue]. Mu\u0308nchen: Hirmer, 1959.",
"page_number": "Reproduced: pl. 26",
"url": null
},
{
"citation": "Goepper, Roger. 1000 Jahre chinesische Malerei. Mu\u0308nchen: Haus der Kunst, 1959.",
"page_number": "cat. no. 105",
"url": null
},
{
"citation": "Goepper, Roger. Chinesische Malerei: die ju\u0308ngere Tradition. Bern: Hallwag, 1960.",
"page_number": "p. 182, no. 105",
"url": null
},
{
"citation": "Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1962.",
"page_number": "Reproduced: pp. 119-21, no. 95",
"url": null
},
{
"citation": "Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964.",
"page_number": "Reproduced: p. 454, fig. 597",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 268",
"url": "https://archive.org/details/CMAHandbook1966/page/n292"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 268",
"url": "https://archive.org/details/CMAHandbook1969/page/n292"
},
{
"citation": "Suzuki, Kei \u9234\u6728\u656c. Chu\u0304goku bijutsu [\u4e2d\u570b\u7f8e\u8853 = Chinese art in Western collections]. To\u0304kyo\u0304: Ko\u0304dansha, 1972.",
"page_number": "Reproduced: II, pt. 2, 231, 232, pl. 40",
"url": null
},
{
"citation": "Rosenzweig, Daphne Lange. \"A Landscape Handscroll by Hsiao Y\u00fcn-ts'ung.\" Allen Memorial Art Museum Bulletin 32, no. 1 (1974-75): pp. 34-56.",
"page_number": "Reproduced: p. 47, fig. 17",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 356",
"url": "https://archive.org/details/CMAHandbook1978/page/n376"
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: cat. no. 223, pp. 297-298",
"url": null
},
{
"citation": "Talbot, William S. \u201cVisions of Landscape: East and West.\u201d The Bulletin of the Cleveland Museum of Art 70, no. 3 (March 1983): 112\u2013135.",
"page_number": "Mentioned and reproduced: p. 116-117, fig. 6",
"url": "http://www.jstor.org/stable/25159808"
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.",
"page_number": "Reproduced and mentioned: pp. 351\u2013359; fig. 1\u20133, pp. 354\u2013355",
"url": ""
}
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